Les Misérables
Les Misérables
PG-13 | 01 May 1998 (USA)
Les Misérables Trailers

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Reviews
SoTrumpBelieve

Must See Movie...

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PodBill

Just what I expected

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Fatma Suarez

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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mauricio-madrid

again,Les Miserables was a huge book, and it is very hard to adapt, and i get it, things have to be changed, but, 30 minutes wouldn't have hurt it,and with that i mean, it would have been more emotive show Jean Valjean's death, not just end it with Javert's suicide.Well, at the end this movie it's a great movie that, if it is not close to the story events, at the end it is to the novel's atmosphere.The characters are played really well, Geoffrey Rush Kills it as Javert, playing him perfectly, Liam Neeson was Great as Valjean, Claire Danes did a great addition to Cosette's Character, making her stronger.The script is well articulated, The photography is beautiful and the acting is terrific.this is one of the best adaptations of Victor Hugo's Novel.

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eragonbookfan

Forget the book. As far as STORY goes, Liam Neeson's version takes the cake!1998 version was so much better than the 2012 version. The 2012 version was so pushed and in your face like damn it cry already. If you have good acting and good direction you don't need that extra push because it can happen naturally. And more than 50% of the singing in the 2012 version sucked. They chose certain Broadway actors but some weren't and their singing hurt my ears. And if you are going to do a musical don't talk during some of the most beautiful singing parts that was just dumb on their part. The acting was so much more powerful in the 1998 version and they didn't have to sing what was on their mind for you to understand what they were going through. I love the Broadway/concert version too but out of the film adaptations 1998 version is far better than the 2012. Oh and the "boy who gets shot" in the story, it really shocked me in the original when the boy got shot by the troops; I gasped, totally saddened. But the boy in the 2012 adaptation... oh my HECK was he annoying - all his singing & mannerisms were just undeniable irritating! Instead I was like "Thank You!" when he was shot.But I talk in full detail about the films compared in this video here: https://www.youtube.com/watch?v=8NiJT9mQzokThe 1998 version is the best! Watch it and enjoy it!8/10PS: And the ending made absolutely NO friggin' sense whatsoever! I thought this "Free France Heaven" where everyone who died is a live was just laugh-out-loud ridiculous!

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rogerdob

This version is a classic example of movie makers who take a classic story and a classic film and turn their version into something that's "important." This always results in giving us a movie that is nothing like the original story. The narrative in this version jumps all over the place. This is a lot of real "serious" acting taking place (or so the actors would like to think so!). There's also a lot of real serious sounding music.And please, do we need so many ultra-extreme facial closeups of the actors?. Does the director think we are watching this movie on our smartphones? No we are watching this either on a huge movie screen or on our large widescreen HD TV's!

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Yrael

Bille August's adaptation of the classic tale of redemption, revenge and romance is not a faithful adaptation of the book. Characters are reduced to bit parts, or are eliminated entirely, whilst the ending is removed. But this does not stop it from being an excellent film. Dramatically shot and convincingly acted, this is one for the ages.The ever reliable Liam Neeson provides the film's soul as the repentant convict Jean Valjean, believable as both a former criminal and a saintly figure, touching with his female costars and smouldering when confronting his nemesis, the ever watchful Javert. The Javert of this film is colder and crueller than the professional of Hugo's book, but in the hands of Geoffrey Rush, he still garners sympathy as his duty -bound world falls apart. Uma Thurman provides pathos in her brief role as Fantine, as does Claire Danes, whose relationship with Valjean provides the true emotional heart of the film. Also notable is Peter Vaughan as the Bishop of Digne, the man who sets Valjean on the path to redemption.So if you are looking for a faithful adaptation, look elsewhere. But if you seek a moving, dramatic and entertaining film, you cant wrong with this version.

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