A different way of telling a story

One of the best movies of the year! Incredible from the beginning to the end.

Close shines in drama with strong language, adult themes.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A bizarre horror-comedy by Surrealist master Jan Svankmajer that adapts and reinterprets the folk story of Otesanek (aka Greedy Guts) for the big screen.Otesanek tells the story of the struggle of a childless couple, Bozena and Karel, to hide and control heir piece-of-wood son Otesanek -a freak of nature with an insatiable appetite that they brought to life- and to stop him behaving wildly.The film re-examines the myth of the primeval creation, in which the natural order is subverted and disrespected. The couple succumbs to an act of greedy love that produces, as a result, a greedy gluttonous carnivore despite the creature being a piece of wood.On the other hand, Svankmajer depicts with great insight the sins of parenthood in our modern world, in which children are spoiled rotten, to whom everything is allowed, any bad act excused, and nothing denied.The movie also depicts with great humor and realism the social dynamics of small groups in blocks of apartments and neighborhoods, paced by gossip, the power of appearances, the help and support neighbors give to each other, the enmities and tensions existing amongst them, the human types that populate them, etc.The role of food in this movie is also very interesting, as most human characters in the movie eat disgusting porridge-ish meals, despite them fancying meat, while Otesanek is the only one eating meat all the time! The Actors are all great and charming in their respective roles. Veronika Zilková plays with great conviction the non-easy to play barren wife Bozena, while Jan Hartl plays with sweetness her doubtful and confused husband Karel. Also terrific are the actors playing the good-hearted neighbors: Kristina Adamcová as the incisive rebel child Alzbetka -who is also the catalyst of the story-, Jaroslava Kretschmerová as Alzbetka's sensible Mother, Pavel Nový as Alzbetka's typical working-class male Father, and Dagmar Stríbrná as the patient caretaker.The stop-motion animation of Otesanek is delightfully awkward, especially when Otesanek is a baby, and the illustrations by Svankmajer's wife for the original tale in the book Alzbetka is reading are beautifully colorful and artistic. They are a contrast to the ugly-looking 70-80s colors and lighting with which Svankmejer shot the movie. Also delightful are the episodes involving the old spectacled neighbor and Alzbetka, which are really naughty.On the negative side, beyond the ugly film and colors used, the movie is too long and its pace too slow at times.A grotesque mesmerizing humorous adult tale with a great story, terrific performances, and very interesting themes. This is not a film for lazy watchers, though.

This is one fractured little fairytale! More Grimm Brothers than Disney, it is a truly twisted tale that is definitely not for the kiddies. It is a live action feature with stop motion animation sequences scattered throughout. The characters, although actual actors almost seemed animated themselves. The way it was filmed gave me the impression I was a witness to someone's actual dream (or nightmare). The choice of cast could not have been better. The performances are excellent and even the secondary players are perfect in their roles. The wife is absolutely mad and the husband knows this but cannot quite bring himself to deal with it. He spends much of the picture ranting and raving at the lunacy of it all. The wacky couple are nicely complimented by a parade of strange supporting characters. Among them, a little girl obsessed with sex and babies and a pedophile senior citizen. The characters imagine seeing some truly bizarre images. The first scene is our husband looking down on a fishmonger from a gynecologists office window. Instead of taking fish from the tank he is scooping up babies in his net and wrapping them up in newspaper. And of course there is little Otik. He's a freaking tree stump. An ugly, crying gnarly tree stump. At one point the mother scolds her husband for not varnishing her son enough. There is a body count, but I wouldn't necessarily recommend this to hardcore horror fans. This is for anyone who tastes run towards the strange and unusual. I did feel that the film runs a little long and I would have liked to have seen more of the stop motion animation. The film isn't going to be for everyone as it is definitely odd. It is delightfully demented and at times even disturbing but absolutely entertaining. It is a feast for the eyes and an assault on the senses. Highly Recommended!

I'll concentrate on the two scenes I really liked: A street vendor wrapping babies in newspaper and selling them to a queue of women, and the first time Mr Zlabek is shown looking at Alzbetka.Very early in the movie, a beautiful Božena Horáková and a line of other very pregnant ladies are sitting in what later transpires to be a gynecologist's's waiting room. Božena's husband, Karel Horák, looks out the window and sees a street vendor fishing babies out of a tub of water, wrapping them in newspaper, weighing them and selling them to a waiting queue of housewives. Karel goes downstairs and joins the queue, looks up and sees himself watching him out the window. Karel rejoins his body in the waiting room and Božena emerges from the doctor's room, tearful and no longer pregnant. Thus we learn that Božena is not actually pregnant at all, although the Horáks both wish she was. This scene is a fantastic introduction to the style and content of *Little Otik*. This is the first time we see stop-motion photography in the movie, and it occurs to me that it's a practical way to film babies, as well.Not long after wards, the pre-pubescent Alzbetka meets the old man Mr Zlabek on the stairs. While he is putting her glasses on to get a better look at her, she pulls her school tunic down over her knees to avoid the male gaze that every woman is familiar with. As he ogles her, Mr Zlabek's fly unbuttons to reveal the logical extension of his gaze. Alzbetka's mother comes out onto the stairs to help Mr Zlabek, who instantly turns into a helpless old man again. When Alzbetka claims that Mr Zlabek wanted to paw her again, the mother can't, or doesn't want to, see it.Alzbetka is the only one in this movie who has any idea what's going on. How many among us don't remember the feeling of not being believed just because we were children, even though we were right? (How many mothers have turned a blind eye to the way men look at their daughters, because they depend on the man or they want to avoid confrontation?)Once Otik came along, I kept watching, but Otik kind of swamped everything. I continued to be interested in things like Alzbetka's motivation for looking after Otik (she had always wanted her parents or at least the Horáks to have a baby); the potential uses Alzbetka might make of a box of matches; Alzbetka's mother's unappetizing lunches and the dramatic tension in a patch of fattening cabbages.

The film is based on Czech fairy tale "Otesánek" ("Greedy Guts"). It is a story of a loving but childless couple, Karel and Bozena whose biggest dream is to have a baby. To make his wife smile, Karel digs up a tree root and carves it to look like a human baby. So overwhelming is Bozena's wish to become a mother that by its power, the stump transforms into a living creature with enormous appetites. Very soon, the baby formula and carrot soup are not enough to feet the little monster and mysteriously, people begin to disappear."Little Otik" is similar to Svankmajer's earlier feature movies "Alice" and "Faust" but it is more plot-driven, has fewer stop-motion animation sequences that would not even begin until 40 or so minutes into the film. Another problem that has been noted by almost every viewer is that the movie is slightly (126 minutes) overlong and it drags a little toward the end. As excellent as Svankmajer is a live-action director, what makes him unique is the groundbreaking combination of both live-action and darkly-humorous, visceral, and surreal animation and I wanted to see more of it. Still, "Little Otik" is highly original, funny, dark, and sinister with first rate acting from live actors and many great scenes and effects. Young Kristina Adamcová is especially good as Alzbetka, Karel's and Bozena's next door neighbor, precocious and very observant girl. I highly recommend "Little Otik" but I believe that the best introductions to Svankmajer are his short stop-motion and clay-motion films. The DVD includes the B/W 12 minutes long early film "Flat" (1969) - this is Svankmajer in his nightmarish best. We are in the claustrophobic apartment with the film protagonist where every object is an enemy and predator. Pay attention to the ending -"Abandon hope all ye who enter here".7.5/10