Lila
Lila
| 19 June 1968 (USA)
Lila Trailers

A topless dancer attracts, seduces, then murders the men she sleeps with. She does it with a twist, however; she kills them with garden tools.

Reviews
Flyerplesys

Perfectly adorable

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Murphy Howard

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Nicole

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Staci Frederick

Blistering performances.

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ferbs54

"Mantis in Lace" (1968) is, in four fairly equal quarters, a soft-core skin flick, a psychedelic drug movie, a slasher horror film AND a police procedural. In it, we meet Lila (Susan Stewart), a young and gorgeous topless dancer who takes LSD one night with a guy she's picked up. After hallucinating pretty severely for a while, Lila kills the young dude with a screwdriver and chops him to bits with a meat cleaver. This scenario is repeated three or four times while a pair of (surprisingly UNdorky) L.A. cops tries to track the maniac down. Yup, that's pretty much all this film has to offer. One of Lila's victims, I might add, is Stuart Lancaster, who might be a familiar face to all the Russ Meyer fans out there; another, a macho rapist, most certainly deserves to be diced at Lila's hands. The picture feels very padded with numerous topless dance numbers (the opulently cantilevered legend Pat Barrington looks pretty impressive, actually, doing a frenzied belly dance; come to think of it, she would do a bit of "tripping out" herself that same year in the film "The Acid Eaters"), long makeout scenes, a lovemaking bout between the topless club's manager and a job applicant that adds nothing to the plot whatsoever, and loads of colorful hallucinations. It has been lensed by Laszlo Kovacs, who would depict an even more harrowing lysergic experience in the following year's "Easy Rider." (Actually, I found the aural component of Lila's trips much more freaky than the visuals.) Sadly, the viewer never learns anything concrete about Lila's background, or why the drug sets her off the way it does; indeed, the only thing we can discover about her comes from the film's admittedly hypnotic theme song. Concluding with an ironic albeit extremely telegraphed ending, "Mantis in Lace" is ultimately a real mixed bag; a psychedelic psycho curiosity that should have been better. Oh...this Something Weird DVD features over 100 minutes' worth of alternate film footage. Far out, man!

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Woodyanders

Sweet stripper Lila (adorable redhead Susan Stewart, who has a really cute funny foreign accent) gets turned on to LSD by a creepy hippie guy. The bad acid causes Lila to go lethally bonkers. She takes various lecherous men to her grotty warehouse love nest, kills them, and hacks up their bodies with a meat cleaver. Director William Rotsler gleefully pours on the abundant gratuitous nudity and tacky gory violence (the blood looks just like red paint -- and probably was exactly that). Laszlo ("Easy Rider") Kovac's garish, kinetic cinematography, a couple of lengthy simulated sex scenes, the wonderfully wiggy psychedelic freak-out sequences (poor Lila has horrific visions of a laughing fat jerk holding bananas and dollar bills!), some pot smoking, the hypnotically funky theme song, and the hilariously dated hip slang ("Groovy pad you got here; it's a little kinky, but it's out of sight") are all completely far-out, man! Busty'n'lusty 60's skinpic starlet Pat Barrington of "Orgy of the Dead" fame performs two sizzling hot bump'n'grind numbers on stage to a rowdy crowd. Russ Meyer film regular Stuart Lancaster has a nice part as a wannabe helpful psychologist. An enjoyably sleazy soft-core psycho sexploitation hoot.

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shepardjessica

A terrible exploitation film of the late 60's with a sweet actress in the lead role. The cops are really terrible (as actors and cops). The only standout part of the film is the presence of the incredible Pat Barrington. There's nobody quite like her. This director has made better films (The Agony of Love). The sound quality is particularly bad.The title song is excruciatingly awful as is most of the muzak. As I mentioned, if not for Pat Barrington, this would be totally unwatchable. Ms. Barrington should have played the lead instead of playing the belly dancing stripper. She has attributes the other females in the cast do not possess.

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Eegah Guy

This is a film that takes all that was great about exploitation films in the 60s and mixes them into a heady brew sure to entertain any and all cinema deviants. Originally released in two versions (one for the sex crowd, one for the horror crowd), it's the lean and mean horror version that is the one to see. Unfortunately the version released onto DVD is the longer sexier version but some of the scenes from the horror version (an alternate psychedelic murder, splashing blood) are included as supplements. The sexier version of the film drags in many spots with extended dances in the nightclub scenes and a totally extraneous sex scene in the middle that brings the film to a dead halt. But still either version of this film is worth watching and cherishing by fans of 60s psychedelic cinema.

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