Crappy film

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

In other words,this film is a surreal ride.

Wistfully sad (and sadly insufficient) documentary from amateur filmmaker Jeremy Workman regarding the eccentric art and reclusive life of Maine resident, veteran and widower Al Carbee. Workman's 'movie' is really just a project, one with little visual flair, no filmmaking vitality and, surprisingly, not even a sentimental overture at the finale. Expanding a four-minute short he had previously done on Carbee in 2001--photographing Carbee's photos, collages and Barbie doll dioramas--Workman doesn't even ask his subject any probing questions (with the exception of "Are you lonely?", which seems redundant). Carbee's rambling old farmhouse (in foreclosure) is revealed to harbor decades of pictures and diaries and personal artwork, mostly semi-provocative collages he's taken of his treasured Barbies. Carbee's late wife was embarrassed by her husband "playing with dolls," yet he always told her he was working with them as an artist works with his models (and we're to assume this did little to nullify her objections). The best section of the film, when the curious come with trepidation to see Carbee's showing at a local museum--and leave with smiles on their faces--is wonderful, but there's no follow up to Carbee's triumph on Workman's part; everything is allowed to be frittered away. So, where's the magic? ** from ****

Wow!!!! Just watched Magical Universe - what an incredible adventure!I watched it with my friend Margaret. We were so moved by Al's story, artwork and creations. As one of his 'public' proclaims 'Al is a true eccentric', going about his life and artwork regardless of what anybody (especially his wife!) thinks. And yet he does have this yearning and searching for understanding and acceptance. He's proud of his work, happy to share his thoughts, but often asking if his ideas are reasonable. It was so uplifting and life affirming to see Al unburdened when his life's work, obsession and dream world was taken outside his home. Jeremy and Astrid's friendship with Al is equally moving. It was so lovely to see this young couple somewhat adopt this kooky creative grandfather figure. What an amazing sequence of events to have happen and have been recorded. Thank you for making the longer version of the documentary Jeremy, you've touched and inspired us, Laura and Margaret

This unique documentary, directed by Jeremy Workman, focuses on the very strange world of 88-year-old Al Carbee, residing in Saco, Maine, who has spent most of his life creating photos, diaramas, and artwork of Barbie dolls. The film can be quite creepy, bizarre, even a little erotic (as weird as that sounds), yet can also be fascinating at the same time.While on vacation in Maine with his girlfriend Astrid, the filmmaker Workman got a tip from a local newspaper photographer to check out Carbee at his home, where the odd and reclusive senior might be a good subject for a future documentary. Carbee allowed Workman to view some of his meticulous creations involving Barbies, that he had been working on, in private, for over 45 years.Workman did create a short film (less than 4 minutes long) from the visit, but in time, as a friendship developed between the two men, he was able to expand it to this movie. In the last third of the film, they'll be some real twists and surprises for the viewer, which, overall, all add up to a remarkable experience.I saw how some reviewers felt that this movie exploited Carbee, and I did get some sense of that while watching it and even afterwards. However, in my opinion, it didn't cross that line especially with Carbee so enthusiastic about his works and how they might be shown.

Jeremy Workman tells a lovely story in this film. Al Carbee was an "outsider artist", an old Maine hermit, who created oddly beautiful and elaborate dioramas with Barbie dolls, then photographing them and creating collages. His work was visually interesting and really quite compelling. This is a strangely moving and compassionate film about an interesting artist and man, and the relationships he forges in his later years, and is a meditation on making and the development of an artist through stages of life. The soundtrack is beautiful. Photography by John Monroe captures some of the sense of the mystery and amazement of meeting Al for the first time.