Good story, Not enough for a whole film

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Before watching Kill And Kill Again, the sequel to Kill Or Be Killed (which I haven't seen), I'd suffered through three productions by Edward Montoro: Day Of The Animals, Grizzly, and Mutant. Each film left me with that unpleasant feeling in the pit of my stomach that started cropping up sometime in my late twenties: the knowledge that I'm definitely going to die one day, that feeling that life is short, and the suspicion that – partially because of movies like the three aforementioned – I've all but wasted my allotted span hitherto.So it's not difficult to imagine my mindset when Kill And Kill Again's opening credits rolled, and there was Montoro's name plastered across the screen. I'd already paid good money for the thing, which represents work and arguably falls into that time-wasted category. Then again, if I watched what I was sure would be an atrocious movie, that would be another couple hours of my inevitable race to the grave spent on yet another horrendous Montoro film. Do I cut my losses now, or truly shame myself by letting Montoro fool me a fourth time? Obviously I chose to watch it. Buried beneath my existential nihilism is, in fact, an optimist. My findings? You heard it here first: Kill And Kill Again is kung-fu gold.Well, OK, silver. But for Monotoro it might as well be platinum.It's obvious he missed his calling: after watching three of the worst horrors ever shot on film, I watched Kill And Kill Again, an eighties kung-fu flick, and realized Montoro as a producer missed his calling. Don't get me wrong, 'derivative' still (as always) applies, and I can't judge whether Montoro's was intentionally satirical – maybe my modern sensibilities mistook an actually genuine attempt at a serious kung-fu movie for a tongue-in-cheek romp – but maybe, just maybe, Montoro (without a miraculous accident) actually turned out exactly the sort of film he wanted to make, and it was actually good.James Ryan stars as Steve Chase, a world-renowned martial artist who (presumably in the first film) is no stranger to getting dragged into contests of a nature that's decidedly more lethal than your average cage-match. Model/beauty-queen Anneline Kriel plays Kandy Kane – I swear this isn't a skin-flick – who drags Chase on a quest to save her father, who's been abducted by the evil genius Marduk. Together they assemble an A-Team style crew of the usual typecast-oddballs and token-whatever's, who set out to karate-chop and roundhouse-kick their way to Dr. Kane.Marduk – who's as comically villainous as you'd expect with a comic-book name like that – kidnapped Dr. Kane to work on his latest mastermind scheme for world domination. He's cooked up a potato-based obedience serum, and needs Dr. Kane to perfect it. Seriously, he's taking over the world with potatoes, and if that isn't intentional comedy I don't know what to call it. Marduk's got an entire campus full of brainwashed youths already on the drug, who he's raising as his personal karate army. Once Marduk's plan ripens (heh, get it, because potatoes?) he'll enthrall the entire world, assuming Chase, Kane and their sidekicks don't stop him.Nothing about this movie, when viewed superficially, should have been enjoyable. It's got a white South African, James Ryan, all but parodying Bruce Lee (I could never figure out whether I was supposed to believe Ryan was actually Asian). The voice-acting sounds like a racist's interpretation of Native American mannerisms. Sexism is blatant, even for an eighties movie, although I'll give Montoro this: Kandy Kane is a far more active heroine than any of his others female leads. She'd critical to the plot, in fact, and gets in a few badass moments herself.Kung-fu movies have a reputation for being cheesy and over the top; it's an inverse relationship between the realism of the kung-fu, and the awesomeness of the movie, and Kill And Kill Again wisely doesn't deviate. There's an obvious bit of realism beneath the choreography, but their ultimate goal was entertainment rather than believability. It's got everything we've all come to expect from these sorts of martial-arts movies: spinning kicks, backflipping as a valid means of daily transportation, parkour inspired wall-flips, and outright absurdism when it comes to how many (supposedly well-trained) combatants our heroes can fend off and defeat all on their lonesome.As a matter of fact, Kill And Kill Again broke new cinematic ground, which isn't something I thought I'd ever say about a Montoro production. My jaw literally dropped a couple inches when I saw it. You'll recall the slow-mo spinning-bullet shots in The Matrix, I'm sure; turns out KAKA was the very first instance of that now iconic shot. Even more impressively, they accomplished it all without the modern technology The Matrix and other imitators relied on. A dolly, a camera, some plexiglass and clever lighting were basically all they used for the setup.Innovation? Montoro? My core beliefs are thoroughly shaken.Kill And Kill Again is, slow-mo bullet sequence aside, nothing new. It isn't plowing deep into fresh narrative territory; the minimal character development isn't masking any biting social commentary; the cinematography's impressive, but it's an action movie, so I expect nothing less.But it's fun. It's enjoyable. You can laugh at the over-the-top kung-fu (or karate, whatever it's supposed be). You can dig the eighties nostalgia which is ultimately the genre's hallmark. You can turn your brain off, kick back, and prepare to be entertained with the comfortable knowledge that Kill And Kill Again won't require an iota of your upper-level cognitive function to fully enjoy what it has to offer.And, like me, you can say you finally watched an enjoyable Montoro film.

For all you martial arts fans out there, if you haven't vide'd this one, put it on your list. James Ryan, a martial arts star in the eighties, came and went, his real only other main stream film being Kill Or Be Killed, which had much lesser action. Actually, at the end of the preview of the latter, underneath it's title, reads: The greatest martial film ever made. Absolute bologne. The action in this, comes thick and fast, we're literally thrown into it, at the beginning. This one will surprise you. It has a good story too. The likable Ryan plays a guy called Steve Chase, who rounds up a band of his old and deadly acquaintances, some real wild characters. Sounds like Kill Squad right, or may'be Sidaris's smart '79' hit, Seven. Not quite. A beautiful young girl (Kriel-Reason To Die) implores Chase and his selected few to snatch her father from a camp, where he has been brainwashed into performing experiments on a legion of other prisoners, who become programmed to kill. So Ryan and his boys have got their work, cut out for them. Love it. Meanwhile as the viewer, just indulge in huge chunks of action, but wait, we've got one hell of femme fatale with white spiked hair who's a hoot, thanks to some good punchy, dialogue, in a script you don't expect to be this good. You'll love the nickname she'll gives her master, to his utter loathing. Our hunky Ryan was something of a fascination to me, in a film here that stands alone. He was soon forgotten, but one wonders whatever happened to him.

Yes Hi "Kill Or be Killed." - Sorry to only answer your posting now, but I've only recently become aware of all this 'stuff' on "Kill and Kill Again," on which I was the cinematographer and helped get the martial artists for the movie, since i knew them all.... You are right. A lot of people preferred the first film also with James Ryan as Steve Chase in "Kill and Kill Again", but I must tell you that the box-office figures tell a very different story...in fact, depending on how old you are, you might remember a film made by Bo Derek's husband John Derek called "10" ...a 'tits and bums' vehicle to show off the many charms of his lovely wife that did very well at the box-office and was released the same year as "Kill and Kill Again'. Well, believe it or not, "Kill and Kill Again" made more money than "10". Much more money....I have the figures somewhere......Anyhow both these movies have gone into the memories and archives of "Chop Suie' or karate pot-boilers.....One of the many things I admire about James Ryan is that after these two big successes for him in the USA, he was offered many more roles like that and could of happily gone on making them ad nauseum, going for the money and fame. But he declined....went back to South Africa to become one of SA's best male leads in theater and TV /cinema...a 'big up' for Steve Chase ........ tai krige sasc.

MASTER PLAN: eliminate free will and create a new kung fu race! The follow-up to "Kill or Be Killed" of the previous year again follows the pattern of the famous "Enter the Dragon" picture, meaning a small group of elite fighters enters the private kingdom of a slightly-insane master villain, who has his own private army and seems preoccupied with the ancient city of Babylon. This one's a little more tongue-in-cheek than "Kill or Be Killed" but is also slightly more entertaining, as a result. This features the return of Steve Chase (the lithe, acrobatic Ryan), South Africa's answer to Bruce Lee, as the best martial arts combatant in the world (he's given some award at the start of the film). In the previous movie, Chase was just caught up in the weird plans of the villain, whereas here, he's on assignment as a special agent (but, for a lot of money, not a salary). Chase is approached for a special mission, a la a kung fu version of the James Bond style, and then gathers a quartet of specialized fighters, all of whom he knows from some previous missions. A female fighter also tags along, claiming to be the daughter of the scientist who is held captive by the villain. So what we have here, besides the "Enter the Dragon" and Bond parallel, is another "Magnificent Seven" or "Dirty Dozen" kung fu take-off, albeit with only half-a-dozen special fighters.Much of the entertainment stems from the odd group that Chase puts together. One guy is known as 'The Fly' (a real-life martial arts master, apparently) who, besides the obvious abilities, is actually able to levitate (unless it's some trick - Chase copies him at one point). Another just seems like overweight comic relief, but can throw a punch when he has to. Then there's Gorilla, played by Gampu, whom I remember from way back to the incredible "The Naked Prey" from the mid-sixties. It's not a bad cast for this type of picture. Even more comedy is provided, however, by the villain, which does go a bit overboard. His paramour or moll, a severely-fake redhead, calls him a bunch of pet names, like 'popsickle,' and he keeps telling her to stop it, to no avail. This does not impress or awe the audience. Plotwise, it's out of a silly comic book: the villain plans to use a drug which enslaves the populace to his will - and he actually sounds like he's doing the world a favor when he explains this. As the heroic group approaches his stronghold, he sends groups of fighters against them which get quickly pulverized. Then the heroes infiltrate his domain. At one point, they're under suspicion by the guards and talk to each other about their plan to break free within the obvious hearing distance of the armed guards! It culminates in the standard arena-type fights - guess who prevail? Yes, it's dumb, inconsequential, but kind of fun. Heroes:6 Villain:4 Femme Fatales:5 Henchmen:6 Fights:7 Stunts/Chases:5 Gadgets:2 Auto:3 Locations:5 Pace:6 overall:5