Meet the Mobsters
Meet the Mobsters
| 10 August 2005 (USA)
Meet the Mobsters Trailers

Down-and-out lounge singer Johnny Slade is hired by a mystery man to open a hot new club, the catch being he's given a new--and terrible--song to sing each night. Noticing that whenever he sings one a new crime is committed, Johnny gradually realizes his songwriter-benefactor is a powerful mob boss in hiding and his "Greatest Hits" are the only way the man can give orders to his crew...

Reviews
Exoticalot

People are voting emotionally.

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Manthast

Absolutely amazing

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ChicDragon

It's a mild crowd pleaser for people who are exhausted by blockbusters.

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Brennan Camacho

Mostly, the movie is committed to the value of a good time.

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elshikh4

A mafia boss transmits his orders to his men through bizarre songs he writes to be sung forcibly by poor lounge singer. This is an original idea. I bet (Martin Scorsese) was jealous! (John Fiore) looks great with noticeable wit (and noticeable heavy weight as well !). (Vincent Curatola) did wonderful as a funny mafia boss/poet. Did you see him in that disguise ? Hilarious. Like being Groucho Marx and Harpo together ! The rest of the cast were OK. But what wasn't OK, is how that original idea was treated. More than half of the movie we watch nothing but a song, a hit, a doubt. That's not bad, but it becomes bad when the movie gets sloppy, and stops showing us the droll songs anymore. It's how it loses a real factor of comedy. Plus, the matter of the competitor gangster wasn't used well (just a 5 minutes sequence about anti-Italian song). Then the third act was unbelievable as the best of jumble. The event of singing to the gang to make them give themselves up is idiot. Why that mafia boss doesn't ever attend his songs being performed in his club? And that climax; it's hard to satisfy, especially with so indifferent directing which, to tell you the truth, was the worst element at all. One point was in favor of the director though; the scenes of the lead and the boss meeting before every song; seeming more like meetings for planning crimes or attempting murders more than an artistic collaboration. Speaking of which, that reminds me of the potential depth of it (the one that might have tempted Scorsese). It says a lot about the importance of art; it can kill or give life. The performer is just a tool in the hands of more imperious artists. And, consequently, it's where the bad relationship between 2 artists generates bad result. The dictatorial domination of the boss made ugly or, at best, too-terrible-it's-laughable art. And see how it's, in its core, a story of down-and-out lounge singer nobody ever listened to, who becomes the one everybody listens to, and – magically – executes whatever, and I mean whatever, he says (loved the moment when he uses "the power" of his voice to chastise a standup comedian he hates), however all of that with big price must be paid. It's like a creative new treatment for Faust in a comic crime movie, or a mafia spoof where violence gets done by killer songs. Also I loved the touch of the policemen wanting desperately to be part of the showbiz by any mean. The last scene, with the boss so unexplainably out of prison, sums up the careless way this original comedy, along with these good ideas, were made. I wanted to give it 7, but it has to be only 6 out of 10. It's for a short wintry afternoon, nothing else. There is a fine movie there, but not made finely though. P.S : The title (Meet the Mobsters) is pointless, most probably they made it so close to (Meet the Fockers) one year earlier (To attract more viewers? Lousy !). (Johnny Slade's Greatest Hits) is better. And somewhat my title too!

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Liz-421

This movie is hysterical from the get go! Johnny Slade who is a wannabe lounge singer, is brilliantly played by John Fiore, who is not only funny but charming as well. His character really draws you in and it's fun to watch him and Mr. Samantha played by Vincent Curatola interacting together. There are quite a bunch of Soprano characters in it which of course added the perfect spice in the film as well.What a brilliant idea for a movie and would love to see a sequel. We definitely need Johnny Slade to get on the big screen. Hopefully this film will get picked and shown in theaters nationwide. Definitely worth watching.

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terrynsteve

one of the best movies i've seen in a long time! would love to see a sequel to it, the soprano men were good but i have to disagree with the last comment on having more hot babes,Charlie Payne was not only sexy and hot but i would LOVE to see "more" of her and that body! And of course those amazing piercing green eyes,no sequel would be complete without that babe.It was refreshing to see a cleverly made movie with such talented actress's and actors,this movie was funny,intriguing, suspenseful and fun all at the same time.It's to bad we don't see more movies like this. thoughts of a television sitcom come to mind, I'm sure a lot of people would tune in regularly, especially if the actress portraying Charlie Payne is leading!

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worthley-1

John Fiore and Frank Santorelli - as well as the rest of cast - are a RIOT to watch (call the cops!) in this wonderfully crazy comical adventure. Portnow, Curatola, Sirianni are terrific as their characters play off of Fiore's goofy, self-absorbed importance. Sirianni adds the right touch of toughness and assuredness in the midst of this group of harebrained individuals. Red Peters shows what it's really like to be a stand up comic! Santorelli is hysterical...(you just gotta see to see what I mean!) Blaire is sultry and seductive. VERY CLEVER AND CONVINCING CONCEPT...we are talking FUN! - enjoyable - good time to be had.....this is a classic!

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