Fresh and Exciting

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The best films of this genre always show a path and provide a takeaway for being a better person.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Eric Roberts made his film debut as the grandson of an Old World gypsy king who is chosen over his father to lead the remnants of the clan into the modern age. Director Frank Pierson, who also adapted Peter Maas' book, goes for a theatrically overwrought style here that plays like an opera minus the singing; we get the anger, the torment, the gesticulating and all the fiery emotions, but what the film lacks (and what Pierson could really use) is some sensitivity. The talented, eclectic all-star cast and the unusual milieu certainly hold interest, but this character portrait is pitched too high to hit any of its targets. *1/2 from ****

Strong performances by a stellar cast highlight this unforgettable film about a largely misunderstood population known as the Gypsies. They sing, dance, wear jewelry, and party together. On the other hand, they steal, deceive and con non-Gypsies out of their money with fortune telling. For most viewers, this film shows complex depiction of them. Eric Roberts give a top notch first rate powerful performance as the Gypsy son who sees the error of his people's ways like no schooling. The other cast members are legendary such as a young Brooke Shields playing his baby sister. Susan Sarandon and Judd Hirsch as his parents. Shelley Winters is great as Queen Rachel and Sterling Hayden as the King. This film is a must see.

Life of a young man who wants to escape his "gypsy destiny." He wants to adopt to the American way of life, he has a blonde non-gypsy lover, his dream is to move to California and spend his time surfing (really). He hates and looks down on everything about his gypsy heritage, which is epitomized in the character of his monstrous father. Alas, his responsibility towards his sister means there is no easy escape from his "gypsy destiny." Above summary is the gist of the movie. If such a deplorable premise is not bad enough, the lead actor, Eric Roberts in his screen debut, aggravates this mess with his awful acting, esp. when he is in fits of anger. The guy who plays the bad father does not put up a very bad performance though. Susan Sarandon, who plays the mother, is very good-looking, but she can't help looking fake in all this stereotyping.For Brooke Shields fans like me who may go for this movie just for her: She doesn't appear at all in the first 40 minutes or so and has got three scenes later on. She is largely a bystander in the first two, but has a major presence towards the end. For fairness, the only merit of the movie is the music.

A great small movie, with a not unusual plot, some nice and some OK acting, very nice direction and photography and most of all, a fantastic soundtrack -- Stephane Grappelli (a gypsy jazz violinist who played with Django Rinehardt) does incredibly fine gypsy style music - worth it for this alone! Also fun to see a young, dishy Susan Sarandon and a very young Eric Roberts in this movie. Judd Hirsh is great playing a counter to his usual sweet image (or gruff old guy a la "I'm not Rappaport"). In this movie, Hirsh is positively evil. A great peek into a unique culture of traveling people who have been vilified and chased all over the world.