the leading man is my tpye

What makes it different from others?

Excellent, Without a doubt!!

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

MEN FROM THE MONASTERY is one in a series of Shaw Brothers movies detailing the burning of the Shaolin Temple and the subsequent battles of Ming rebels against the evil Qing overlords. This one is directed by the ubiquitous Chang Cheh and features the likable Alexander Fu Sheng in an early starring role alongside Chen Kuan Tai and Chi Kuan-Chun, both of whom were respected Shaw stars in their own right.While not as good as the epic SHAOLIN TEMPLE, MEN FROM THE MONASTERY still packs a punch for kung fu fans. The weirdest thing about it is the structure, which gives each of the three heroes a twenty-minute back story, which means that we only get to the film's opening titles about an hour in! Said back stories are straightforward Shaw in a nutshell, with virtuous heroes battling the usual bad guy gangsters, thugs, and martial arts masters. It also features Chi Kuan-Chun in probably the quickest training sequence ever, with 3 years condensed into 10 seconds.There's a little action at the Shaolin Temple, including the opening run through 'wooden men alley' and plenty of fast-paced incident. The burning of the temple itself is only shown in brief and looks a bit rushed which makes me suspect there were a few budgetary restraints here. However, things pick up for the epic and powerhouse climax in which all of the Shaolin rebels team up to take on all of the bad guys in a fight to the death. There's tons of great action here including some unusual stylistic touches involving screen colouring. It ends MEN FROM THE MONASTERY on a real high.

MEN FROM THE MONASTERY/DISCIPLES OF DEATH is about as close as one can get to a non-stop action movie. It opens with Fang (Fu Sheng) literally fighting his way out of a Shaolin Temple (going through what is referred to as "Death Alley," a gauntlet he must run against sometimes armed opponents just to prove that he DESERVES to leave- and to LIVE). He has one advantage: by immersing himself in a special vat of liquid over his years at the temple, he has strengthened his skin to the point that he's impervious to weapons (except for one particularly vulnerable area- revealed by his former master to a pair of rivals who want him dead). Although his attackers try to kill him with a sword, he exits uninjured. Cut to disciple number two, Hu (Chen Kuan-chi), who sets out to avenge his father's death in a gambling den. He fails at first, but Fang suggests he join the nearest Temple and learn kung fu- which he does, in one of the quickest such scenes I've ever seen, and returns to avenge his father. Cut to disciple number three, Hung, played by Chen Kuan Tai. He's being hunted by the Manchus while forming an army to oppose them. It all comes together in climactic battle after battle so apparently gory that the screen turns red (a la, HEROES TWO), then goes to black and white for most of the rest of the movie (until Chen Kuan Tai brings up the rear). If you're a fan of all-out action, I highly recommend MEN FROM THE MONASTERY.

This was a huge deal in the SF Bay Area, back in a time when there was no Jet Li or Chow Yung Fat, yet it was still reviewed in the hip weekly papers and Chronicle. This film, along with Heroes Two and Shao Lin Martial Arts almost brought some critical respect for the Genre when it seemed all but dead after Bruce Lee died. Sadly, it didn't take off, and Chang Cheh cranked out as many stiffs as he did Masterpieces. Hell, he wasn't making movies for western audiences, anyway.I just remember how stunned the theater owners were when all these white hippie intellectual couples showed up at the Great Star theater in droves to see this flick. The one thing that is lacking is in the fighting scenes you never see the Tiger Crane fist technique, only punches and palm strikes. They must have realized that something was missing, because every Fu Sheng Shao Lin movie, and damn near every movie about Shaolin, had the tiger Crane moves after this. Just so you know, there were actually 5 systems out of the temple that survived the burning, but you would never know it from these flicks.

MEN FROM THE MONASTERY (aka DISCIPLES OF DEATH, 1974) is the second film in Chang Cheh's Shaolin cycle and features Fu Sheng and Chen Kuan Tai returning to the roles they played in HEROES TWO (1973), the legendary Shaolin fighters Fong Si Yu and Hung Si Kwan. They are joined here by Chi Kuan-Chun as Fong's partner, Hu Wei Chien. All three stars would play these roles in later films.The story opens with Fong Si Yu's `graduation' from Shaolin Temple (i.e. his grueling run through Death Alley), and goes on to tell the story of Hu Wei Chien's troubles with a local kung fu school and Fong's sending him to Shaolin to learn kung fu so he can get revenge for the murder of his father. (The story of Hu Wei Chien would be restaged in a later film, THE INVINCIBLE KUNG FU BROTHERS, aka SHAOLIN AVENGERS, with the same actors.) Eventually the two heroes hook up with Hung Si Kwan to fight Manchu oppressors who burn down Shaolin (in shots taken from HEROES TWO) and square off in the spectacular final battle against the three stars plus six compatriots, including Hu Wei Chen's girlfriend. (In the tape reviewed, scenes of gore in the final battle are printed in black-and-white.)Martial arts director Lau Kar Leung, himself a student of Shaolin-originated Hung-style Chinese boxing (named for Hung Si Kwan), directed the fight scenes here and sought to make them more authentic. Although there are few worthy villains in the cast, the fighting of the three stars and the attention to specific styles distinguished this film from most earlier kung fu films. It still pales, however, next to the unofficial Shaolin epic trilogy of SHAOLIN MARTIAL ARTS (listed on IMDB as SHAO LIN MARTIAL ARTS), FIVE MASTERS OF DEATH, and DEATH CHAMBER (aka SHAOLIN TEMPLE), all directed by Chang Cheh and all also starring Fu Sheng and Chi Kuan-Chun, who play their regular roles of Fong Si Yu and Hu Wei Chien only in the third film. Still, MEN FROM THE MONASTERY remains a seminal film in the kung fu pantheon. For the record, the end text (in English) describing the fate of Shaolin martial arts spells the main characters' names as follows: Hu Hueh-Chien, Fang Shih-Yu, and Hung Hsi-Kuan.