Sadly Over-hyped

recommended

Excellent, Without a doubt!!

This movie feels like it was made purely to piss off people who want good shows

Up until World War II the US Marines was an elite fighting force and under the control of the Navy. It is still that. But between the World Wars and under the leadership of one far sighted commandant John Lejeune the Marines developed as specialty mission, amphibious landing. When the Pacific war came and would be fought across the ocean from several directions toward Japan, the Marines became invaluable with their training for amphibious landings across those countless Pacific islands. It became in fact four divisions because the USA needed a lot of Marines.That's what Marine Raiders is all about. A couple of veterans of the Corps, Pat O'Brien and Robert Ryan, are ordered back from combat to train what the Marines hope will be half a million of them. O'Brien says it's orders, but Ryan really resents being pulled from combat. However in combat he could never have met Ruth Hussey and gotten things going with her.Knowing that background which I described makes you understand Marine Raiders a lot better. It still holds up well and those jungle combat scenes once again have RKO utilizing the old King Kong sets. And it's historically accurate even if it doesn't give all the background I did.

During World War II, the US Marine Corps had two elite units called Raiders. They didn't last long and were absorbed into the rest of the Marine Corps. The Army had its elites -- the paratroopers, the Rangers, now Delta Corps; the Navy has its SEAL teams. But the Marine Corps decided it didn't need any elites because the entire Corps was elite.Robert Ryan and his superior officer Pat O'Brien, are Rangers on Guadalcanal. The film open with a brief, almost surreal, battle scene on the sound stage. Ryan is wounded. Back in New Zealand, he meets the inevitable woman at a party, Ruth Hussey. Before the first night is over they have agreed to be married.BUT -- and it's a necessary but -- O'Brien, who has never met Hussey, thinks that Ryan has the jitters and is lonesome and just fell for the first "ewige Weib" that crossed his path. So O'Brien has Ryan hijacked back to the states, to Camp Pendleton. This introduces the conflict between Ryan and O'Brien, erstwhile friends.The business about Hussey has to be in there somewhere, otherwise what we'd have is not a dramatic story but a training camp film. And, indeed, the boot camp experience is brought in and put on display as if by 1944 no one had yet become familiar with its tribulations. But don't worry. O'Brien and Ryan make up, and Hussey gets her Marine. A captain too; a juicy catch. The film ends with another burst of heroism on a fictional island.The movie is über-typical. You can't get more typical. It has friendship, romance, battle, and patriotism. (They left out the "mail call" scene.) O'Brien comes across as likable but already a bit old for front-line combat. Ruth Hussey's role is unimportant except insofar as it precipitates that argument between the two principals. But Robert Ryan is, let's say, interesting. He's young, somewhat handsome, and more relaxed than I've seen him elsewhere. Of course he's best as a psychopath -- those glittering steely eyes, the scowl. But this is really a decent performance, although the role itself isn't demanding. He was quite good in a few other later films -- "Crossfire" and "On Dangerous Ground," in both of them, a pustule waiting to pop.It's all stage bound except for a bit of newsreel footage. That's not necessarily the kiss of death. It's the script and the clumsy direction and editing that torpedoes the movie. The gags between the two comic reliefs are extended and unfunny. And if you want to see combat effectively mounted on a sound stage, see "Bataan" or the excruciating fifteen-minute combat sequence in "Pride of the Marines." And on the night of their first meeting, Ryan is dancing with Hussey and admits he loves her. The scene lacks conviction, never mind poetry. For impending loss, watch the scene of the pilots dancing with their wives in "Thirty Seconds Over Tokyo."

While Pat O'Brien's films often lacked realism, he was a fun actor to watch and his films almost never failed to entertain. Robert Ryan was also extremely entertaining (but a bit underrated) but a different sort of actor--much more believable and ordinary (in a good way). With both these wonderful actors in the film, it's no surprise that I'd watch this film! As far as the film goes, it is a pretty standard WWII action film. It chronicles a group of Marines through some nameless engagements as well as a romance between Ryan and Ruth Hussey--who, inexplicably, was cast as an Australian--though she hadn't a trace of the proper accent. Nothing great here, but competently done. Oh, and despite Ryan receiving second billing, clearly he's the leading man here, though O'Brien was the household name--thus the billing. Worth seeing but not necessary unless you are a Robert Ryan fan.

Army Major Steve Lockhart(Pat O'Brien)and Marine Captain Dan Craig(Robert Ryan)are veterans of the fierce fighting at Guadalcanal...they join and train young soldiers in Australia. The fighting scenes are engaging; but otherwise this is a typical rally 'round the flag flick. Of course what would this war drama be without a rivalry over a woman...Ruth Hussey. MARINE RAIDERS is very watchable and co-stars: Frank McHugh, Martha Vickers, Barton MacLane and Russell Wade. O'Brien slides into his role with ease; on the other hand Ryan at times seems wooden. Kudos to Harold D. Schuster, who directs this RKO Radio Pictures WW2 warfare noir.