What a waste of my time!!!

Good idea lost in the noise

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Seven young samurai kill a corrupt local magistrate on the orders of their clan's chamberlain, Ayuzawa, believing that doing their duty for the honor of their clan. But when they discover that Ayuzawa was only using them, and that now he's set on cleaning house, their only hope my lie with enigmatic drifter Genta and strong bodied, thick headed ex-farmer Tabata. Assuming they don't get killed first. Thus begins Kihachi Okamoto's Kill! Based on the same novel as Kurosawa's Sanjuro, Kill! weaves a tale filled with twists, betrayals, and death that is steeped in the samurai ethos of honor and duty. But this is no brooding drama or tragedy; it's a slick action comedy.The central story is a compelling one, pitting the courage and youthful idealism of the seven against the callous deceptions of Ayuzawa. These are men who despite their inexperience and naiveté are committed to their cause and fully prepared to die for it if need be. But although they may not be fools or cowards, neither are they hardened warriors, accustomed to a life on the run. When things are down, they fight, they get scared, they make mistakes, but they manage to pull it together. And although I couldn't keep their names strait, each of them have been developed with their own personalities and character traits.The most interesting character by far though is Genta He's an outsider, a vagrant. He's got no connection to the seven, no reason to get involved. Yet from the moment he meets them commits himself to their cause and repeatedly risks his life to aid them. And believe me, there is no better man to have on your side. In battle, he possesses the power of a raging storm and the grace of a dancer, easily cutting down half a dozen opponents. Even more formidable is his cunning and charisma, which allow him to pit enemies against each other and undermine them from within.Genta remains something of an enigma for most of the film. We learn early on that he used to be a samurai, and that he had a falling out with his former master. But almost until the end we receive only oblique hints as to what lies in his past, and what motivates his actions now. It's clear however that he holds no regard for his former profession. For him, it's not the title or rank that matters, but the kind of man you are.His sometimes ally Tabata is the main source of comic relief. His stubbornness, earnestness and all around cluelessness are worth more than a few chuckles, and remind me just a bit of the peasants from The Hidden Fortress. His early fight scenes are among the funniest parts, as he tries his hardest to strike down a foe who nonchalantly comments on his technique while dodging his clumsy blows. I also enjoyed the bit involving the chicken, but the part that evoked the most laughs would have to be the frantic brothel scene, which is not nearly as risqué as it sounds.Kill! is not only a lot of fun and quite funny, but also surprisingly deep, sometimes poignant, and possesses a clear message about what it truly means to be honorable. It is a credit to its genre, and one hell of an action flick.

Kihachi Okamoto's Kill! is an anti-samurai film same as his Sword of Doom. In the latter, the protagonist is a sociopathic nut instead of a virtuous hero. In the former, the main guy is a comical figure who nevertheless talks normally instead of using the typical scruffy samurai talk. Kill! pokes fun of that one, and of many other tropes and clichés found in samurai films (some of those jokes unfortunately end up being lost in translation).Kill! is very entertaining, but the plot is too convoluted and confusing. Take the first 15 minutes for example - new characters enter and leave the screen as they please, names are thrown and exchanged rapidly, sides are taken and scenes fly by before you can get what's even happening. Fortunately, the storyline becomes clearer later on. I still dislike how the movie's editing is constantly so erratic, especially in its opening. Some scenes, like the party segment when Tabata meets Oyo work best when edited in such a dynamic manner, but the majority of the film's pacing is all over the place.The shot compositions are wonderful like in many Japanese films at that time, and although many shots last too short to be admired, they are combined with the restless edits in an unique way, showing us a big, open world. Also, the music is really cool, one of the best samurai movie soundtracks ever.As a bit of trivia, this is based on the same novel (The Peaceful Days) as Kurosawa's Sanjuro. However, Kill! seems to have more connections to Yojimbo, particularly the rundown village in the intro scene, which looks almost identical to the town in Yojimbo because of huge gusts of wind blowing dust all over the place.Despite some of its narrative weaknesses, Kill! is a very fun and exciting movie, with great music, good sword fights and lots of exaggerated acting as a spoof of samurai film tropes.

With all its dark humor and cynical attitude towards samurai code of honor, Kill! comes as a truly unformulaic and genre-bending period drama. Written and directed by the famous Kihachi Okamoto, the film's loosely based on Shūgorō Yamamoto's widely read short story Peaceful Days (also the basis for Kurosawa's Sanjuro). Kill! (or Kiru in Japanese) combines a well-crafted, complex plot with audaciously choreographed fight scenes, some visually-stunning, long shots of Japanese landscapes, with a bunch of witty - and often farcical - dialogues.The picture presents a story about two luckless, hungry would-be warriors, who find themselves in the middle of a ferocious battle between the opposing sides of a dangerous yakuza clan. Genta (Tatsuya Nakadai) is a former samurai, who got tired of the difficult lifestyle of a wandering ronin. He wasn't able to find any other work, and just wound up in the deserted city, where he met Hanjiro (Etsushi Takahashi), an ex-farmer who wants to become a samurai, but didn't have a chance to prove his abilities yet. As soon as the two discover that the abandoned city is a battleground for a merciless group of samurai retainers, it's simply too late, and they get dragged into the whole deadly intrigue in just a matter of minutes. It becomes clear that one side of the conflict betrayed the other, and the resolution of the struggle might come only when one of the parties kills the other. In the cutthroat game of murder and betrayal, the two main characters take differing sides, and in order to achieve success they need to kill each other at first. Though Hanjiro's first assignment as an aspiring samurai is to dispose of Genta, he hesitates for a long time, as Genta proved to be a valuable source of information regarding the precious samurai life. As the tension mounts, and both groups become more and more irritated and bloodthirsty, Hanjiro and Genta decide to team up and outsmart everyone in their way, leading on to one of the most riveting and satisfying finales in a samurai picture ever filmed.The problem with Kill! is that it's not as well-known around the world as it really should be. Moreover, it's simply an under-watched samurai epic, even though it actually shares - and makes fun of - all the far-reaching values of many prominent Kurosawa pictures. Here the portrayal of typical samurai warriors is a most parodical one, as Kill! shows so deliberately that there are those, who behave only badly and those, who behave only honorably, and there's nothing in-between. It's a game-changer of sorts when it comes to the topic of samurai, given its highly fanciful attempt at denuding all the hidden aspects of those seemingly convoluted personas.The cinematography is as raw-looking as it is actually picture-perfect. It brings out all that's eye-popping about the beautiful, yet blood-filled, Japanese scenery.Kill! also references various other samurai pictures, playing with the idea of a dramatic and serious samurai film, giving itself an utterly lighthearted tone. Kihachi Okamoto created a little, under-appreciated gem that's not only engaging, but also truly smart and concise.

This is possibly the funniest comedy samurai movie, with a more subtle humor than the hilarious Zatoichi series. Stars the brilliant Tatsuya Nakadai.