I like the storyline of this show,it attract me so much

Good story, Not enough for a whole film

best movie i've ever seen.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

KISS ME DEADLY is one of the darkest of all film noirs, a film which takes the Mike Hammer/Mickey Spillane source material and, in the hands of director Robert Aldrich, turns it into something obscenely nihilistic; a dark, downbeat, and occasionally downright disturbing slice of hardboiled crime. Ralph Meeker's anti-hero is drawn into a conspiracy plot involving murder and staged accidents, and finds himself up against all manner of murky evil. There are bursts of stark violence throughout, as well as a general hatred of mankind as evinced in the attitude of the characters. All this becomes secondary, however, to the power of the MacGuffin-centred climax, which is one of the most horrific I've ever witnessed.

Based on a novel by Mickey Spillane in atomic shape this is a great thriller to watch. The story is build up around the search for the great "whatsit". The tempo is high in this dark and intriguing story. Ralph Meeker does a high class performance as Spillane's tough private eye, Mike Hammer. Add to that a wonderful lineup of great character-actors like: Albert Dekker, Strother Martin, Percy Helton, Jack Elam and Paul Stewart. There are also some amazing cars and beautiful women. Great entertainment, directed by one of the true masters of the trade: Robert Aldrich. As a bonus we can hear the man with the velvet voice, the unforgettable Nat Kong Cole sing.

A doomed female hitchhiker (Cloris Leachman) pulls Mike Hammer (Ralph Meeker) into a deadly whirlpool of intrigue, revolving around a mysterious "great whatsit." The film withstood scrutiny from the Kefauver Commission (who investigated the mafia), which called it a film designed to ruin young viewers, leading director Aldrich to protest the Commission's conclusions. Today, the film is preserved by the Library of Congress. We can see who won in the long run."Kiss Me Deadly" remains one of the great time capsules of Los Angeles and Beverly Hills; the Bunker Hill locations were all destroyed when the downtown neighborhood was razed in the late 1960s.Homage is paid to the glowing suitcase MacGuffin in the 1984 cult film "Repo Man", the film "Ronin", and in Tarantino's film "Pulp Fiction". The "shiny blue suitcase" is referenced with other famous MacGuffins in "Guardians of the Galaxy". In the film "Southland Tales", Richard Kelly pays homage to the film, showing the main characters watching the beginning on their television and later the opening of the case is shown on screens on board the mega-Zeppelin.This is, indeed, the greatest of all private eye stories and film noir. With all due respect to such greats as "Asphalt Jungle", this is the real deal.

I must confess that, with this film I have seen a good noir film that is well nuanced and spine chilling.From the titles in the beginning to the final frozen frame, there is a sense of mystique that prevails. It helped me hang for the whole length of the film and I felt grateful at the end. The film poster itself has too many details that need some good time to decipher.To begin with, it's all in the writing of the script and placing them well in screenplay. Now, this film has done that part exceptionally well. Dialogues are good and they carry a certain intrigue that made me hold back to the whole length of the film.It has many undertones and many references too. It's disapproving of many conventional film making norms that were there in 1950's. But in the same structure, the body and the heart of the this film are radically different and we have been offered a very niche film. It's classically noir and it's classically left for viewers interpretation.The end climax is debatable and left me with questions. That's the kind of film that I like. The good films are good, but the great ones start asking questions about why anything happened. They start a debate internally within the mind and even with others, when you discuss about the film. Thus, this definitely is a great film.With sharp editing and superb cinematography, this film is a landmark technically in 1950's. The production design is wonderful too. All kudos to the technical team who have got the infrastructure of this film together.The acting, the nuances of emotions are done well by all the actors. Though, Ralph Meeker as Mike Hammer stole the show.Great work by Robert Aldrich the director and great work by Criterion in giving us the film unedited, with even the alternative ending preserved. This is not a film for general viewers, it's strictly for aficionados.A 5/5 for a definitive, science fiction, noir film. http://braddugg.blogspot.in/