I love this movie so much

It's entirely possible that sending the audience out feeling lousy was intentional

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

We enjoyed this touching film immensely. It was well written, well acted and well directed with a humanist representation of parental love, multiculturalism and xenophobia in today's London. The multilingual aspect was wonderful, and it is possibly more fun to watch it without subtitles so that just like in real life you cannot understand what is being said in languages that you don't speak. Both Brenda Blethyn and Sotigui Kouyaté were excellent with their understated portrayals of parents from very different backgrounds who meet on common ground. The underlying tensions of the plot is developed through the film, which remained believable throughout. Highly recommended.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Elisabeth (Brenda Blethyn) lives a reclusive life on the shores of Guernsey, until her life is torn apart when she learns of the July 7th terror attacks in London, where her daughter lives. Meanwhile, Ousmane (Sotigui Kouyate) is a black Muslim immigrant from France who has also come to London to look for his son, who he has not seen from birth. When he discovers a photo and some contact details, he gets in touch with Elisabeth and they embark on a soul shattering quest to find their flesh and blood that takes them on a journey of discovery and hope, to the gravest depths of despair.In the extras section of the DVD, even Blethyn herself comments on doubts she had about accepting the script for London River, on account of how close it was to the attacks and the official enquiry etc. not coming out. But it's good that she pushed her doubts aside, because her performance is one of the more compelling things about this old fashioned feeling drama, tending to headlines from very recently. With the feel of some TV drama from the early 90s, director Rachid Bouchareb has laced his daring and challenging drama with some personal touches here and there that give it a neat feel of it's own. The execution never hits with it's maximum impact, and it's over too quickly to really make it shine. But the subtle, under-stated performances from the two lead actors and it's realistic feel of a tragedy and the cruelty of life unfolding lift it well above average. ***

This movie is a gentle and deep melodrama using the July 2005 terrorist acts as a jumping off point for telling about clashing cultures united in grief. The story is certainly a hard look at racial biases and is strongly backed by Blethyn's character, whose repressed hysteria clashes with Kouyaté's attitude (more similar to a calm resignation). The director has also depicted a very serious and fascinating study on how Londoners were unprepared to react to such an emergency. Overall this is a poignant and insight-filled take on prejudice in post-11/7 London, well acted and directed. There have been other "Londoner" films about the same subject (or about terrorism in the UK) but this is the best by far in my opinion.

What does an African Muslim refugee living in France share with a white Christian widow from Great Britain? - The longing search of their missing children after the London bombings in 2005. With gentle and aesthetic camera movements and slow action progress Rachid Bouchareb portrays two distinct cultures - but as the movie goes on they turn out not to be that different after all. Ousmane (Sotigui Kouyaté) left his six year old son Ali with his wife in Africa to work as a woodsman In France. When he - many years later – gets a call from he's worried wife in Africa telling him that she hasn't heard from their son - now living in London - since the bombings, Ousmane travels to London right away to look for him. While the mystic Ousmane wanders around the desert streets of London for hints and clues about his unknown son he comes across the widowed mother Elisabeth (Brenda Blethyn) several times – who's more or less doing the same thing concerning her daughter. It sooner turns out that their children know/knew each other and together they search for answers. London River (2009) is both a thrilling drama and a balanced picture of the suffering families in the shadow of the London terror-attacks. It's the movie that Hollywood unfortunately never got after 9/11.