Just perfect...

Absolutely the worst movie.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The best films of this genre always show a path and provide a takeaway for being a better person.

The movie Mausam is a romantic story of love.The main scene of starting part was too good and what a imaginary sets regarding to the subject and also the locations was too good.But mid part of the movie is not fit according to the story.At the end, in Ahmedabad during post-Godhra riots, they finally find each other and decide to settle down with an orphan child rescued by Harry from the riot which also results in his arm cured, with a child of their own on the way. If a talk about the music of the movie ,then i want to tell it's touching.theme music also very well. Selection of instruments are too good.Voices of singers was excellent. finally i rated 5.

The problem with this movie, is we have a neophyte director who wants to keep it all in the family, except, he is the only one talented and his son who is effete looking with a fake mustache and no talent. Then we have relatively newcomer to the movies-Sonam Kapoor who is a novice when it comes to acting and trying to make this as Romantic Epic except neither there is romance nor this is an epic. The story is inherently wrong and religiously defamatory and penned by an idiot who has not read the history. This scum should be kicked out of India with chappal garland. The direction is hapless and hopeless. Shahid Kapoor is one of the worst actor (in fact he can play a girl without his mustache.) The movie fails to make any impression in any form. There is an inordinate time and wry humor spent on the bicycles and silly dialogue exchanged which falls flat as a chapati. The movie is a drag and only audience who might find it interesting are few village folks who have not seen a movie or planes in a millennium. To the rest, this is a waste of precious time. Sonam Kapoor with an illustrious father-who is one of the best actors-has a long journey to achieve stardom. This movie has good sound, but rest is for the birds.

Well, I was challenged to write a good-only review about this movie, so here I am.Lets start a counter from zero. Each time I find a good thing about this movie, I will increment that counter by one.The first and the foremost important thing to mention here is PHOTOGRAPHY. It is outstanding. Hats off to the photographer. Starting from the village scenes in Punjab, the camera seemed to be focused at just right scenes in the entire film. The artistic use of the camera, the colors that appear in the scene, the explicit use of frames is exquisite. This is the most likable thing in the movie and hence counter becomes ONE.Along with some awesome photography, there are a few more positives about the movie. One of them is explicit attack on Sardars. I hardly ever seen such an explicit attack. Some other movies use a comic character of a Sardar to show the same thing, but this movie, unlike other movies doesn't focus on a particular Sardar character to be dumb. Now counter becomes TWO.Also, acting (or dialog delivery to be specific) by Manoj Pahwa is the best among all. So, lets increment counter by one and make it THREE.Now, (probably) last but not least good thing in the movie, which is screenplay at the time of weddings in the movie. They are good. The combination of happiness experienced by a particular family due to the marriage while others are facing active terrorism is mind blowing. So, one more for the screenplay to make it FOUR.Yes, FOUR is good enough. So, my rating 4/10.

The critics of the nation has a definite agenda and that is to force only a certain category of films to the audience as general entertainers that have crude, loud comic situations, stupid one liners, mindless action & item numbers. MAUSAM thankfully does not have any of these and therefore for them it does not qualify for "General Audience" and thus is not a part of "Mainstream cinema". It surely does not have outstanding content and is not a masterpiece but rather a sensible film having good music, restrained performances & an original, gripping narrative, which can be viewed more for an experience. The film unfolds like a visual poetry on celluloid. The film can be compared to old vintage wine, those who know the taste will get it. It surely is one of the better films to come out this year.