The greatest movie ever made..!

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

After playing with our expectations, this turns out to be a very different sort of film.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

I really had somewhat high expectations for this film once recognizing actors whom I consider have wonderful careers in entertainment such as Sam Jaeger, Gabrielle Union, Dule Hill, Beth Grant, John Kapelos, just to name a few featured in the film, but upon actually watching the film in it's entirety I was severely disappointed. The actors who I thought had primary roles were featured for maybe twenty seconds at least! However, it is not the work of the many supporting characters that makes me rank this film so low, the low ranking is because I was very bored with Robinne Lee's character! Initially, I was searching for an African-American actress starring lead in a film, and I found 'Miss Dial'. Unfortunately, Robinne Lee just didn't have any... 'pizazz' whatsoever. Other than the acting capabilities, I wonder if the film budget was very very low, or independent, or... just bad? Maybe I've grown accustomed to the "typical" Hollywood movie set: glowing and unlike real life as many know it, but that's what makes a ROM COM feel like a ROM COM to me! Yes, this film portrays the simplicity of REAL life with low lighting and very cost effective scenery, but when films have the ability to portray brilliant images and capture shared moments, those that lack the spark and the effect are left in the dust. I guess that is how you can separate movies like this from films that leave an affect.

The first thirty minutes, there was actually some hope in my mind that this movie's plot would really take off. It did take long to prove I was sorely disappointed. There are some funny moments that make it seem worth holding out for but ultimately this movie proves to be simply too predictable. Perhaps the worst part of the movie is when the lead actor cries but just can't get those tears flowing. Woman's man is cheating, she finds another love interest, and she moves on. It's a definite A on originality though. Lead actors were very relatable to regardless of how bland their storyline was. Cameo from Gabrielle Union was perhaps the funniest part of this movie. This was the first film this particular director was in charge of however, so plenty of room for improvement. Great Actors, bland plot and original storyline.

The best romantic comedies (Pretty Woman, As Good As It Gets, Bull Durham, Knocked Up) often remind us that, not only do we need other people, but that they also better us. Miss Dial, David Steinberg's newest film, charmingly succeeds at doing the same. Steinberg, a master of raunchy, gross-out comedy (he wrote or co-wrote several of the American Pie films and the hilariously bawdy coming-of-age novel Last Stop This Town), has created a subtle, engaging, and relentlessly funny character study about the profitable, if painful, self-improvement occurring when the right person enters one's life. Miss Dial is Erica (an outstanding Robinne Lee), a home-based consumer products customer service rep who (with a smiling, repressed contempt) fields calls from morons and weirdos befuddled by her company's usually self-explanatory products. After one moron too many, Erica takes a break from her caller queue and, attempting to call a friend, misdials an Afghanistan War vet in North Carolina. An engrossing conversation ensues, prompting Erica to keep dialing random numbers to talk to strangers, most of whom provide the honest, unscripted human contact she didn't know she needed. Her last "misdial" brings her to Kyle (an excellent Sam Jaeger), with whom she develops an increasingly romantic rapport. Kyle goads Erica, however charmingly, towards a self-understanding prompting reconsideration of her relationships, personal and professional.Miss Dial also meditates upon what, as another reviewer observed, is perhaps the great irony of our age: technology has made us at once intimate and estranged. People increasingly prefer social networks, texts, and telephones to real, human contact. Resultantly, one may know a person's favorite books, music, and foods and not really know him or her. Couple that with the perma-smiling personae workplaces oblige employees to adopt (as Erica does with flagging success throughout the story) to handle a cretinous, consuming public and one realizes how we can interact with others constantly and yet learn nothing about them or ourselves. Technically speaking, Steinberg's writing and direction are right on. His plotting is a textbook example of screenwriter William Goldman's demand: "Give the audience what they want, just not in the way they expect it." And the spare, split-screen rendering of the characters' phone conversations captures the sense of phony intimacy technology allows while focusing attention upon the actors' masterful performances. Mr. Steinberg has done a mitzvah in creating Miss Dial. It deserves the widest possible audience.

Fun movie for the whole family to watch. It will bring up a discussion of how we all communicate with each other in today's social world; like, how we meet new people and grow those relationships into something worth continuing. There are many fun cameos that will surprise you and make you laugh out loud. You really feel and connect to each character because you've been in those situations before. Jokes are reflections of real life situations when dealing with customer service. How many times have you had to call a company's 800 number and then it turned into a completely different scenario? Good for any night of the week!