Thanks for the memories!

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

"Lemon Tree" is not a particularly political film, but its roots lie in a deeply divisive and inherently political issue. Its overall attitude to the seemingly perpetual conflict between Jews and Arabs on the Sinai Peninsula seems to be to poke fun at it, even point out the absurd nature of it and the ridiculous conclusions people involved in it reach - such as the rather far-fetched belief that a small orchard might be used as the means for an armed assault on a premises housing someone important. Its second of two agendas is to remark that, ultimately, the conflict is one being fought between two sets of human-beings, all of whom are flesh and blood and as flawed in their thinking and attitudes as the rest of us. It does not seem coincidental that the film's opening shot is that of a large knife dividing into two halves a lemon, for here is a film about a problem to do with binaries; segments and redistribution. Cutting the lemon is Hiam Abbass' middle-aged Arabian woman Salma Zidane, somebody who is living in the West Bank and runs an orchard housing the eponymous lemon trees which has been in her family for decades. She grew up tending the trees with her father, but with him deceased and her children off and away studying in America, she relies on the elderly Abu Hussam (Tarik Copti) to help her harvest and maintain the plot. On the other side of the orchard is, quite literally, the nation of Israel.From nowhere, the very real situation that has engulfed her geographical area since the forging of a Jewish state in Western Asia lands directly on her doorstep: none other than the Israeli Defence Minister, played by Doron Tavory, moves into the villa on the plot immediately next door to her land. In a flash, lookout towers go up; fences are erected and guards armed to the teeth patrol the perimeter. Director Eran Riklis utilises here the harsh juxtaposition of the harmless, aging fruit pickers of Salma and Abu going about their business with the extreme militarism of the new neighbours for what I assume to be comedic effect - the statement is subtle, but effective, in what is a difficult situation to get across a political point without appearing reactionary.To Abu and Salma's horror, the Minister's paranoia about being exposed to some sort of attack by Israel's enemies extends so far that he places an executive order to have the orchard torn down... His reckoning being that the collection of trees might act as fantastic cover for a group of soldiers or militants to surprise the Israeli during some kind of siege of the villa. Not content to take this as it stands, Salma decides to drag the decision through the judicial system - stopping at nothing to keep her lemon trees.From here, one is able to reach a glut of conclusions about the film and enjoy it in a variety of different ways. The most basic of readings is to enjoy it as little more than a procedural legal thriller, where somebody of some power has done something which victimises somebody else and that said victim must fight their way through the courts for an unlikely victory. This in itself brings about an array of problems, issues no less pertaining to legal costs; mind numbing levels of mostly unresponsive bureaucracy on the judiciaries' end and the sheer emotional toil. "Lemon Tree" reminded me, in this respect, of an old Senegalese film you will not have seen entitled "Certificate of Indigence", where a woman largely on her own wades through the system to seemingly obtain a basic right to even be acknowledged. Alternatively, the film is a love story: the lawyer Salma hires, Ziad (Ali Suliman), to work with her throughout the case eventually comes to fall in love with her - the fact he is already married complicates matters further. "Lemon Tree" might also be read into as a feminist piece - a mousy, and otherwise defenceless, woman seeks a victory over a patriarchal figure. Lastly, it might be 'enjoyed' as either pro-Palestinian - where the Israelis are bullies and the Arabs victims - or inherently Zionist, where the last bastion of the homeland of the Jewish people's minister for defending that land is merely taking the rightful precaution for his survival. Does he not have a point about the orchard in the first place? Director Eran Riklis, who is Israeli born, manages to find a film-making 'place' which depicts Israelis as both shallow reactionaries and bullies, but also, in the form of the Minister's wife, sympathisers of the poor Arab woman next door who is about to lose her beloved trees. Scenes involving the two often humanise them, meaning the Jews' role in the film is not to fulfil the role of the stock Zionist oppressor/villain. An Arab, for sure, is the victim in the film, but we are somehow able to sympathise with Salma in her plight without being anti-Semites - her lawyer, the aforementioned Ziad is presented as a deviant in one respect as he would quite easily have gone behind his existing wife's back had Salma not rejected his advances. However one views "Lemon Tree", one ought to be able to enjoy it.

First of all, Hiam Abbass (The Visitor, Amreeka) once more demonstrates how she can portray reactions to heartbreaking with dignity and resilience. She is a truly amazing actress. Based on an amalgam of true incidents, the Lemon Tree serves from beginning to end as a parable for what we all hope and what most of u (but not all) believe to be the majority of well-meaning human beings on both sides. Personally, they mean no harm; they wish that the violence would go away and that they could live their lives as "good neighbors" in the words of Defense Minister's wife Mira Navon (hauntingly portrayed by Rona Lipaz-Michal). However, the courage to stand up to one's own peoples to cross the borders is rare. Even when summoned, it is squashed quickly by well- meaning people afraid of the consequences. The movie remains true to itself and its characters throughout. There are few callous stereotypes to be found here. Yet, in the words of The Temptation in Ball of Confusion (NOT part of this wonderful soundtrack), "the band plays on." Relentlessly. The story is an almost perfect parable for the heart of the entire situation. As a movie, however, I found 30 minutes of it too repetitive, just underscoring again and again the mindless yet entrenched obstacles. As an even-handed political dissertation, such defenses should earn any PhD candidate her or his "A". As entertainment, however, it hurts the pacing enough that one watching on DVD needs to splash cold water on one's face to make it all the way to the end. Please do so, however, because the ending is magnificent.Worth seeing, just a bit slow in patches.

As a former theater director/producer I was stunned at the simplicity of Ms Abbass's realistic performance. This is truly acting at its finest. It doesn't appear to be acting at all, but simple reality. The entire cast was excellent, the direction clean and clear. The film takes no sides in the Israeli/Palestinian conflict .... it simply shows the us the toil it takes on human beings caught in this endless dilemma.**spoiler alert**The kiss is the most perfect, beautiful, transcendent moment of its kind I've ever seen captured on film .... the increase of sunlight, the only "effect" in the film, is pitch perfect.Don't miss this simple, eloquent performance.

LEMON TREE is a poignant story of bitter loss, featuring wonderful acting by all the leads, which makes its inherent message all the more sinister. The main character in this movie is a middle-aged widow, Salma Zidane (Hiam Abbass). Her son has thoughtlessly abandoned her to live the high life in the United States. Her surrogate father (posing under the guise of a worker in her lemon orchard) has been left behind to watch her every move, no doubt reporting the least incident to the local authorities. When a nice single man takes an interest in her, the local big-wig comes to her hovel and practically threatens her with a public stoning if she doesn't drive the younger guy away, because 1)any sex in the final 50 years of her life would dishonor the memory of her died-young-of-a-heart-attack husband, and, presumably, 2)it is the young lawyer's public duty to choose a mate in her late teens who can churn out 15 or 20 children before she's through. This film MAY be based on an actual court case, but the peripheral details (as summarized above) with which the filmmakers decided to flesh out the story just perpetuate anti-Palestinian stereotypes that are bound to cause American audiences to turn an even deafer ear to any news coming out of the Mideast.