Such a frustrating disappointment

Sorry, this movie sucks

Pretty Good

Although it has its amusing moments, in eneral the plot does not convince.

Historical evocation of Ludwig, king of Bavaria (Helmut Berger), from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner (Trevor Howard), betrayed by him, in love with his cousin Elisabeth of Austria (Romy Schneider), abandoned by her, tormented by his homosexuality (or bisexuality?), he will little by little slip towards madness.Special attention must first be drawn to Romy Schneider, who reprises her role as Empress Elisabeth of Austria (from the 1955 film "Sissi" and its two sequels). Playing the same role four times? Admirable... not uncommon, perhaps, but it definitely makes it a character you know deep in your soul. Perhaps this story should have been told from her angle?This really is a European epic. The "epic film" seems to be mainly an American thing, or somethings a British thing, but not typically a continental thing. This is the exception, and it really chronicles a man who is no longer very well known. I am not sure why, other than that perhaps the Bavarian monarchy doesn't really resonate with modern audiences. Though many films have been made about Ludwig, the fact remains his bloodline is quite distant from any ruling family.The late, great critic Roger Ebert was not a fan of the film, or Visconti in general. He said of this feature that "the movie is so lethargic and persistently uninteresting" and considered it "merciful" to see it cut in order to avoid endless amounts of "penetrating stares". Ebert may have never come around to loving the film (he gave it one star), but its reputation has grown over the years.Luckily for fans, Arrow Academy has given "Ludwig" the royal treatment. A 4K scan of the negative makes the picture look better than it ever has. And, of course, Arrow packs the film with extras: an interview with Helmut Berger, an interview with legendary screenwriter Suso Cecchi d'Amico ("Bicycle Thieves" and many others). A half-hour look at actress Silvana Mangano ("Bitter Rice") and a full hour on Luchino Visconti.

"I would like to remain an enigma; to myself and to others", is one of the most memorable (and cryptic) remarks of Ludwig II, the last king of Bavaria. Whether intentional or not, director Visconti seems to have honored the wish of the tragic monarch. Rather than analyzing the person Ludwig, Visconti focuses almost entirely on Ludwig being a neurotic being, alienated from the real world, living in his own fantasy-land of music and mythology, a classic closet-gay, whose entire existence is overruled by his suppressed sexuality.Arguably there has been much more to the historic Ludwig, which was a very complex human. However, this doesn't make "Ludwig" a bad movie.The movie is carried by Helmut Berger who proved with "Ludwig" that is wasn't only a mere pretty face and the toy of homosexual filmmakers, but that he could actually act formidably (and it's rather sad that his carrier declined rather steep after "Ludwig", coming to a point where he only haunted the tabloids with drunken antics, today a mere wreck and definition of a shadow). Equally strong are actors Trevor Howard as the manipulative Richard Wagner and Romy Schneider, who played Sissy, empress of Austria, for the fourth time and finally got to play the character as a real human-being, far off the schmaltzy persona of the Ernst Marischka trilogy.Further points go to the exquisite cinematography and having filmed on the authentic locations ("Ludwig" was among the last films that was permitted to be filmed in Ludwig's castles, which remain among the most visited tourist-attractions in Bavaria, perhaps with the exception of the "Oktoberfest"). Though Visconti obviously has an eye for the aesthetic beauties of the locations, he manages to build up an almost claustrophobic atmosphere which underlines that Ludwig, despite the splendor and grandeur, essentially built himself a golden cage.On the downside are the other supporting actors, which were apparently all chosen on their physical merits, not acting ability. Yes, we all knew that Lucino Visconti was prone to handsome males, but seeing this parade of handsome youths, one almost gets the idea that Visconti cast this crew in his hotel room.In short: "Ludwig" is often overlong, a tad too colorful and occasionally even boring, but it captures the essence of the time. If you're into overlong, colorful epics that can fill an evening, "Ludwig" is highly recommendable.A word of warning and a recommendation: After watching "Ludwig", I'd avoid the 1993 movie "Ludwig 1881", which again stars Helmut Berger in the title role. While generally not a bad film, it pains to see the almost 50-year old Berger reprising his role as (supposedly) youthful king. On the other hand, if one wishes to delve further into the story of King Ludwig, I can only recommend Hans-Juergen Syberbergs 1972 film "Th. Hierneis oder: wie man ehem. Hofkoch wird". It has likewise been filmed on location and despite being a one-man-show of Walter Sedelmayr as Ludwigs former kitchen-aid-cum-master-cook, it does offer many insights into the psyche of the "Fairy-Tale-King" Ludwig.I'd give it a dashing 8/10

The color of solitude. The taste of freedom. The fear. "Ludwig" is a new tale about Hamlet. A new story about power and an age of dreams and limits of ash. About madness and the rules of real life. About life like trip or form of search. Ludwig of Wittelsbach is not present in this movie. In fact, like others films, "Ludwig" is a Visconti's self-portrait. Same crisis and same answer, same cycle of hypocrisy and same morgue. Ludwig is a victim but not of his era, error or illness. He is the victim of desire, like every romantic hero or existentialistic character. The action is the shadow of Visconti-Berger relation, and form of self-recognition. The tall of a fall and a disillusion's map. A contour of any game and a sacrifice without value.

Ludwig truly is Visconti's magnificent epic masterpiece. The life of Ludwig II of Bavaria is truly worthy of a great film epic and Helmut Berger is amazingly good in the lead role. The exquisitely beautiful Romy Schneider is incredible as Ludwig's cousin Empress Elisabeth of Austria. The costumes and settings are truly magnificent. Visconti has actually gained access to some of the original locations which make his film truly wonderful. Castle Nymphenberg is truly beautiful. The luscious coronation preparation scene is truly evocative of the period with the magnificent uniforms and court dresses. Izabella Telezynska is amazing in the role of Queen Marie of Bavaria, Ludwig's Mother as is Gert Frobe as Ludwig's confessor. The very talented Helmut Griem is fantastic as Count Durckheim as is Trevor Howard as Wagner. The odious Professor Dr.Gudden is well played by Heinz Moog. John Moulder-Brown is also very good as Ludwig's younger brother, Prince Otto. This truly is a masterpiece of cinema.