It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

. . . and so is LONG JOHN SILVER--sort of. It's as if the cast of this flick were asked to play their parts as over-sized Muppets (if they had such a thing in the 1900s). The uneven tone of this picture implies that the cast only remembered such a stage direction half of the time. So if ridiculous plot twists mixed together with plenty of mugging for the camera is your cup of grog, then this 1954 offering may be your SILVER lining. While it's tempting to remember Robert Louis Stevenson's Jim Hawkins as a plucky teen, the white-washed character by that name in this movie version of his story is more of a sanctimonious Tom Sawyer than a rebel-with-a-cause Huck Finn. It's really difficult to understand what Long John Silver sees in this wishy-washy Pre-teen milquetoast. Jim Hawkins should be the sort of kid who'd be sneaking his girl out her window in a couple of years--NOT a Brown-Noser type who'll ring her front doorbell and discuss Donald Trump with her dad for ten minutes.

Robert Newton returns once again to his famous role from TREASURE ISLAND, that of Long John Silver. Once more he chews the scenery with gusto and is just grand fun to watch in this particular role any time you can catch him.This time Long John sets out to save young Jim Hawkins (played by Kit Taylor who sadly doesn't possess the memorable screen presence that his predecessor Bobby Driscoll put into the role) from a cutthroat pirate named "El Toro" Mendoza (Lloyd Berrell) but also added into the mix are a slightly more memorable crew of pirates following after Long John's lead and Long John's frequently comedic interactions with his main squeeze Purity Pinker (Connie Gilchrist), who has her eyes firmly set on marriage and settling down the old sea Captain. Things become truly adventurous when the band of pirates set out for a return to Treasure Island and meet up with some most unexpected surprises and obstacles along the way.In many ways, this unofficial sequel to the classic Walt Disney film, has a more gritty, real down to Earth feel about it although it really adds little new to the mix. Still any boy who ever dreamed of pirates and searching for lost treasure should find much to enjoy here. Great fun overall, Newton is just a pure delight to watch in this entertaining, surprisingly well-written and executed boys fantasy brought to life.

This Australian production made four years after Walt Disney's version of Treasure Island has Robert Newton reprising his role of Long John Silver. Returning characters from Robert Louis Stevenson's Treasure Island are Jim Hawkins and Israel Hands.The Disney version of Treasure Island was a once in a lifetime mating of an actor so perfect for the role he was cast in. Robert Newton was a man who needed a firm directorial hand normally, but Long John Silver is one of those larger than life parts where the sky isn't even the limit when it comes to chewing scenery. Newton throws himself into this role just as he did in Treasure Island and again in Blackbeard the Pirate, he was put on this planet to play pirates.This film finds Long John rescuing the Governor of Jamaica's daughter and then returning to Treasure Island for more treasure. Jim Hawkins, who apparently never went back to the UK, is also along for the ride. On Treasure Island Newton has to deal with another pirate captain named Mendoza and Israel Hands from his old crew.Now all of us who know the story of Treasure Island know that Jim Hawkins killed Israel Hands in the story. But it turns out not to be the case. Seems that he only blinded him and Hands has been living on Treasure Island ever since waiting for the return of Silver and Hawkins. In this film, Hands is played by young Rod Taylor in his second film and under his full name of Rodney Taylor. As resourceful as Taylor makes Hands, there ain't no way I believe a blind man survived on an uninhabited island for years. Another character is introduced here, a woman who runs a waterfront dive named Purity played by Connie Gilchrist. She has hopes of marrying the incorrigible reprobate Silver, but no such luck. Gilchrist and Newton's scenes are very cute and are more than faintly reminiscent of Wallace Beery and Marie Dressler.The success of this film led to a TV series Long John Silver with both Newton and Gilchrist and young Kip Taylor as Jim Hawkins. It might have gone on longer than a season, but for Robert Newton's death from acute alcoholism. Read David Niven's memoir Bring on the Empty Horses for a fine account of a man much loved by friends and colleagues, but with a deadly weakness for the 'craiture' as the Irish refer to it.Long John Silver is a film with a lot of weaknesses in plot and structure, but carried by the indomitable Robert Newton and the strength of his career role.

With enough references to the original "Treasure Island", I didn't feel lost for not having seen that one yet. Robert Newton is a treat as the 'Arrgghh...ing' Long John Silver, planning one scheme or another to lay his hands on the fabled riches of the titled island.Here's a question - how did Silver manage to get into Billy Bowlegs boat near the beginning of the story without being seen?Here's another puzzler. When Silver lays out the plan to 'El Toro' Mendoza (Lloyd Berrell) to waylay Sir Henry's warehouse of jewels and rum, it called for two signal fires to send the governor's warships south as a diversion, while the pirates would head north toward the warehouse. However only one signal fire was lit, which was the signal for Henry's men to go north as well! When I saw the opening credits and the garish bright blue and orange coloration of the De Luxe format I experienced some trepidation regarding the actual film's rendition. There were alternate sequences of mundane, almost muddy scenes, usually during night time or indoors, whereas outdoor vistas on the ocean, particularly those with Newton's bright red outfit contrasted against the ocean showing up superb. More than anything it probably shows how far camera technology has advanced over the years to even out those wide swings in light sensitivity.With the present day popularity of the "Pirates of the Carribbean" series of films, it's both interesting and fun to see how little has changed in the pirate movie genre over a half century. They still employ treasure maps, secret medallions, skeletons and a character named Mendoza. To that I say - "Arrgghh...men!"