Keys to Tulsa
Keys to Tulsa
R | 11 April 1997 (USA)
Keys to Tulsa Trailers

Richter Boudreau is on a bad streak: Languishing in the shadow of his celebrity mother, he loses his job as a film critic for the town paper, and now he's been approached with a dangerous proposition that ultimately leads to blackmail. Richter's friend Ronnie ropes him into a scheme to steal the inheritance of his wife, Vicky.

Reviews
TrueJoshNight

Truly Dreadful Film

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VeteranLight

I don't have all the words right now but this film is a work of art.

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CrawlerChunky

In truth, there is barely enough story here to make a film.

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Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

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bbickley13-921-58664

James spider was pretty cool in the film. I don't think I've seen him play a role like that. Though he's good at playing a dick, he had this kinda Elvis thing going on in the film that made him almost unrecognizable at first.Of course I could be given Mr. Blacklist too much credit. He was good in a sea of bad performances. Everyone was trying to be cool and dramatic and tortured all at once and it was coming across nothing but lame.It's funny that the movie is made in 1997 or more likely it was just released in 97. The filmed screamed early to mid-90s with the clothes and hair cut.It feels aged and out dated as it reflects the culture of rich white people in the 90s. You would think being rich and white was ageless as it still exist today, but I definitely walked into a time warp with this one.Overall, it's long and boring and feels like it goes nowhere, so I can't recommend

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lordwhorfin

While I may be wrong about many things, compelling trash is not one of them. This film, like the much under-appreciated "Freeway" is NOT a "so-bad-it's-good" film. Rather, it is "Dynasty" for very corrupt smart folks. The film has a definite made-for-cable pace, but I think this adds to its "colored-umbrella in my drink" ambiance. Kind of like "Miami Vice" should have been. The primary reasons to see this film are the acting and the script. First, Eric Stoltz is wonderfully blissed out and funny. Second, Spader does a great stretch in this film, and he makes the catch. Third, Ms. Going walks on water. Fourth, so does Michael Rooker. Trust me; you really want to see James Coburn say "We, Richter, we're men, we love our women badly." It's a grade "A" genuine hoot and a half. And Cameron Diaz has precisely 3 minutes of screen time.

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Hermit C-2

This movie introduces quite an array of characters and their relationships in the first half-hour or so. None of them generate any interest or positive response. I waited for the intrigue to begin, hoping things would get better and ended up sticking around until the bitter end, but there was no reward for doing that.If you want a synopsis, look elsewhere. To me the action isn't worth recounting. Not that the story was that bad, I guess you could say I had some problems with the script--i.e. I thought it stunk. A look at the credits will show you that there's a pretty strong cast here, used to no avail. Most of the old pros in this flick do good jobs; of the actors I hadn't seen much of before I especially liked Deborah Kara Unger. That's about all that I can find good to say about this picture.

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Faunus

Perhaps the biggest waste of production time, money and the space on the video store shelf. If someone suggests you see this movie, run screaming in the other direction. Unless, of course, you're into self-abuse.

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