Pretty Good

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Charles Band's perfectly grim and upsetting first-ever low-budget indie fright feature is a real creepy, unpleasant and most unnerving shocker starring Richard Basehart as a well-respected, but obsessed surgeon determined to restore his blind daughter's sight by stealing unwitting donors' eyes for extremely graphic and gruesome transplants! Pretty soon Basehart has a basement full of miserable, hideously moaning and hollow-socketed victims who include the always welcome Lance Henrikson (who's fine as usual in his initial foray into the horror genre) and blaxploitation actress Marilyn Joi.Capably directed with admirable conviction and seriousness by longtime favorite sleaze movie thesp Michael Pataki (who also helmed the outrageously bawdy soft-core musical version of "Cinderella" for Band), with excellent icky make-up f/x by Stan Winston, a splendidly spare'n'spooky Robert O. Ragland score, an appropriately eerie and unsparingly bleak tone (the sequences with Basehart's victims groaning in abject pain and suffering are quite potent and upsetting), solid cinematography by future big deal mainstream Hollywood director Andrew Davis (who went on to direct such big budget action blockbusters as "Under Siege" and "The Fugitive"), sturdy supporting performances by Gloria Grahame as Basehart's loyal, but worried assistant and Vic Tayback as a homicide detective, and a truly startling nice'n'nasty ending, this overall rates as a highly unsettling and effectively rough-edged little B-horror item.

I watched this last night on a twenty plus year old VHS tape I brought of eBay, under it's UK title 'Massacre mansion'. We open with shots of Dr Leonard Chaney (Richard Basehart) walking through a hospital, he goes to a patient and inserts his thumbs into her eye sockets. As it turns out this is just a nightmare, according to the accompanying monologue by Basehart anyway. He goes on to talk about his daughter Nancy Chaney (Trish Stewart), we see scenes of her swimming in a pool with her boyfriend Dr Dan Bryan (Lance Henriksen) with Doc Chaney lovingly looking on. He also talks of an accident. While driving along a dog runs out in front of Doc Chaney's car, he swerves to miss it and he crashes the car. Nancy, who was a passenger, is blinded in the accident. Luckily Doc Chaney isn't an ordinary Doctor, no he happens to be an eye surgeon! Using his medical expertise and help from his assistant Katherine (Gloria Grahame) he sets out to restore Nancy's sight by an eye transplant. Unfortunately the eyes need to be fresh, which means he needs to kidnap people and take their eyes out. First up it's Nancy's boyfriend and one of Doc Chaney's fellow professionals Doc Bryan. The transplant works to start with, however Nancy soon loses her sight again. Doc Chaney needs to know what went wrong so he prepares another operation, again the eyes are rejected. After several more operations he is still no closer to permanently restoring Nancy's sight. To add to his worries his basement is rapidly filling up with his eyeless victims, who he wants to keep alive so when he has discovered the secret he can give them back their sight too. Produced by Charles and Albert Band (and not a killer toy in sight!), cinematography by Andrew Davis (who would later go on to direct films such as the fugitive and under siege), make up effects by Stan Winston (terminator, jurassic park etc.) and directed by Micheal Pataki, massacre mansion has quality both in front and behind the camera. However that doesn't make it a particularly good film. The central idea is good, Doc Chaney isn't portrayed as a monster, but as a loving father who becomes more and more desperate as the hole he's dug himself gets deeper by the minute. The victims aren't simply there to be used, the film shows them trapped and blinded trying to help and comfort each other, it tries to make them part of the film that you want to care about. There's no real gore in it, except the first transplant which is shown, the others cut away before Doc Chaney begins to operate, but various shots are shown on a black and white monitor that Doc Chaney looks at to help himself, it wouldn't surprise me if this was real eye surgery footage. Whats there is, is quite effective, and the effect of the victims having no eyes is also well done. My biggest problem with it is that it's all rather dull and forgettable, and a little bit slow. Not bad I suppose, just average.

I was prepared to see the worst when I pushed the play button, but this early Charles Band production turned out to be a lot better than I thought! It shamelessly steals the plot of Franju's masterpiece `Les Yeux sans Visage', but I hardly see this as an obstacle since the great Jess Franco did the same thing for his Dr. Orloff. It's the macabre fable about a doctor who causes a car-accident, and his daughter loses her sight in it. Driven by love and feelings of guilt, the doctor start to kidnap ‘eye-donors' to cure his daughter Nancy. Charles Band adds very few to the original plot except for a lot of inhuman cruelty and nasty images. The shots of the eyeless people in the basement were pretty disturbing to me, and I like to think I can handle quite a share of morbidity! By the way, the gory images of the cut out eyeballs were the work of Stan Winston, who grew on to be one of Hollywood's most respected make-up artists. The film also proves that acting performances CAN make a difference in these little low-budget gems! Richard Basehart is really good as the surgeon who slowly goes insane and Gloria Grahame is adorable as the devoted assistant. Unfortunately, this underrated actress died a few years later. Mansion of the Doomed also stars Lance Henriksen in an early role. Mansion of the Doomed is especially recommended for being a modest - but very decent - little gem, that doesn't portrays itself as highly original...just as good and gruesome entertainment!

While no classic, this low budget thriller exceeds its reputation. Creating a truly oppressive atmosphere-just what the story calls for-it features a strong performance by Richard Basehart and good support from a young Lance Henrikson. Particularly creepy, though not in a horror movie way, is the sequence where Basehart picks up a little girl to be his next subject, which, while not graphic, may be a bit much for some viewers. Yes, it is a sleazy movie, but for this story that is appropriate. The only letdown is the total waste of Gloria Grahame, who is given little to work with. She deserved better.