recommended

It is both painfully honest and laugh-out-loud funny at the same time.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

A clunky actioner with a handful of cool moments.

True love demands certain sacrifices, so Ruby regularly visits her husband Derek in prison, works hard to pay household and legal expenses, and endures frequent and unbearable lectures from her mother regarding bad life choices. Her husband is a good man, so it is worth it. Time, however, has a way of changing things. Despite her devotion, Ruby faces temptations and disappointments. She struggles to maintain her dignity and composure, and to shine even on her worst day.This elegant and complex film is a little hidden treasure waiting to be discovered. I was delighted to find it. The photography is one of the best things about it; colorful and beautiful images (mostly at night) make the film a gem even if it had no sound. The moody music, acoustic and ambient, adds to the magic. The story, acting and directing are also extremely well done. This film must have been a profound influence for Moonlight, or be connected to it in some way, for both films are similar in appearance, aura and stupefying impressions they leave. Winner of best director prize at Sundance.

Middle of Nowhere ***1/2 (2012) 1hr. 41 min.Ava Duvernay is one of a new exciting filmmakers in independent cinema, whose stories about relationships about black Americans and issues surrounding their spouses, parents, siblings, etc. and how complicated and loyal black women can be when it comes to black men. Some black women go through enormous sacrifices of personal happiness within themselves and in this film, shows how loyalty can lead to question one's purpose on earth, in which, that very dedication is tested, when she meets a man one day and she questions that very attachment to her significant other.The story is about a young black woman, a registered nurse named Ruby (Emayatzy Corinealdi) who lives with her sister a waitress named Rosie (Edwina Findley Dickerson) and her young son. Ruby is paying for an attorney to represent a case involving Ruby's husband Derek (Omari Hardwick) who has been in jail for 4 years on a weapons charge. She loves him and is focused on having the life they planned before he was incarcerated when he is released from jail. When the parole hearing occurs, with Ruby being the attentive dutiful wife-- hears a bombshell in the courtroom. Ruby questions her commitment to the marriage, which leads to a budding romance with a Bus driver Brian (David Oyelowo). Brian knows that she is married but senses tension within the marriage by Ruby's nonverbal behavior and seeing a ring that appears on her left finger to be a wedding ring. Ruby then has to decide to either continue with her marriage to Derek or begin another romance with a new suitor. Ruby also has to deal with the relationship with her mother and her disappointment of her daughter's lifestyles choices.The film is beautifully written by Ava Duvernay the dialogue is very poetic and introspective of the inner dialogue she gives Ruby, who is a woman who loves her husband, but has to deal with one obstacle after another because of her husband irresponsible behavior. Ruby represents a lot of black women who are dedicated spouses who put with a lot of nonsense of their boyfriends or husbands, because of the racist society that we live in. Many black women feel the black man in America today, get such a raw deal, by the systematic racism that exists in America. Despite years of laws that should have made discrimination less and less problematic, which has unfortunately, had limited effectiveness to curb racism in large numbers. All the performances are quite good and Troussaint has great moment when she's at the dinner table, at her daughters house, she is disappointed with one daughter's choice of profession and an ex- boyfriend who is an absentee father and Rosie, not wanting Mother Ruth to spend time with her grandson and the other daughter Ruby, who is too loyal to a man who is not worthy of her daughter. "Middle of Nowhere" is a fine second feature and gives Duvernay the opportunity to make more intellectual and thoughtful movies, about people in complicated relationships and situations. I predict Duvernay will make more thought provoking films in the future years to come.

Go and see this film!! Ignore the critics and lame ratings!! This movie unfolds like a blossom and it's a great film for both men and women! It is a powerful and emotionally deep experience - without being heavy handed. The acting is phenomenal and the characters are She's innocent, hopeful, committed, determined and blind. Her husband is cautious, realistic, hanging on, while trying to push her away. This is a movie of incredible dialog and subtle physicality - the twitch of a lip, the pleading or twinkling in the eyes, and the anger/frustration in tightly drawn lips. I love the film's murkiness and incomplete glimpses of the couple's history. There's not a lot of time spent trying to show how they got to where they are.The portrayal of a family as strained, fragmented and individually isolated was stunning and the scenes between the mother and her 2 daughters -- acted as levers that the director used to shift the film's pace. The movie also gently taps at class and socio-economic constructs within the African-American community."Variety" magazine's reckless and inaccurate review (IMHO) completely missed the point of the movie and of the ONE line he quoted - yet misinterpreted. Hint/hint: the line is "an ode to the fact that most men -- even black men 'ie, brothas' lean toward flicks - where you don't have to follow the dialog; that is...you don't really have to pay attention!! It was NOT a statement alluding to actual or perceived reading abilities.The movie feels much longer than it is, but it was a wonderful savoring. At the end, I was satisfied...yet still would have been content with more! Compared to the movie "Blue Valentine" featuring Michelle Williams and Ryan Gosling, this movie is a true 10!

Middle Of Nowhere is perhaps as good as a low-budget indie can get, and also a textbook example of a Sundance competition film. It has a solid screenplay, aptly selected melancholy tones/music, long pauses, a couple of twists and a camera trick, etc., but nothing evasive to turn off the audience. Every aspect of being a good small narrative film is pretty much covered.Quite naturally, the most valuable asset of such a film is the chemistry of a committed cast. Omari Hardwick is reasonably stoic and almost possesses the angst of a Denzel Washington character who has been pushed around too long. Emayatzy Corinealdi, as the film's emotional core, convincingly depicts a devoted wife's slow transition in priorities. With her rich experience in both cinema and TV, there's little wonder how Lorraine Toussaint goes instinctively maternal towards two younger actresses and leads them to fairly palpable family dynamics.This is a relatively simple tale of a young wife who teeters between naivety and strength, but the skillful and effective storytelling supported by good performances offers a decently enjoyable viewing experience.