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Love’s Debris

| 07 November 1996 (USA)

German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director.

Solemplex

To me, this movie is perfection.

SpuffyWeb

Sadly Over-hyped

Micitype

Pretty Good

TaryBiggBall

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

associates

This film is a montage of images of new opera stagings, of remembrances, of discussions, and of the creative impulse behind what makes a singer sing. It's also a very German film, shot partly on location in a French Abbey, with American singers, Italian, French, and German singers, and a good deal of whimsy.If you like opera, or even if you don't, it's a terrific film.