A different way of telling a story

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It is Canadian prodigy Xavier Dolan's third feature, after I KILLED MY MOTHER (2009, 7/10) and HEARTBEATS (2010, 5/10), the first one he doesn't hog a leading role for himself. LAURENCE ANYWAYS chronicles a 10 year up-and-down relationship between Laurence Alia (Poupaud), a man with GID (Gender Identity Disorder) and determines to dress up like a woman, and his girlfriend Fred Belair (Clément) from 1989 to the looming millennium. Scale wise it is Dolan's boldest and most ambitious one (save his two subsequent films TOM AT THE FARM 2013 and MOMMY 2014, which I haven't seen yet), extending around 168 minutes, Dolan strenuously spells out a panorama of struggles of Laurence and Fred, for the former, it is a life-or-death judgement call, without opening up to embrace his true id, life is pointless and meaningless to him; more thoughtfully and unconventionally, the film generously grants maximum space for the latter, to zoom in on Fred's striving for breath and co-existence when her world is equally capsized by the blunt decision made by the man she loves. As early as the opening introduction of Laurence through onlookers (deceitfully) spontaneous responses till the very end, Laurence and Fred separately exit the barroom with posh slo-motion against the brisk gust, stylistically Dolan comes much more at ease with his ostentatious aesthetic codes, Day-Glo disco, subdued lighting, kitschy ornamentation, pop art, avant-garde tableaux vivant, chic party, campy or crammed locale confinement, highlighted by Les Five Roses, and all aided by a killing mixtape (from Fever Ray, The Cure, Visage to Moderat) to leaven the zeitgeist and propel the storytelling.It is a pure melodrama, spearheaded by two impressive leading performances by Poupaud and Clément, especially the latter, her explosion which bookends the midway of this drawn-out feature is intensely electrifying and utterly breathtaking. She also impeccably handles the unvoiced implosion of her character, shepherded by hairstylists, costume designers and Dolan's unerring determination to lay bare all the subtlety with abstract symbolism and his own perceptive sensations. Most of the time, Poupaud conceals his handsome contour under a ridiculous wig, heavy make- up doesn't help either, but nothing can hide Laurence's intrepidity, sensitivity and charm through his less flamboyant but more realistic rendition. Nathalie Baye, plays Laurence's negligent mother, pungently bespeaks both parenting and gender-identity are not innately fitting to anyone. LAURENCE ANYWAYS is a solid corroboration of Dolan's prowess to explore and conquer a wider scope out of his comfort zone, visually distinct and artistically eclectic, although in any event he needs to be polished up a little bit and get himself out of the self-indulgent pitfall, let me just suppress a dash of jealousy and get ready to rejoice in the wunderkind's another output, hopefully is the much-anticipated TOM AT THE FARM.

First of all: This is Suzanne Clement's film! As far as I know I have never before seen this amazing actress, who turned out to be the gem in this actually quite uneven movie. It's her I remember, and her I tell my friends about.Being a transsexual woman myself – and author of the acclaimed book "TransActions" - I was curious to see how Xavier Dolan had managed to turn this delicate subject matter into a praised movie – not least since my transsexualism was what eventually caused the breakup from my wife of almost thirty-five years. Undeniably it's a very good movie, and Laurence's pain and anguish brought back memories I could have done without – but there are angles I don't understand.Having been in & out of the trans world since 1971 I have met numerous transvestites and transsexuals - and I have yet to see a man trying to pose as a woman with his usual male hair-cut; Make-up, a skirt, women's shoes – and male hair. Also – to suddenly go to work as a woman, without having told neither his colleagues nor his totally unprepared pupils. How smart is that? No wonder it didn't really work out.A couple of the other reviewers mentioned the fact that handsome Melvil Poupaud turned into a not all that convincing woman. At first it bothered me as well, but with this being quite a common situation among transsexuals it actually added a realistic touch to the film. Regrettably this was effectively ruined when a woman interviewer with obvious warmth compliments Laurence on what a beautiful woman he is."He"? I guess this is my most substantial objection: Poupaud never managed to convince me that Laurence really is a woman. This is not a matter of looks but something you project, and I have met much more masculine looking trans women who are readily accepted as females at work and in society because this is what they "feel" like.An amazing example of such projection in a movie is Felicity Huffman's stunning performance as male to female Bree, in Duncan Tucker's Transamerica. Even beautifully dressed as woman, she manages to convince me that behind the clothes she's still biologically a man.Regrettably I have also met transsexual women like Laurence, who never really stop behaving like men - and who demand to be accepted and loved without even a trace of understanding for the feelings of those around them. My lasting impression is that this might actually be what the film's title hints at.PS Don't you ever forget: Suzanne Clement is altogether lovely as Laurence's girlfriend Fred!

this film is one of the most breathtakingly stunning films i've seen in years. it is remarkable not only in its challenging subject matter, its ability to convey true, raw, complex human emotions and relationships, but also its painfully beautiful cinematography and artistic skill. it puts you inside the heads and minds of its truly human characters, the way it was filmed....amazing. it is one of those films that defies expectations, is multi-dimensional, is funny and heartbreaking...i was riveted at every single moment, unable to tear my eyes away from the film...i needed to go to the bathroom early on in the movie, and yet sat through two more hours of agonizing bladder suffering because my mind was unwilling to let me tear myself from the screen. and afterwards, my friends and i were all shaking from the film. we couldn't stop talking about it. watch laurence, anyways. it'll change your life.

Fist of all, I should tell ya that I never been excited to watch a movie for a really long time; you know that excitement when you watch the trailer over 10 times in a row. yeah, I got excited this much to watch Laurence Anyways. and as a Xavier Dolan's huge fan that makes me know for sure that this movie is gonna be a pure art. and I don't even really care that much about directors. but DAMN! Xavier Dolan is the perfect man. No, I really mean it. he's gorgeous and talented in so many ways. Although all of the films he directs are about homosexuality, but what the heck! sometimes I hesitate to recommend any of his films to people I know cause I fear they might be narrow minded about all of the homosexuality stuff. Personally, I wouldn't mind watching a Xavier Dolan's film everyday and I'd still enjoy it as if it was the first time I watch it. I killed my mother, heartbeats, and now laurence anyways.Laurence Anyways is almost 3hrs long. I thought I'd be bored. but somehow, something kept me watching. maybe it's wanting to know how the story ends. or maybe it's the great soundtrack, or the scenes that feed your soul visually. I mean really, why bother going to a photo gallery or a concert or whatsoever when you can simply watch Laurence Anyways or any film of Dolan's, and you'll find everything you love combined together beautifully. maybe I'm just exaggerating but that's because I'm this amazed. At first, I thought Laurence and his girlfriend weren't' good looking enough, but anyone who watches this film will absolutely fall in love with every single character in the film. and somehow you'll find them extremely beautiful because you just feel their passion and stuff. When I posted on twitter that I'm so excited to watch it. my friend replied saying, "it's a bold movie." well, I don't know how dirty films like the hangover are okay to watch and a masterpiece like this is "bold"! One thing I noticed about Xavier's Dolan films, is that he tries not to show us nude scenes, cause it ain't pretty. nobody wants to see butts or whatsoever, well, maybe perverts want to, but that's not the point. that is to say, even sex scenes are somehow beautiful and amazing, like the sex scene in 'I killed my mother' with all the painting and the sad sex desperate sex scenes in 'heartbeats'. you can clearly understand what Dolan is implying. In Laurence Anyways, Dolan portrays the relationship between Laurence and his girlfriend as a happy couple who are madly in love with each other, before they gradually collapse. What I'm truing to say here is that Dolan never fails at impressing his audience.The soundtrack was painfully amazing, as always. the film stats with a song by 'fever ray' which made me realize that Dolan is a fan of this band. yeah? you remember the scene in the woods in 'heartbeats'? No? Okay. I swear if I had to steal one thing from Xavie Dolan it'd be his ipod or iphone or whatsoever. the man has an amazing taste in music.When I done watching this film, I realized that 3 hours weren't enough. I wouldn't mind if it was 10 hours long or a series with a thousand seasons. it's just pure perfection. you know when you watch a perfect film that is so perfect to the extent that you wouldn't mind if it ends after only 5 minutes or in the middle of it because it's so perfect, and whatever the end is it'd still be great and perfect. yeah, Laurence Anyways is one of those films. and I'm still happy and impressed with the ending scene. the song was oh-my-god amazing. it's like it came into my soul and said hi and settled there. I can never get bored watching the ending scene; so simple yet perfect.And before I forget, I love the almost 5 seconds Xavier appeared in the party scene. yeah keep it up babes.In short, Laurence Anyways is 3 hours long, BUT, it's 3 hours of love, joy, regrets, tears, emotions, passion, and XAVIER DOLAN'S PERFECTION. Go watch it! and if you watch it and hate it then I'll hate you back.Thank you