To me, this movie is perfection.

Simply A Masterpiece

Save your money for something good and enjoyable

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

*may contain spoilers* An insight into well known famous film. A short film going behind the scenes as cast and crew get ready to film. The film is made by Stanley Kubrick's daughter. See as members of main and supporting cast like Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Philip Stone get ready to film. See some tension, arguments such as between Stanley Kubrick and Shelley Duvall. Also, you see some members of the crew, interviews with stars of film, all the sets from film, stars learning lines and rehearsing scenes. It shows Stanley Kubrick and how he organises everything, prepares to direct scenes and his suggestions to get everything as planned. There are some technical things like use of the record player for the gold room sequence, using the snow machine for snow.

This is probably the most fun little behind-the-scenes glimpse i've ever been given. I think its exactly BECAUSE its so rough, exactly because it consists of Kubrick's daughter being let loose with a camcorder on his film set for The Shining (1980) that its so compelling. As Vivian herself says on a commentary she recorded for the recent DVD re-release of The Shining, its because she was so young and everyone took her for a kid messing around that they ended up being so honest with her and allowing her to take such liberties as walking in on them in their bedrooms or asking to-the-point questions about the way they've been treated on the production (Shelley Duvall in particular, who Kubrick virtually tormented in order to create the perfect feeling for her part).Most precious of all, obviously, are the glimpses of Kubrick behind the scenes. On the ground with a camera underneath Jack getting the perfect posture and feeling for the famous scene where he's locked in the kitchen and banging on the door. His directorial rage at Shelley Duvall when she missed her queue and spoiled the perfect set-up of the snow-machine and other elements Kubrick had arranged for the shot. First thing in the morning, looking slovenly (like all great artists - caring nothing for how he looked and everything for how his film would look), greeting Jack and staring right into the camera looking less-than-impressed.As impossible as it is to choose one Kubrick production over another, The Shining is particularly great. And this little documentary, the only special feature you'll ever find on a Kubrick DVD, becomes all the more valuable for the scarcity of behind-the-scenes glimpses of Kubrick at work. Enjoy!

Stanley Kubrick has been unjustly compared to Howard Hughes in regards to his public appearances. You never saw him on TV talk shows, or make guest cameos in friends' movies. This was the first time I got to see Kubrick actually move around and talk. Wow! Here's one of the most legendary filmmakers since Hitchcock, a super intellect who knew the puzzle behind 2001, loved chess and military history, and he has such a drab American voice. No Hitchcock drawl, DeMille comanding bellow, or Scorcese jitter-talk, just a flat, almost personality free "Uh.... Shelley, that was unconvincing. It was fake... let's do it again." You don't learn anything new about Kubrick's life, his shooting style, directorial style. His talented daughter has made an excellent little companion piece to dad's horror classic.

Offers a rare look at Stanley Kubrick at work, for which the world owes Vivian Kubrick a debt. Probably only his daughter could have that kind of access, though true to form, Kubrick Sr. is the only principal who doesn't submit to a sit-down interview. We do get to see him at work, giving notes to Jack Nicholson, sniping at Shelley Duvall, telling Danny Lloyd to look scared.Unfortunately, we don't get much more than that. This lacks the insight of Eleanor Coppola's "Hearts of Darkness", which was a full-scale memoir about the making of an important film. Ultimately this is just a home movie that happens to be on a Kubrick set. The only real revelation about the making of the film is going backstage at the hedge maze set. But the main reason to watch it is Nicholson, who never met a camera he couldn't charm.