Lone Wolf and Cub: Baby Cart at the River Styx
Lone Wolf and Cub: Baby Cart at the River Styx
| 22 April 1972 (USA)
Lone Wolf and Cub: Baby Cart at the River Styx Trailers

In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.

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Reviews
Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Grimossfer

Clever and entertaining enough to recommend even to members of the 1%

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Sanjeev Waters

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Staci Frederick

Blistering performances.

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Leofwine_draca

This follow-up to the excellent SWORD OF VENGEANCE is everything a sequel should be: it's better than the original, taking themes and running with them, and as a whole more expansive and elaborate than the first film. To be honest, I often find origin stories quite tiresome, as it can take ages to set up story lines. Here, we already know what's going on, and are thrust into the thick of the action right away! This one's definitely more focused on action, with endless battle sequences and none of the slow spots that the original had. I loved it to bits. It retains the style of the first movie but goes more overboard on the gore sequences, with all manner of grisliness – especially at the eye-popping climax, one of the goriest fight sequences I've ever watched! Although the action-focused plot is slimmer than in the first film, the central characters are explored at more depth. Wakayama becomes ever more remarkable, a relentless assassin who can survive pretty much anything that's thrown at him – sometimes literally – and Tomikawa is scene-stealing as the infant the whole audience must love by now. In fact, he's quickly becoming, in my eyes, the greatest child character ever put on film – the scene with the water is endearing beyond belief. The supporting cast is pretty iconic, with a ruthless female fighter who becomes gradually attached to the killer twosome, and a trio of imposing 'gods of death' who cut quite the figure with their huge helmets and outlandish weaponry.There are so many great bits in this short film that it's hard to remember them all. A highlight for me is when Ogami must contend with a clan of female assassins, who come at him in a series of spectacular ambushes. Then there's the fight in the forest, in which Daigoro reveals his own propensity for violence for the first time, and the bit on the ship. All of these (admittedly great) moments are eclipsed by the quite brilliant climax, with a desert backdrop, in which the blood flows like never before – and I'm talking literally! After I finished watching, I knew straight away that this was a film I'd taken to heart, and one I'm going to enjoy watching over and over. It may well be the most entertaining samurai film ever made!

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MartinHafer

The Lone Wolf and Cub series was co-produced by Shintaro Katsu--the same man who played the lovable Zatoichi in so many films. While there are clear similarities between the two series, the Lone Wolf and Cub series will not be mistaken for the Zatoichi films because they are clearly much more adult and more morally ambiguous. In the first Lone Wolf and Cub film, I was actually rather put off by this. The rapes, excessive violence and an unlikable main character made this tough viewing for me--especially when I would have been just as happy with yet another Zatoichi type film. Fortunately, while this second installment is still clearly an adult film, it has been toned down in some ways and was a lot more enjoyable to me. Now when I say 'toned down', I am referring to the main character. He is less an anti-hero and more decent in this film. In one scene it appears as if he's going to rape a woman but has no apparent intention to do this. Also the enemy are clearly bad and it was easy to root for Ogami Itto in his two major conflicts.The film begins with the clan who is trying to destroy Ogami approaching a group of rather intense female ninjas for their help. In this initial scene, I was stoked--the women seemed nuts and practically were killing machines--a nice match-up for the film. Bizarrely, however, these insane killers turned out to be amazingly easy for Ogami to defeat--and as a result it seemed anti-climactic. Fortunately, another plot appeared involving three super-macho assassins and the secret that might destroy a clan. When the clan hires Ogami to kill the three and the man who is trying to betray his clan you can understand Ogami's need to kill them--and it sets up a great finale.Be forewarned that although this movie has less nudity and is in some ways tamer than the first film, it clearly surpasses it in blood. I have never seen a Japanese film with more blood spraying in all my life--and this includes the super-bloody Zatoichi film made by Beat Takeshi a few years back! Oddly, some of the killing and gore was done by Ogami's tiny son in this installment!! As a result, you'd only be insane if you showed the film to kids--even if there are no rapes and the leading man is less of a jerk. No, this is an adult-oriented film--and an extremely bloody and entertaining one at that.By the way, if you like to see mistakes, watch the bathtub scene. During this scene the water level goes up and down repeatedly--indicating it was pieced together (poorly) from several takes.

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Rob

I found Babycart in a sale and it had two other movies with it. The reason I bought it was because it had a special cover that indicating it had something to do with Kill Bill and it did. They were three films that had the biggest influence on Kill Bill so I thought it must be good but I didn't expect it to better. When viewing it I was watching how real films about samurai films were made and what they were like and they were more than I could have ever expected. The use of silence in some of the fight scenes were great but at first I thought it was really strange and didn't have a clue what was going on and I was saying every swear word in the dictionary of swearing then my Fiancée brought me back down to earth and said that she once read that samurai attacks in completely silence so it's enemy isn't aware of his moves which was the reason the film was like this and my thought straight away was `Clever Buggers'. It's because if you haven't grown up watching films like this and you are quite oblivious to what samurai films like this and Shogun Assassin are about you see them as a ray of sun shine into you're life because you are being introduced into this new genre which you never ever knew anything about which is always nice.I was taken into this film from the start and was just amazed by how influential these kind of films have been for so many years and when you watch them you will see why.

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Sadsack-3

It was this film that converted me to the joys of blood spattered gory Japanese epics. The action is amazing - each fight scene a gem. The main characters take everything so calmly that I began to see Blues Brothers-esque deadpan humour in some of the more gruesome sequences. Watch this film with your friends so you can all scream at the TV each time a fight kicks in. It worked for me.

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