Excellent but underrated film

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The acting in this movie is really good.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Spoilers. Observations. Opinions.Remarkable. Film in era of The Great Depression.Two sidewalk con artists, obviously uneducated. I keep harping on that. They can't earn a living, much less their hotel rent.Into their lives appear a little darling, akin to screen mini-goddess S. Temple. This is the typical orphan story. The child can sing, act and dance, earning money to put the crooks out of their misery.Little big shot. Little sure shot. Little Miss Marker. Damon Runyon tales.Stupid crook says the cops are coming (Horton). Should have spoken in code. Dumb idiot. Horton keeps hesitating in his speech, like a cheap version of Frank Morgan. Did you see Horton as the Wizard of Oz? No, you did not. I remember Horton from old Fred Astaire movies.Jason thrown under the bus for S. Temple, who got tons more publicity. Temple got thrown under the bus for J. Garland (again, Wizard of Oz). Temple's career took a nosedive, after The Little Princess, in which Jason got lower billing as a slimy little slavey character. Also, another of Temple's swan song attempts was the half-hearted fairyland wannabe film (of Wizard of Oz) The Blue Bird, in which Jason got a supporting role of the sick child.J. Garland was used up by Hollywood, and then conveniently thrown under the bus due to her "ill health", vis a vis at the same time the all of a sudden disappearance of LB Mayer. Sad, eh what? Temple got too old, married way too young, film career dying on the vine.I never knew Jason starred in any film, but in Little Big Shot I am so surprised -- and in a good way. She sings. She dances. There is no S. Temple hogging the camera.I study the Great Depression. I am a degreed historian, film critic and movie reviewer. I love song and dance films. I hate black and white, however.

Is this another Damon Runyon story, like "Little Miss Marker"? It all sounds too familiar. As far as giving way for the black kids in the film, look up Sybil Jason's biography and you might a bit of British Jewishness in there (her uncle Harry Jacobson was a British band leader), which didn't sit well with Hollywood in those days.Maybe that's why she didn't get too far. I was born in Hollywood, BTW, and I know a lot of Hollywood stuff and stories. My schools were full of child actors, my mother went to junior high in Hollywood with Judy Garland, before going to the MGM Schoolhouse. And Ricardo Montalban was a classmate of my mother.Glenda Farrell is gorgeous and glamorous, as always. And Edward Everett Horton as a soda jerk is hysterical.

I guess we were allowed to only have one Shirley Temple, so there were probably a few little girls given chances who did not do the box office and thus they have been consigned to the dustheap of the forgotten.This little girl deserved better as she was quite talented. Mainly as an actress, she really put the character across, this cute, self-assured, gregarious little gal who befriends all she meets. The trick is not making her TOO adorable, and somehow she pulls it off despite scenes where she is crying on the steps of an orphanage or when her dog is kicked by an evil gangster. She's a little robotic in her Temple-esque musical numbers, but as an actress she had the chops. Only wish she would have shared some of the earnings with the black kids after she horns in on their street act!As the lead guy, Armstrong really shines as a character we have seen before, the no-good guy who is turned soft by a kid. He makes it fresh by never seeming like too hard a guy to begin with, and not going too soft too soon. Horton helps out a great deal.The girl ends up being exposed to a surprising lot of violence and emotional turmoil before the whole thing winds up. But that's what you get sometimes!

Two smalltime con artists find themselves in possession of their dead friend's infant daughter. Soon, the LITTLE BIG SHOT has the gents wrapped around her tiny fingers.Here is the sort of cinematic fluff which Warner Bros. did so well in the 1930's: a little crime, some comedy & a dash of romance. Well-produced & entertaining, Depression Era audiences flocked to these pictures to forget about the real worries of the day.South African Sybil Jason, all of 6-years old, steals the viewers' hearts right away. With her dainty accent & huge, luminous eyes, she is a real charmer and worthy of the top star billing she receives here. Today she is perhaps best remembered as Shirley Temple's servant girl sidekick in THE LITTLE PRINCESS (1939).Robert Armstrong is first-rate as the tough, street smart peddler who protects the tiny tot. Outside of playing KONG's captor, the majority of his starring roles are quite obscure now. So, it is great fun here to see him play a fast-talking flimflam artist who melts at a child's broken heart, yet can duke it out with crooks like a house on fire. Blonde, brassy Glenda Farrell is perfect as a no-nonsense dame who sees through Armstrong's cynical facade. Farrell was a lady always worth watching, capable of slinging dialogue with the best of them, yet warmhearted & tender when need be. Gaunt, nervous, Edward Everett Horton is wonderful as Armstrong's partner-in-crime. In a variety of cheap, goofy disguises, he is nothing less than hilarious as he attempts to fleece sidewalk crowds into buying worthless watches. He leads a small parade of character actors - Jack La Rue, J. Carrol Naish, Tammany Young, Ward Bond & slow-burn Edgar Kennedy - who, even in small roles, never fail to provide full entertainment value.