Purely Joyful Movie!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

In Antoine de Caunes' Love Bites, we find ourselves following Antoine (Guillaume Canet), a night owl who has a habit of dropping peoples' names to get into the city's best clubs.One night, he uses the name of a mysterious and elusive fellow night owl- who seems to be everywhere and nowhere at the same time- to crash an aristocratic gathering.But things don't go as planned. He finds himself being whisked into the office of the party's host- a man named Von Brulow. Despite admitting that he lied to get in, Von Brulow believes that Antoine is the man he needs to find the man he's looking for- the aforementioned mysterious and elusive Jordan.Antoine is handed half a million francs and told that he will receive another half a million when his task has been completed. In reality, he has no idea what is going on, or what he's going to do...but he knows that he is not in a position to decline the "job" offer...and it does pay well.With only his small time hustler friend Etienne to rely upon for help (and even then, only when it is in his self interest), Antoine finds himself thrust into the underground world of dive bars, dog fighting, and fetish clubs....as he goes in search of the mythological Jordan.More a conman than a PI, Antoine does manage to uncover some information about the man. Mainly, that he has a sister named Violaine (Asia Argento). And that, together, they may or may not be two of the last remaining Vampires- whose father demanded they bare a child together upon his deathbed, to ensure the survival of the race and return of their powers.He learns, however, that Violaine denied her father's dying request and has rejected the advances from her brother.When the two eventually meet, Antoine instantly becomes infatuated by her deviant, lustful beauty. Though, it's unclear whether she feels the same way, or is just manipulating him for her own ends.As he delves deeper and deeper into this world- driven, now, by an insatiable curiosity- things become darker, as he gets closer to the truth...or possibly just death.You'll have to watch to see how it plays out.All-in-all this is an entertaining little vampire flick, with a sexy lingerie clad Asia Argento, that manages to hold your attention throughout. It's by no means one of the best vampire films of all time or anything, but it's made well and certainly worth a watch. 6 out of 10.

In Paris, Antoine (Guillaume Canet) is a ne'er-do-well, using all the possible tricks the get into private parties and night–clubs. He lives the nightlife, and sleeps nearby a swimming pool of a gym club. He uses the name of a mysterious man known as Jordan to get into a private party, where an old man gives him 100,000.00 French Francs, with the promise of another 900,000.00, is he gets any information about the location of Jordan. Antoine and his friend Étienne (Gérard Lanvin) chases Jordan through the Parisian night, and Antoine meets Jordan's sister Violaine Charlier (Asia Argento). Violaine is considered a weird person, who bites her lovers in the neck. Antoine gets involves in weird and dangerous situations while pursuing Violaine and her brother. Something is missing in `Les Morsures de L'aube' to be a great movie. It has a beautiful photography of the night of Paris, excellent soundtrack and the sexy Asia Argento. However, the story is very confused and the conclusion is very disappointing. My vote is seven.Title (Brazil): `Cães da Noite' (`Dogs of the Night')

Antoine De Caunes is a clever and funny TV-man who became a fairly good cinema actor. "Les morsures de l'aube" is his first movie as a director, and for me, not unforgettable. The storyline was a good start : a young nightclubber (by day, he sleeps in a swimming pool) tries any trick to go inside fashionable places. One day, he pretends to know a mysterious man called "Jordan". Another mysterious man gives him money to find this Jordan, the enquiry starts. First of all, Jordan has a sister, Violaine, played by Assia Argento. The brother and the sister are known as a scary couple, the live by night only, they bite people's neck and have weird manners... This story was not a bad idea I guess, and there is a lot of funny scenes, even some absurd situations. The photography is not bad, it looks like a long length advertising for a perfume or something. Assia Argento has a strong seduction power, Gérard Lanvin (the hero's great friend) plays as a real actor, but I'm afraid he is the only one ! When people talk, they quite don't open their mouth, the audience does not understand what they say, the best dialogs get lost by a poor or too indulgent actor direction. The end is a waste... I'm afraid that any "Buffy" episode is better than this movie. I gave it a 6/10 because I'm too kind.

Based on the novel by Tonino Benacquista, Les Morsures de l'Aube follows the misadventures of a ne'er-do-well whose unique brand of social climbing results in his pursuing, and being pursued, by gangsters, a very unusual pair of vampires, and a wealthy vampire hunter. Backed by hard-driving techno music, sudden violence and gunplay in a Tarantino-esque style, and liberal dollops of black comedy, the movie offers few sympathetic characters. Guillaume Canet's protagonist, while something of a boyish rogue-type, is often as violent as his pursuers. His best friend and closest ally, played by Gérard Lanvin, is a sleazy "photographer." The only character we encounter who is likeable from the start is Asia Argento's gothette vampire. Nonetheless, as our hero spirals deeper into the seamier side of the nighttime world he inhabits, his attempts to pull himself out succeed in giving the audience something to root for. By presenting us with vampires almost entirely devoid of supernatural powers, who must use drugs to incapacitate their victims and guns or knives to kill, this film attempts what so many films of recent years have also tried to do; reinterpret the vampire mythos for a modern-day audience. That it actually succeeds for the most part is no mean feat, but the reversion to the usual conventions at the film's conclusion leaves a jarring taste in one's mouth. What has been a pretty decent gangster flick with some supernatural overtones suddenly tries to pass off a straight horror movie ending, and it doesn't work, not even if taken as a parody of those kinds of endings.Too confused about what it wants to be in order to be a really good film, this is still a decent enough way to spend an evening.