Wonderful character development!

Pretty good movie overall. First half was nothing special but it got better as it went along.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

When a movie continues to rattle around in my thoughts for days after I've watched it, I know it's given me something to chew on. This was not an easy movie to watch. Damaged people. Well, of course, we're all damaged in one way or another. In some of us, it's more obvious, or it really hinders our ability to participate in "society." And yet, even these characters have a kind of grace. Ultimately, each of them even has a kind of integrity that gleams through the broken parts. Being human is hard enough when we come from a place that nurtures and supports us in positive ways. How do we begin to navigate that terrain when we've never been taught or modeled the skills for doing so? As awful as the situation is, this story is told with a quick, light, playful touch. No self pity, no commentary or judgment about these folks. It was an interesting little side trip.

I loved this movie. First and foremost for the acting of such original characters. Also, the look of the film is rich because of the locations and even the costumes. The amazing Olympia Dukakis as I've never seen her before--unforgettable. It's not a spoiler to say that Olympia has almost no lines; everything is done with grunts, looks and screams. All the acting is uniformly memorable, with a sexy and breakout performance from Alison Brie, and a surprisingly touching one from Haley Osment. The score and songs were energetic and fun, but never too dominant. An added plus is a very funny and gently ironic narration done by Phil Proctor, of Firesign Theatre fame.

A crazed grandmother on the lam with two teenagers. Other reviews summarize, so I won't repeat. This film is kind of a grab-bag of treats. Really good performances; you've never seen Olympia Dukakis like this. Alison Brie is sexy and hilarious as a kind of over-grown backwoods Lolita. Haley Joel Osment is genuinely touching, all grown up now. I don't usually like narration, but the narration in this was actually helpful and funny. The voice sounded familiar and as the tail credits rolled, I learned that it was the venerable Phil Proctor from the old Firesign Theatre. The movie kind of left me speechless at the end, it was so weird, unusual and touching. And very funny in many ways.

I just watched this movie. Good grief. Three weirdly combative, unstable creeps (a mute grandmother and her bickering grandson and granddaughter) attempting to drive to Canada (without any sense of direction or knowledge of how to drive a car) after the grandson accidentally kills a man. Along the way, there are more accidental murders, weird dreams about the kids' long-missing father, and, for a flick Comcast billed as a comedy, there's not an ounce of humor. In other words, we have unlikeable characters in a meandering, aimless plot. There's a metaphor for purgatory here, that is a bit too blatant to be called sub-text.The only positives about the movie: the actors do a good job, even though the material itself isn't worth it. And, outside of that, even as an emotionally stunted dirtball, Alison Brie is still so pretty she could sell a glass of fire to a man dying of thirst. And the ending was pretty good. But getting to that ending was such a chore.