It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Exactly the movie you think it is, but not the movie you want it to be.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Historically ,this is the first in the series of swashbucklers in which Jean Marais starred from the late fifties to 1962.And this is not the best,because of a desultory script which does not really grab the audience .The first part looks like a poor man's "Fanfan La Tulipe" which also took place during king Louis the Fifteenth's reign .The anti-war spirit (reflected in the performance on stage)may remind you of some of Henri Jeanson's lines ,but it's a pale imitation.the second part can be looked upon as a blueprint for "Le Bossu" ,the following year,La Tour and Lagardère being interchangeable heroes : the dashing fair knight goes to the rescue of a damsel in distress ,deprived of her inheritance.Filmed on scope ,which was still rather luxury in the French cinema ,the director makes the best of it at the beginning in the war scenes ,then for the last scenes with the deported women prisoners en route to La Rochelle .