Ladies In Love
Ladies In Love
| 09 October 1936 (USA)
Ladies In Love Trailers

Three young women in Budapest share living quarters while searching for romance.

Reviews
VeteranLight

I don't have all the words right now but this film is a work of art.

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Intcatinfo

A Masterpiece!

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Senteur

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

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Jenna Walter

The film may be flawed, but its message is not.

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costellorp

My husband and I watched this movie last night and really enjoyed it. The plot was intriguing and the acting was surprisingly superb, especially Janet Gaynor, Constance Bennett and Alan Mowbray as the magician. These three actors aren't as well known to modern audiences as Loretta Young, Tyrone Power and Paul Lukas; however, their performances in this film carry the film and give much greater depth and subtlety to the movie.We couldn't believe we had never heard of this movie before. I've read some of the more negative reviews on this website, and I don't agree with them. I recommend that you give this movie a try. It is most definitely NOT a screwball comedy or lightweight film like "Who Wants to Marry a Millionaire." One reviewer mentioned the "European" feel of the film. It is set in Budapest, Hungary and it is true to the mores of the place and time. An excellent movie! If for no other reason, please watch it so that you can better appreciate Alan Mowbray, who is so underused in "My Man Godfrey" and is not remembered much for his great supporting role as the butler in "Merrily We Live."

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calvinnme

... because you just might get it! It's rather predictable, yet interesting. Three women combine finances so they can rent a spacious apartment in a wealthy part of Budapest and use that apartment as a jumping off point so that they all can get their individual wishes. Constance Bennett plays Yoli, a woman with sophisticated tastes and ways, but no money. Loretta Young plays Susie Schmidt, a girl in the chorus of a local show, and Janet Gaynor plays Baroness Martha, a woman of noble blood whose family lost everything in WWI, so now she has to live off selling neckties on the street along with a hodgepodge of odd jobs.One of the first thing the women do is practice an old superstition. They sit down in whatever room of the apartment they happen to be in, count the corners of the room, and then say their wish aloud. Yoli asks for a rich husband who will buy her jewels and furs, Susie asks to be independent of men with a shop of her own. You can detect a trace of bitterness in her voice as she says this, as though she has been burned by romance before and often. Finally, in the bathroom, Martha says she is going to ask for the impossible - a good home, a husband to take care of, and children.Their first visitor is John Barta, a wealthy man whose work takes him all over the world, but for now he is on vacation in Budapest and keeping company with the seemingly aloof Yoli. Along with Barta is Karl Lanyi (Tyrone Power). One smile from him and it's time for family values for Susie. Her Independence Day spirit evaporates before your eyes. As for Martha, she gets a job to replace all of her part time jobs by being the assistant to an illusionist, Alan Mowbrey as the very amusing Paul Sandor who can't tell when he is performing and when he is having an actual conversation.By my last paragraph do you think you can tell how this will turn out? I will tell you now you do not! Watch and find out. I will tell you that every girl get's their spoken wish, but not the desires of their heart. Only Martha winds up truly happy. I've always said if you are going to watch the films of 1936 you better be prepared to deal with the values of 1936, so the lesson here seems to be that the only honorable ambition of any girl is for a traditional family. Just wanting a rich man for what he can give you or a career so you don't have to deal with a man in the first place is just not honorable. Not my words or beliefs, but ideas coming from a script written almost 80 years ago that Fox revamped from various angles from time to time over the next three decades.An interesting aside - Fox's past, present, and future are all here. Loretta Young was brought over from Zanuck's 20th Century films to do this, and she wound up a big star. Don Ameche is fifth billed, but will wind up being one of Fox's biggest stars with that charm that was just so unique to him. Tyrone Power? He's seventh billed and one of the few assets left over from the original Fox Films, but that disarming smile, even playing a pure heel with only a few lines, got so much fan mail that he quickly went up the ladder. As for Janet Gaynor, she had been making money for Fox for over a decade and has probably the best role here, but her time at Fox, and in film for that matter, is just about over.I'd highly recommend this if you ever get the time. The ghostliest fact to me - these people don't even realize that their wishes may be temporary because another war is about to change everything in just three years time.

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bkoganbing

Although no one on this film got any closer to Budapest than the new 20th Century Fox studio's back lot, Ladies In Love is a nice romantic film about three women who agree to split the costs of an apartment in a swank Budapest neighborhood. The better for them to catch good husbands and the three go about to work.Janet Gaynor works as a lab assistant to Dr. Don Ameche who basically treats her like a doormat. She must like the idea because she then goes to work for egotistical magician Alan Mowbray as his assistant and general factotum. Mowbray is in a part that later on Clifton Webb would have specialized in.Loretta Young thinks she's found true love in Tyrone Power. But Power is a heel in this one and he's some kind of minor nobility. He trades up for Virginia Field who not only has title, but money. This was the role that made Darryl Zanuck decide that Power would be the franchise player of his new 20th Century Fox studio. Power would play a hero/heel in many of his films, but here he's a straight heel. Seventh billed in the cast list he got a lot of fan mail from this film that helped Zanuck in his evaluation.Constance Bennett is the oldest and most experienced of the three. She's got a thing going with another titled gent Paul Lukas. But one fine day a sly little minx from the country shows up in Simone Simon. She's supposed to be a teenager, but this girl is most mature in her wiles. She's got Lukas panting and wanting more.In the end one girl gets what she wants, the other two have to settle as they leave their apartment in the ritzy part of Budapest. A close call to tragedy also happens to one.Ladies In Love is a nice romantic film in which a whole cast gave a nice ensemble effort. Some futures were made because of this film.

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misctidsandbits

Starting off with a bit of perhaps heresy to some, I have never understood the appeal of Janet Gaynor, and this did not help. However, though the long-shot and quirkiest character here, hers was the lucky ticket that paid off. It is interesting to see the former box-office dominating Bennett underbilled to Loretta Young, whose star was on the rise. They say Ms. Young's fan mail always abounded, something the execs kept a close eye on. Despite that, she has a thankless part here, the heir apparent to the young nobleman's second billing, having already been aligned with a worthy marriage candidate, likely by family design. With Young's character, he was shopping for the extracurricular interest in advance. However, it's more the personality type chosen for this character that did not fit Ms. Young, who seemed off balance playing off balance, being more effective as a more self-assured type. Ms. Bennett had the best part and did well enough. The screenwriter(s) did not play true to type and time here in that they only rewarded one of the three young hopefuls, the other two left to gracefully bow out of the venture at the end, perhaps some the wiser. The production values along with interesting players form the lifeline of this one, the script needing recessitation from the beginning, but never receiving it.

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