Best movie of this year hands down!

Excellent but underrated film

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Nothing to see here unless you want to watch Onslow Stevens mope on screen for an hour looking like a bum and a group of kids doing Our Gang style of stuff. In the end of the film, you can watch the "real film" of the guy bringing dog back to life (but I don't think that was real).This is a very slow, pretty boring film for the most part. It seem they threw the Our Gang stuff into the movie as a time filler - really served no purpose. You would think the film would revolve around a man coming up with his scientific discovery and maybe failing a couple of times then succeeding in the end but the film is not like that at all. As I said, the film flips from Onslow Stevens moping on screen to Our Gang then back to more moping by Stevens.You'd do well by skipping this film and finding something else to watch.2/10

The tale of LIFE RETURNS is more interesting in what they're not showing you, rather than what they are. I was intrigued by the title card preceding the movie proclaiming, "This part of the picture was originally taken to retain a permanent scientific record of our experiment" and "Everything shown is absolutely real." It was presented as a sort of letter to the audience and it closed with the name Robert E. Cornish. Then it continues with yet more text, this time a scrawl that dedicated this "unusual screen play" to the "determination and genius of those men who have unselfishly devoted their lives to the service of humanity." So it's got a nice pro-science message, as opposed to the usual doom and gloom sci-fi morality tales. We then join three friends in college: Louise Stone (Lois Wilson), Robert Cornish, and John Kendrick (Onslow Stevens). For the record, Cornish actually plays himself for this movie. This matters little because, once our three friends graduate college with their doctorates following a brief montage, Kendrick breaks off from the trio to pursue the chance of performing his research at the Arnold Research laboratories. Rather than follow Cornish, who wrote us that nice letter for the opening and referenced his own experiments, we go along with Kendrick to his new life at Arnold Research. So Kendrick's our main character? All right, then. We're treated to some more quick glimpses of life moving along with news that Kendrick has married a socialite and had a son.Life seems to be going smoothly for Kendrick for a while, practicing medicine while also continuing his research. What's his research involve? Oh, that's right: returning people from the dead. Not like zombies unfortunately; that'd be too fun. It's the ability to revive people from recent death due to accidents or illness. It's all going swell until the big boss pays a visit to the office and not only refuses a requisition order for new equipment but also shuts down Kendrick's research entirely. He wants him to focus on more important things in life, such as nail polish and assorted ointments. Then Kendrick's wife dies (incredibly suddenly) from an undefined illness. It's all going to crap now, and Kendrick is left to tend to his young son Danny (played by future director of THE MANSTER, George Breakston). Sadly, Kendrick can't keep it together. He's quit his work at Arnold Research (he wasn't interested in shifting his research to creating the ultimate hair-restoring brush), ditches his medical practice, and now the county has decided to take his son away. Honestly, it's probably for the best. Danny is to be placed in the county's juvenile hall since Kendrick isn't a fit father. Which is true; he's a total wreck at this point. Danny won't have any of it, and escapes with his dog Scooter to live among street hooligans in their makeshift clubhouse. The entire second half of the movie deals with Danny's new street life with his rascally friends and his attempts to pull his dad out of his rut.Now back to what I said at the beginning. LIFE RETURNS is more interesting in what it's not showing you versus what it is. We waste an entire hour-long movie following the sorry luck of Kendrick and his son's street adventures with plucky 1930's street kids, but why aren't we following Cornish? This movie is (vaguely) about his true-to-life experiments in reviving the dead. Google him. He's a real dude. So why isn't this movie about him? When the trio of new doctors split, we should go with Cornish and see where his life goes. Instead we reconnect with him in the last ten minutes of the movie for the big experiment we were promised in the opening text. I had the thought that the surgical footage looked a little too real and I noticed the reaction shots from Dr. Stone and Danny seemed tagged on. Sure enough, it was and they were. The final ten minutes of this movie is one of Dr. Cornish's actual surgical procedures to return a being to life after death. So that's cool, I guess. I can't help but feel kind of bad for Cornish though because a lot of the victory goes to Kendrick because he needs his big win to end the movie on a high note. Cornish is performing the procedure, but the movie sort of gives Kendrick credit. It's a bummer for Cornish, and it's a bummer for us having had to sit through an hour of family drama and one man's total breakdown when we could've been following Cornish's tale the entire time. From the little bit I read about him on Wikipedia, I can guarantee it would've been way, way more interesting.

This is a truly bizarre little film that really baffled me--so much so that I tried to research a bit about the odd work of Robert E. Cornish and would like to know what made this odd man tick. Apparently in the early 1930s, this odd man was interested in reviving the dead--though the practicality of such work is rather dubious. Apparently he'd hoped to use this technique on humans but why is beyond me. His work, thankfully, was restricted to dogs. First, they'd euthanize a dog. Then using a combination of stimulants, artificial respiration and a teeter-totter-like device, they were able to BRIEFLY revive a couple dogs...who died PERMANENTLY soon after!!! So what possible use is this procedure?! Well, I guess if a person would be euthanized, you MIGHT be to bring him or her back BRIEFLY--and then they'll die! Wow, no wonder this guy never became all that famous! Apparently, the film makers who brought us this film decided to make use of film footage they had of one of Dr. Cornish's dog revivals. BUT, they had to create a story in which to insert this footage. As for the story, it's pretty dull and is great if you like bad 'boy and his dog' films. Ultimately, the film is sunk because this story and the footage really aren't integrated well together. First, the dog in the experiment is NOT the same one they used as an actor in the film. Second, the stuff is pretty cloying and has a crappy low-budget look and feel to it. The overall effect is poor but not bad enough to make it funny or entertaining as kitsch.

Universal created this picture with a horror theme that was too upsetting for the British and it was censored. "Life Returns" was fiction and created by director Eugene Frenke and his writers James Hogan, John Goodrich, Arthur Homan, Wolfe Gilbert and Mary McCarthy. Onslow Stevens, formerly the invisible scientist of Universal's science-fiction serial "The Vanishing Shadow",'34, played John Kendrick, a doctor devoted to seeking a formula to restore life after death. He succeeds when his son's pet, called Lazarus is gassed by the dog-catcher. It was surprising to see Valerie Hobson playing the faithful doctor's wife. Great Film for 1935!