A Major Disappointment

The film may be flawed, but its message is not.

The movie really just wants to entertain people.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Legend of the Wolf Chinese Action Donnie YenThe poor-quality of this film can be adequately summarized by the following statement made by a proponent of this movie on IMDb: "Donnie Yen puts in what seems to be a new type of choreographic brilliance. This involves some quite close in shots of the two opponents arms flailing as they block and parry. So blurred are the movements that only the sound effects give us clues as to the blocking and hitting. It works very well."This is perhaps the most absurd movie-related comment I have ever seen, but it very succinctly explains the warped perspective of many who hold the opinion that films such as this (as well as Storm Riders, A Man Called Hero, and Ashes of Time ) offer high-quality action set pieces. The illogic goes something like this: A blurry set of camera frames that are impossible to follow qualifies as a great action scene. The problem with this perspective is that ANYONE – even the most inept movie-maker on the planet – can make such a scene fairly easily. The million dollar question now arises: How can one claim the greatness of action that requires virtually no effort whatsoever to create?Why, then, do I give this film a 4 out of 10 instead of a 1 or 2? Simple. There are pieces of action scenes that show promise. In those rare instances when I could follow what was actually happening, the choreography was good. Unfortunately, these bits of promise were interrupted by inept camera-work that is usually invoked when the movie-maker is too lazy to painstakingly map out fight scenes or brainstorm over fresh combinations of moves and maneuvers. In other words, it's a cheap, pathetic method of film-making that covers up the low quality nature of the action at hand. Therefore, Donnie Yen made it easy on himself by lowering the bar to such an extent that fighting sequences will only require a marginal amount of choreography. The camera-work in this film is simply one of the worst I have ever seen. While watching the opening action sequence, for instance, I literally felt like vomiting when exposed to back-and-forth rapid-fire framing that necessitates a warning on the front of the DVD that this film may induce epileptic seizures.Finally, the plot line was horrible and the cinematography sub par for a movie made in the late 90s.Not recommended.

When I finally got the chance to see this movie, it lived up to and surpassed most of my expectations. Donnie Yen is both excellent as an actor and a director. Legend of the Wolf is definitely one of the best kung-fu flicks since Fist of Legend or Iron Monkey. It effectively recaptures a genre that has not been effectively done since the late 80's and early 90's.The movie contains at least 5 or 6 amazing fight scenes that complement the slightly confusing, yet thoughtful story, well. The speed of the fight scenes is lightening quick and all of the action is intense, the only downfall being that a little editing was necessary for some of the earlier fights. However, this film overcomes all of its flaws and provides a thrilling experience that should please all martial-arts fans. final score 10/10

This movie has gotten a lot of mixed reviews. Some people have praised it and others have called it pure dreck. I really didn't know what to expect from this movie. Well, I found the plot to be slightly confusing. Well, I couldn't figure out what the whole modern day story was about. The flashback told about an amnesiac who returns to a village after WW2 and finds his lost love and some old enemies. A lot of brutal fighting follows.The fight scenes are the calling card of this film. They're all fast and furious. If you take your eyes of the screen for a second you'll miss some stuff. It's all hyper-stylized, from the camerawork to the exaggerated gunplay and use of projectiles. There's a lot of speeding up, but it actually helps the fighting out; it makes it more intense. The martial arts itself is pretty good. Donnie uses his trademark kicks and also does a fair amount of Bruce Lee impersonating. His fight with the eagle claw guy is just astounding.There is some fairly disturbing brutality in this film. The slaughter of the village and the scene preceding the final fight are examples. I guess it's supposed to make the movie more powerful. In the end, I think the great fight scenes overshadow the sometimes confusing narrative and the brutality of the film.

(***1/2 out of ****)After first seeing still shots from this in an article in Bey Logans' wonderful Impact magazine, I was really looking forward to the day when I could see this film. I was disheartened to hear that it did very bad box office in Hong Kong. Especially considering it was Donnie Yens' directorial debut. Donnie set out to make a kung fu film. That it certainly is. Not in the traditional sense though with crane and snake stances, but in a Bruce Lee kind of way. If Bruce had been born 2 decades later and approved of a lot of under-cranking, then I can fully imagine him doing this type of film.So, what is it really like? Well, very good actually. The film is told in flashback. Many people have criticised the film for having flashbacks with flashbacks. I disagree with this. Why is it wrong? After all it only shows what the character is thinking. I did not find it confusing, and it bent the rules of film making quite well in my opinion. Anyway, on with the review! The film tells the story of a legendary character called the Wolf (Yen) and his sidekick. In the beginning we are introduced to an un-named character who is looking for the Wolf in the present day. He is brought to the Wolfs' 'office' where we see him as an old man sleeping. Donnies' sidekick starts to tell the stranger the story of how they met and the legend was born. To give too much of the plot away would be silly considering how sparsely told it is. Nothing about the way the story is told is 'in your face'. Everything is very subtle. Again, something I disagree with that most people have said about the film! Yen has certainly mastered the art of cinematography. The camera angles, colour and editing is very well done. As far as the fighting is concerned, could we expect anything less than brilliant from the Yenster? He seems to be paying homage to kung fu stars past and present. He tips his hat to Tan Tao Liang by putting hopping kicks into modern fight choreography, he moves around and side kicks like Bruce Lee, does his trademark multi-kick jumps and then puts in what seems to be a new type of choreographic brilliance. This involves some quite close in shots of the two opponents arms flailing as they block and parry. So blurred are the movements that only the sound effects give us clues as to the blocking and hitting. It works very well. Donnie shows that he can take choreographing of the martial arts another step towards, and beyond an artform. A few reviews I have seen on this film have said that there isn't much fighting. If ever there was a totally false statement, that is it. Much like Mr Nice Guy, Legend has action by the bucket load. All of it hand to hand fighting. There is one forest fight about a third of the way in to the film that could easily be a prelude to Yen facing up to the main fighting villain of the film at the end. Another fight not long afterwards could very easily be an end fight on its own! A few more fights are just as big. This film has no less than 3 big fights at the end. One against multiple opponents in a village and a forest, then there is the fight against a man known as Monkey which is probably one of the best screen fights I have seen. The last fight is very brutal.For people who hate wires (me included), this film stays well away from them. Extreme under-cranking is used only on occasion rather than all of the time. This lets in more traditional choreography. Its surreal and uses dialogue sparingly. I think that this is one film that although people are criticising the hell out of it at the moment. In the future it will get its due.