Louise Bourgeois: The Spider, The Mistress And The Tangerine
Louise Bourgeois: The Spider, The Mistress And The Tangerine
| 28 June 2008 (USA)
Louise Bourgeois: The Spider, The Mistress And The Tangerine Trailers

A journey inside the world of a legend of modern art and an icon of feminism. Onscreen, the nonagenarian Louise Bourgeois is magnetic, mercurial and emotionally raw-an uncompromising artist whose life and work are imbued with her ongoing obsession with the mysteries of childhood. Her process is on full display in this intimate documentary, which features the artist in her studio and with her installations, shedding light on her intentions and inspirations. Louise Bourgeois has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. In 1982, at the age of 71, she became the first woman to be honored with a major retrospective at New York's Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work, including her series of massive spider structures that have been installed around the world.

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Reviews
Interesteg

What makes it different from others?

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Phonearl

Good start, but then it gets ruined

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Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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xWRL

One satisfying thing about this film is that much of it consists of Bourgeois talking about her work and her philosophy. As the rare talent who seems always to have had the courage of her convictions, she certainly deserves a hearing. Another good thing is the quantity and range of her art that we get to see. Even those familiar with her work will probably be surprised by its scope.But the film has been sloppily edited, if at all. Too many comments, from Bourgeois herself and from her associates, trail off into nothingness, making us wonder what the point was of including them. A good half hour should have been edited out, and the rest could maybe have been better organized into something with a beginning, a middle, and an end. As a documentary, it's pretty slapdash.But her candor is there for all to see. And it's a revelation to hear from some of her associates and admirers, who make no bones about her quirkiness yet truly appreciate the person and the work.

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