terrible... so disappointed.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

'At Bertram's Hotel' is more of a character study than a whodunit's. The audience is more concerned with background stories and motivations and this leads one to wonder who will do what, to whom, and why? Some view the book and this adaptation as one of Agatha Christie's lesser efforts. I agree the film is rather muted but I find the novel fascinating. The book was published, and set, in the mid-1960's and included references to The Beatles and counter culture. The film stays firmly in the never-never 1950's of the other BBC Marples (there is mention of the 'ghastly' new commercial ITV which began broadcasting in 1955) which I think is a mistake.We see Joan Hickson tut-tutting over new London architecture but there is little real sense of change, of a new world emerging in which a place like Bertram's has no real part. It is central to the plot that Bertram's *hasn't* changed, because it should have. More forcefully, Bertram's 'old fashioned' values cover something rotten and corrupt which should be swept away.This is a good piece of television with excellent performances and production values, but it could have been much sharper. Maybe Agatha Christie wasn't a great 'message' novelist, but I feel there is a point to Bertram's that could have been displayed more positively here.

Miss Marple accepts a stay at an expensive and classy hotel courtesy of her nephew Raymond and arrives to find that Bertram's is as beautiful and preserved as people say. As she settles in she meets the various other guests and finds them to be quite interesting characters; a forgetful Colonel, an international traveller, a Lady and a doorman who seems to have a connection to one of the guests in the past. All the talk is of a series of robberies happening around the area but the strange disappearance of the Colonel distracts from this. Concerned by the circumstances of his vanishing, Mrs Marple places a call to Chief Inspector Davy to take a look into it.Having recently watched a lot of Columbo, Perry Mason and "mystery" series like that, the return to watching the BBC version of Miss Marple has left me a little culture shocked but still enjoying it. Here we have almost an hour going by before the first bit of the mystery happens but this isn't a real problem because we have the background of robberies and the development of the various characters in the hotel. For some this will seem quite dull but in this film I actually quite enjoyed it. The mystery element is quite well done despite the limitations of the material because, it must be said, that if you boil the story down to the core it really isn't that good and the conclusion didn't really inspire me when it finally came down to it. I've struggled with some miss Marple films to get past the slow pace but here the detail (the sets, the people and the story) helped fill the silent, slow patience with something to engage me. It could have been better of course, with a bit more complexity and an ending that works rather than just happens but I still enjoyed it.The performances help to do this as much as Hyem's writing. Hickson is very much Miss Marple; perhaps not as flamboyant as some would like but to me she fits the humourless, proper, English spinster really well. She is matched here by George Baker, who gives a great performance as the relaxed and slightly unprofessional CI. The support cast are not quite as memorable but generally are pretty good with the likes of Blakiston, Michell, Cossins and McGrath. The film looks good, with plenty of nice period detail, while McMurray directs with a patience and steady camera that suits the material and the performances.Overall a gradual film whose strength is strangely not the murder mystery. A bit slow for some viewers but had sufficient layers to it to be interesting and enjoyable.

From 1984 thru 1992, the delightful British actress Joan Hickson took on the role of Agatha Christie's amateur detective, the beloved Miss Marple, and made a dozen made-for-TV British movies. Every entry in this golden dozen has its own particular delights, but "At Bertram's Hotel" towers above them all and is by far the best of this 24-hour treat (each film runs a bit under two hours, and each one could easily have been given a theatrical release). The fact that "At Bertram's Hotel" rises above all the others is indeed peculiar, in that it was one of Ms. Christie's final books, and the book is--to put it bluntly--a deadly bore. In contrast, the movie is a luscious, witty, suspenseful treat. Credit is due to Jill Hyem, who wrote the cunning script, shrewdly discarding the flotsam of the novel and embellishing its virtues; Mary McMurray's delectable direction; John Walker's gorgeous burnished cinematography of Production Designer Paul Munting's luxurious sets. And, of course, Joan Hickson's crafty portrayal of the elderly spinster Miss Marple, abetted by a first-rate cast (including Joan Greenwood in one of her last performances). There have been three actresses I know of who have essayed the role of Miss Marple: the full-sized, hilarious Margaret Rutherford in 4 films released in the early 1960s (if you've never seen these jewels or Ms. Rutherford's glorious jowls, check TCM's listings and tape them; you'll cherish them forever); Angela Lansbury in the 1980 theatrical release "The Mirror Cracked," yet another treat co-starring Elizabeth Taylor, Rock Hudson, Tony Curtis and the ravishing Kim Novak (I've always considered this film as Ms. Lansbury's dress rehearsal for her forthcoming TV-series as Jessica Fletcher in "Murder, She Wrote"); and then this sunburst of expensively mounted TV productions from 1984-1992. Most critics prefer Miss Hickson's interpretation of the role, feeling she was the perfect embodiment of the Miss Marple of Ms. Christie's creation--a prim, prissy, nosey (but utterly humorless) spinster. To me, all three actresses are equally amazing, each making the role her own (though I do have a soft spot for the rambunctuous, sheer hilarity the indomitable Margaret Rutherford brought to the role). Comparisons aside, "At Bertram's Hotel" is probably the slyest and most enjoyable of ALL the Miss Marple films. Set at an exclusive hotel, the plot twists and turns as, first of all, the doorman is murdered; secondly, the elderly vicar who has resided at the opulent establishment mysteriously vanishes; and, thirdly, what do these have in common with a series of jewel robberies that have been going on for several months? Don't drive yourself crazy trying to figure things out. The sprightly 80-year-old (at the time of filming) Miss Hickson will do the job for you; and watching her in action, in lavish settings peopled with a superb cast of British actors, is a memorable treat the likes of which we'll probably never see again. (Incidentally, Ms. Hickson had a supporting role in the first Margaret Rutherford/Miss Marple outing, the outrageously funny and suspenseful "Murder, She Said." At the time, who would have guessed . ..

The direction, acting and total production is wonderfully done in this adaptation of Agatha Christie's novel. The leading actress is superb...from the first scene which juxtaposes the arrival of Miss Marple and Lady Bess Sedgewick arrive at Bertram's Hotel is a joy of contrasts and adept editing. Throughout the film this actress (playing Lady Bess} is mesmerizing! The whole production does a fine job of recapturing the late 1950's England. A fine addition to the Joan Hickson/Miss Marple series! What a gift to have the Miss Marple and Hercule Poirot series on DVD.