Better Late Then Never

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Before the late 1960s American film makers had to work in a tightly regulated system as to what they could portray on screen . The Motion Picture Production Code commonly known as " The Hayes Code " stopped film makers in America portraying sex and violence in cinema . It became more and more difficult to enforce as both cultural and social revolution was sweeping the world and with the coming of " The New Hollywood " in the late 1960s the production code was scrapped . This led to much more graphic films whilst retaining artistic imagination and perhaps no one personified this more than Sam Peckinpah the director of THE WILD BUNCH a film so radically different from other Westerns seen effectively destroyed the genre forever . It was round about the same time feminist social critics described war as " menstrual envy " and this theory of films geared towards men where the male protagonists graphically bleed to death gained credibility in metaphysical film criticism Regardless of your views of this provocative theory there's no doubt that MONEY MOVERS certainly ties in with line of thinking . Despite being an Australian movie Bruce Beresford seems to taken a blood soaked page out of the Peckinpah book of film making . Very few of the characters have morals or are in any way likable just like you'd get in a film by " Bloody Sam " . The violence is brutal and is summed up by the tagline : " The lucky ones only lost their toes " and this is a film that lives up to its tagline. The brutality is also far more matter of fact seen in a Tarantino or Scorsese picture It's a film that does play up to the Aussie stereotypes . Men drink beer all the time , are butch and believe that poetry is the sole preserve of " pooftas "but what makes this a memorable thriller is the heart stopping heist at the end with the type of graphic violence which is genuinely shocking . In some ways it's dated ( One of the gang wants to emigrate in Iran if the plan is successful !) and it's a film that is never shown on British TV but along with BREAKER MORANT another film directed by Beresford it's amongst the very best films to come out of Australia

This excellent Aussie crime flick centers on the workers at Darcy, a money courier service. Things get tense when an anonymous note arrives stating that their counting room - which sometimes houses as much as $20 million - is going to get hit soon and a cargo van is robbed the same day. This speeds up the plans of Darcy workers and brothers Eric (Terence Donovan) and Brian Jackson (Bryan Brown) as they have been planning to rob the place for 5 years. To make matters more complicated, Eric is senior security told to look into this matter and he tries to move the suspicion onto newcomer Leo Bassett (Tony Bonner), who has just gotten partnered with honest ex-cop and old timer Dick Martin (Ed Devereaux). To say any more would reveal too much.Where have you been all my life, MONEY MOVERS? I've never been a huge Bruce Beresford fan, knowing him mostly for BREAKER MORANT, DRIVING MISS DAISY and HER ALIBI (the latter two released the same year in a great example of cinematic diversity). So seeing this hard-hitting and violent crime flick from him was quite a shock. Not only is it quite different in subject, but this sucker moves thanks to some fantastic editing and a tight script (also by Beresford) with plenty of twists. Everyone in the cast is excellent with Devereaux being my favorite character as seemingly the world's last honest man. Definitely worth seeking out.

First time i watched this move i was fifteen..., i found in money movers action, shootouts, angry people and violent scenes..., this movie concerns a guy called Jackson who works in a security company and wants to rob it..., he is helped by his brother(brown) and his friend, played by Ray Marshall; unfortunately for them, a local mafia gang discovers their intentions and wants to be in the mix..., the movie concerns some nowadays problems as violence, angry, unhappiness..., by the way i have to point the final scene, in which the violence level rises to the top: fist fights, chairs broken in a guys back..., there is a guy called geronimo who exhibits a crude brutality in his actions..., this actor, although secondary cast offers a high range performing..., only you have to see how he uses his gun and his fist..., if antibody knows something about him, send me a pd here in IMDb..., his name is rick hart i give it nine star from ten

Money Movers really shows what can happen when greed and temptation come together. The money movers of the title handle millions of dollars each day in armored vans completely ready for an outside attack. But what happens when the danger comes from the inside? The answer is everything: Murder, double-cross of thieves, rival gangs, intrigue, suspicion, and the list goes on. This movie is packed with testosterone and has all the action you could ask for. Bruce Beresford directed who would latter come to America and did the Oscar winner Driving Miss Daisy. Based on the book of the same title by Devon Minchin this movie boasts one of the best robberies ever filmed – climaxing in the bloodiest, fastest, hottest shootouts ever put to film. This movie is hard to find in the US but if you come across a copy watch it!