Instant Favorite.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Leonard Slye (Roy Rogers), Smiley Burnette (Frog Millhouse), Peggy Moran (Judy Mason), Bob Nolan and the Sons of the Pioneers: Lloyd Perryman, Tim Spencer, Pat Brady, Carl Farr, Hugh Farr (themselves), Yakima Canutt ("Where am I?" outlaw at the border), Emmett Vogan ("triplet" saboteur in audience), Norman Willis (Nazi agent), Gerald Mohr (Maurice), Dorothea Kent (Ruby Smith), Lloyd Corrigan (William Kraly), James Bush (Dave Mason), Russell Hicks (Governor Shuville), Irving Bacon (Deputy Alf Cluckus), Stuart Hamblen (Duke Wilson), Eddie Dean (Tex), Forrest Taylor (cowhand), Dick Wessell (Hershel), Jack Kirk (bartender), Edward Earle (manufacturer), Charles King, Jack O'Shea (henchmen), and "Trigger".Director: Joseph KANE. Screenplay: Olive Cooper, J. Benton Cheney. Original screen story: Hal Long. Photography: Reggie Lanning. Film editor: Harry Keller. Art director: Russell Kimball. Set decorator: Charles Thompson. Music director: Morton Scott. Songs: "Gay Ranchero" (Slye), "Ride 'Em Cowboy" (Slye, Pioneers), "I'm an Old Cowhand from the Rio Grande" (Slye), "Red River Valley" (Pioneers), "Roll Along Prairie Moon" (Slye). Trainer for "Trigger": Glenn Randall. RCA Sound System. Associate producer: Harry Grey. Executive producer: Herbert J. Yates.Copyright 1 April 1943 by Republic Pictures Corp. No recorded New York opening. U.S. release: 9 April 1943. Australian release through British Empire Films: 23 March 1944. 7 reels. 5,589 feet.SYNOPSIS: Roy Rogers (Leonard Slye) and Frog Millhouse (Smiley Burnette) are hired by Governor Shuville (Russell Hicks) to crack a ring of Nazi saboteurs moving around the state under the cover of a traveling carnival. Unbeknown to the governor one of the leaders is his own secretary (Lloyd Corrigan).NOTES: Early in 1943 "Life" magazine did a cover story on Rogers under the journalistically exaggerated title "King of the Cowboys". Of course everyone knows that Gene Autry is the above-mentioned "King". But Autry was away in the war, serving his country as a GI and later as a pilot with the Air Transport Command. Republic was quick to capitalize on the Rogers' "Life" headline. In his autobiography "Back in the Saddle Again", Gene bends over backwards to say nice things about Slye. Only a few lines — and you really have to read them closely — betray a slight touch of justifiable bitterness: "My last picture before entering the service was Bells of Capistrano... Republic acknowledged my departure by proclaiming Roy Rogers as 'the King of the Cowboys', and increasing the Rogers- western budgets to the kind of dollars the Autry and other Republic units saw only once in a while."The title has zilch to do with the plot. King of the Saboteur- Busters would be more apt, if equally exaggerated. True, Rogers does appear briefly as a rodeo rider at the beginning and end of the movie, but his chief task — aside from singing, of course — is to assist the heroine in a "Nightmare Alley" mind-reading act!Peggy Moran is the heroine — and a real nice girl too. Smiley is along mostly to cover up or back up Roy. His comic opportunities in this one (at least in the print under review) are severely limited. But at least he's in the movie, something that can't really be said for Bob Nolan and the Sons of the Pioneers. Blink and you'll miss them. Hissable Lloyd Corrigan and the other villains led by Gerald Mohr have more than their fair share of footage, whilst Irving Bacon as a comic jailer makes hay for a couple of scenes.There's a fair action climax (obviously inspired by "For Whom the Bell Tolls") but otherwise production values are generally "B". And aside from the action set-ups (which were probably mounted by a professional), Kane's direction is unremittingly routine.

Certainly not a western in the usual sense. In fact, horses aren't seen til the end, while there're many more suits than Stetsons. The programmer does manage a good flying fists sequence, but fast-shooting and hard-riding are at a bare minimum. There's little scenery, except for some familiar LA area locations. And likely, wartime restrictions discouraged shooting in Technicolor so we get b&w instead.It's 1943, and I guess Republic wanted something contemporary having to do with the scheming Axis powers. But reviewer Plankton is right. The script is very poorly done, so it's hard to know who exactly who is up to what and why. There are some good moments such as action on the train trestle and some snappy audience lines during Mohr's psychic act. And that's along with a pretty good selection of western tunes, like Red River Valley. Of course, Mohr makes a first-rate baddie, and it's unusual to see short, stubby Corrigan in a serious part, a departure from his usual addle-pated comedic parts. In my little book, it's a lesser Rogers entry, apparently before he met up with the sparkling Dale Evans or the golden stallion Trigger. But it should do for Rogers fans if you're not too insistent about your traditional westerns.

Ya-hoo! This is probably one of the best of the Roy Rogers Westerns from the 1940s.By 1942 Roy Rogers' popularity as a "Singing Cowboy" had increased by leaps and bounds. With Gene Autry out of the picture and away on the war-effort in Europe, Republic Studios replaced him with Rogers.Known as "Poverty Row", Republic took a big chance and doubled their usual skimpy budget on this picture. It was a gamble that paid off handsomely and made Roy Rogers a house-hold name and idol to Western movie fans everywhere.In King Of The Cowboys, Roy Rogers sings a little, fights a little, and even loves a little. (well, sort of) Rogers plays a government agent working undercover as a rodeo performer trying to infiltrate a ring of saboteurs. These bomb-crazy scoundrels are a ruthless bunch led by a phony-baloney carnival mind-reader.All around the state of Arizona these villains are bombing warehouses, left, right, and center. It's now up to Roy Rogers to put a stop to their dastardly deeds.Can Roy stop these nasty-minded criminals before another crime is committed? Watch and find out why Roy Rogers is called King Of The Cowboys! And, Happy trails to you.....

If you like Roy, you will like this movie.It has a good story line about sabotage and Roy's under cover work to capture the saboteurs.Roy also sings some songs.Smiley Burnett does his usual fine act as a funny sidekick.I was surprised to see Gerald Mohr as a "BAD GUY" in a western.The movies and T.V.I have seen him in he usually plays a sophisticated type of character.If you don't blink your eyes,you will see Eddie Dean as a policeman who has been tied up in his patrol car.