Clever and entertaining enough to recommend even to members of the 1%

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

It really made me laugh, but for some moments I was tearing up because I could relate so much.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is an early Disney short featuring Mickey Mouse. There will be spoilers ahead:This is a nice little short ostensibly about Mickey going out to see Minnie. The short begins with Mickey preparing for his evening with Minnie. Mickey shaving and washing up is unusual to say the least. Pluto follows Mickey to Minnie's, setting the stage for the catastrophe (so to speak) awaiting everyone later.There's a lengthy musical section next, with Minnie playing and singing. Mickey dances and capers about, with his efforts becoming increasingly involved and intricate. Outside, Pluto is chasing a cat.You can pretty much guess what happens next-the cat jumps into the house through a window, Pluto in hot pursuit. The results of this continued chase are predictable but funny. Minnie's house is wrecked, culminating in a very funny ending This short can be found on on Mickey Mouse In Black and White from the Disney Treasures DVD releases and is well worth tracking down. Recommended.

I always enjoy Disney and Mickey Mouse. While not one of the standouts of Mickey's cartoons for me, it is still an interesting and very enjoyable cartoon. The animation has been better elsewhere with not much leaping out as standouts, apart from the sequence involving Mickey's Just Hanging Around joke, however it is clean and smooth. The music is a big part of Mickey Steps Out, with a great amount of rhythm and energy, particularly when Mickey makes music out of walking, tripping and jumping along the path. The story is crisply paced and always entertaining with a wonderfully chaotic ending(plus interestingly Mickey shaves), but in terms of structure somewhat all-over-the-place with the constant switches from broad physical comedy to musical numbers. The comedy, coming mostly from Pluto, is very funny, and while Mickey and Minnie are likable and not too sidelined Pluto is the star, carrying the comedy and the main thrust of the story very well. All in all, a very well done cartoon, not Disney's very best or among their best but I recommend it with no hesitation. 8/10 Bethany Cox

Unless you absolutely demand that a Mickey Mouse cartoon be in full color, I can't see much you wouldn't like in this charming cartoon. In addition to Mickey, it's got Pluto and Minnie--making it one of the earliest cartoons from Disney with this trio. And, most importantly, it is fun! The cartoon finds Mickey and Pluto on their way to Minnie's house. However, Pluto is distracted by a cat and spends much of the cartoon chasing it. For a while, Pluto disappears and the cartoon focuses on Mickey and Minnie having fun--the wholesome variety, by the way. Ultimately, however, Pluto and the cat arrive in the house and make a mess of everything.This cartoon features the voice of Walt Disney as Mickey. In several early Mickey cartoons where he talks, it's a much gruffer voice--and it sounds nothing like the one Walt made famous. It also features a nice sense of fun. From start to finish, a sweet little cartoon that still looks great over 80 years later.

A Walt Disney MICKEY MOUSE Cartoon.MICKEY STEPS OUT to spend the evening with Minnie, heedless of the havoc possible if Pluto follows him...There's not much plot in this black & white film, which doesn't detract from the enjoyment of watching it. That's `Sweet Georgia Brown' Mickey hoofs it to while Minnie tickles the ivories. Walt Disney supplies Mickey's voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.