Powerful

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

Two teenagers, male and female, together in an isolated place... Not too original, but if compared to some other preceding movies, there are a lot of differences."Friends", "Blue Lagoon", "Spielen wir Liebe", "Paradise"... all of them come from 70's. "Marie baie des anges" is two decades late. Maybe this makes it so unlike its ancestors.How do teenagers appear in those places? In Blue Lagoon they grow up on desert island, in Friends run away from adults, in Paradise from danger, in Maladolescenza they look for secret place but keeping contact with other world. Feelings? Fearing adults, loving each other in Friends, exploring and (self)discovery in Blue Lagoon, bullying and violence in Maladolescenza. Ending? Tragic in Blue Lagoon (acciental) and Maladolescenza (violent), reintegrating in Paradise and Friends.And Marie offers a new combination. Main characters run away rejected by peers (Orso also running from law), feelings are superficial and ending is tragic in the most pointless way.One of the rare binding motifs is teenage sexuality. In Blue Lagoon it is innocent and has to be discovered from nothing, in Paradise it exists and develops, in Friends it is careful because of abuse and slowly grows to real love, while in Maladolescenza appears and increases as one of the bully patterns. In Maria, however, nothing has to be discovered: sex has already been their way of life before they met and sailed into isolation.So, the only movie that shows that teenagers don't need special circumstances to be involved in sex, and admit it is a big part of their life, has been made recently, when it became fashionable to close our eyes and say that teenage sexuality doesn't exist because we don't want to see it. The consequence? Number of teenage pregnancies and STD is a lot bigger now than it was in 70's when movies were more free to show reality (and today most of them are found controversial, on black lists and usually can't be found at all). Of course, it was not a merit of movies that situation was better before, it is a matter of the society.There is one thing that shows Marie was made recently: among these movies it is the only one without nudity (at least teenage characters). Sometimes it is advantage, sometimes limitation. It is hard to believe that two teenagers, obviously practicing sex a lot and living alone on the island, would be fully clothed all the time in the middle of summer. But today it's not easy to show things that were allowed in 70's. On the other hand, great scene of Maria's dance was extremely erotic (and was meant to be) just because of her dress. It could be compared to Dawn Dunlap's dance in Hamilton's Laura, but she was seducing only a camera in her mother's hand so her (very beautifully filmed) dance looked more like gym exercise, while Marie was openly seducing male, older fishermen on the beach. Laura was nude, Marie erotic.Photography is something that all of the mentioned movies rely on. And it doesn't fail. Landscape in Friends is not so attractive, but used very well, and unlike the rest of these movies it has great carefully made indoor scenes. Island in Marie can't be compared to Blue Lagoon, but there is a perfect match between the actors and the surrounding nature. Only Maladolescenza doesn't take place at the sea, and the beautiful landscape emphasizes the dark side of the story. Nature is not perfect enough to change people. Violence and evil from inside destroy the beauty. Both Fabrizio and Orso want to keep everything under their control, but aren't able to do it. Orso maybe thinks he loves Marie while Fabrizio seems to be almost split between childish friendship and violent domination, incapable to share love. However, after causing a tragedy we feel there is a hope for Fabrizio to learn and change in future, while Marie's death becomes a trigger of Orso's final insanity and sinking into crime and madness.

This movie kind of fits into this unofficial French genre which might be called the "French-jailbait-on-the-beach" film. This loose genre could include classy Eric Rohmer films like "Claire's Knee" and "Pauline at the Beach", the good but very depressing female coming-of-age films of Catherine Breillat like "36 Fillete" and "A moi souer", as well as enjoyable trash like "L'anne des medusas" (you could even throw "Swimming Pool" in here maybe). This movie is about a homeless teenage French girl who hangs around an American military base as kind of an amateur prostitute (it occurred to me watching this that one reason so many people hate America might be because our military uses the whole world as their whorehouse). She meets up with a psychotic French boy her own age and helps him steal a gun from the base, at which point the plot takes a rather implausible turn into serial murder.This movie is not as sophisticated as a Rohmer film nor is it as squirm-inducingly realistic as a Breillat film. It kind of resembles "L'annee des medusas", but where that movie was exploitative trash from the get-go (featuring a somewhat older and very naked Valerie Kaprisky), this movie tries to be a realistic teenage slice-of-life for awhile but goes seriously off the rails with the serial murder plot. Like a lot of French movies it also suffers from a terminal case of pretentiousness. As with other films of its type, however, it does have some great cinematography of the beautiful Baie des Anges (where is that anyway?). These films would all make great advertisements for France's tourism board--if not for all the scary teenage French girls.

This is one of those typical pretentious, overrated French (wannabe)"arthouse" movies that make you regret wasting your time on it. It confirms all the negative stereotypes about arthousefilms. It's just so bad, it's uncomfortable to watch.All the main characters in this film are very unsympathetic. Maybe all French people are (I hope not!), but the lead girl just behaved like a spoiled bitch and her loverboy had no heart or backbone whatsoever. And he was ugly to boot! French "heroines" always seem to be incredible bitches, except for Joan of Arc perhaps, but in this movie you see another of those typical French "difficult" women (in this case a euphemism for bitch). There's no good reason to like her. So if you're into watching films with reasonably recognizable or likeable main characters avoid this pretentious drivel at all cost.What I also hate about this movie is that it shows a dreamworld, but one completely without imagination. They just left things out, like parents and responsibility for your actions and inactions.If you want to watch a nice french movie you're better off with the Taxi films, at least they don't have as much pretense as this piece of trash.The problem is, in France movies and other "artforms" are subsidized by the government to favor them over foreign material (pure protectionism but somehow they get away with it despite being part of the European Union). So they keep making this crap, even though I suspect not even the French watch it!!!2 out of 10 because I have seen even worse

This film appropriated quite a bit from Catherine Breillat's 36 Filette, made nine years earlier: both are French, set in that country's oceanfront resorts, and star alienated 14-year old sexual temptresses who consort with older men.The difference is that Breillat is a film maker of insight, imagination, and courage who knows how to depict character. Whoever made this messy derivative (his name doesn't matter) has none of those abilities. This bumbling, superficial film is poorly conceived and constructed, and is even astonishingly prudish about showing the body of its leading lady, given that the film centers on her sexual attractiveness. Forget about this confused pallid imitative loser, and instead rent the real thing, the more intense and better characterized 36 Filette.