A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

This fascinating documentary gives the viewer great insight into the life, career, and artistic process of Los Angeles artist Llyn Foulkes. What sets it apart is that it is shot over a number of years and shows the evolution of the artist's thinking about his own work. Also, the artist's own career trajectory provides a number of great insights into the LA art scene in the past decades.In addition to his art, he plays a large musical contraption that is uniquely interesting, and worth seeing in and of itself. I watched it with my kids, who were all as engrossed as I was. Watch it and you will know what I mean.

Llyn Foulkes like many dedicated artists is a borderline nut job, but he's also absolutely brilliant and while many of his peers have climbed the heights of modern art stardom, he is seemingly under-appreciated by the "art world". There are many reasons for this but his self-destructive tendencies and penchant for revisiting his work, and making everything that's not already sold a "work in progress" needing to be revised and tinkered with, are leading ones. Anyone who has worked on a creative endeavor or known someone whose personal relationships have taken a hit because of their obsession with their own visions will recognize and feel humbled by the demons chasing Foulkes, and you can't help but feel energized by his truly brilliant works of art and this film. Incidentally it seems that the film follows the same kind of Quixotic path as the person it studies. It was shot over a many-year period and at some points you even want to scream at Foulkes and the filmmakers as the artist once more plunges in and then assaults one of his "finished" works. But it's a good kind of pain and in the end I concluded the film was extremely well put together in a way that perfectly mirrored its subject. Anyone who is interested in the artistic process and the eccentricities of the men and women make great modern art, should see this film. Definitely not a film for everyone but if you are reading this and have learned about Foulkes then yes, it is probably for you.

This is a wonderful piece about obsession and perseverance. Foulkes is a somewhat prickly but ultimately lovable presence whose level of insecurity and self-doubt is matched only by his fierce intelligence and will to succeed. One of the things I loved about this film the most was the meditative rhythm with which it proceeded. Foulkes himself has a very particular way of talking, and the cadence and texture of his voice felt like a musical element that was well used by the filmmakers. He talks almost non-stop in the film, yet his silences are so well placed and so interestingly used that they speak volumes.Foulkes makes a strong case for himself as a significant artist, and the film contains a lot of interesting details about his life and times. Dennis Hopper pops up here and there, and we learn a lot about the fickle whims of the "serious" art world. Altogether, a very strong film about a unique individual.