Pretty Good

Don't listen to the negative reviews

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Typical quality-animation from the 1930s Disney studio, but the baby-centric story is the big let down. The cartoon is full of diapers, safety pins, potties, a bare bottom, lullabies and sugary songs. There really is little of lasting interest here.I've just been told by IMDb that I need at least 10 lines to get this review published. I can't really say much more about the cartoon. It's not worth too much extra comment. I will say, however, that on the DVD there is a section called "Leonard Slatkin Favourites" or something similar. This cartoon is not among his picks. Now, given that the CD is populated by minor Silly Symphonies (there are only two or three of the recognised classic Silly Symphonies), Leonard obviously thinks this one is fairly dismal.

A hideous ginger baby is sung to sleep by his mother and imagines a surreal dreamland. The dream gradually changes from restful, to dangerous, to scary, and then back to peaceful. It's hardly a classic, and it features that hideous old Disney animation that is vivid yet aesthetically displeasing, but if you were to watch this late at night it would make you feel sleepy, so I guess it works in some weird way. There are no voices other than the disembodied singing and no recognizable Disney characters. It's directed by an uncredited Wilfred Jackson, who went on to direct Peter Pan, Cinderella, and Alice in Wonderland.Does anyone else think that the little baby looks likes 1980s Commodore 64 character Jack the Nipper?

A beautiful cartoon, where all the elements of a baby's world are blown up to epic proportions in his dream. Not only entertaining, but it's also marked by a certain nostalgic quality in this modern disposable diaper world. **** out of ****

A Walt Disney SILLY SYMPHONY Cartoon Short.A tiny dreaming tot finds he & his toy dog in LULLABY LAND, where powder puffs & rattles grow on the vegetation and potty seats march over the quilted hills. Then there's the small matter of the bogeymen...This is an utterly charming little film, which entices the eye of the viewer to pick out all the baby motifs.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.