Kentucky Rifle
Kentucky Rifle
NR | 01 July 1956 (USA)
Kentucky Rifle Trailers

A man escorts a wagon load of Kentucky rifles through Indian territory and must find a way to get through without losing the rifles to the Indians. Unfortunately the Indians know about it, and give the occupants an ultimatum: either the rifles or their lives.

Reviews
KnotMissPriceless

Why so much hype?

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Pacionsbo

Absolutely Fantastic

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FuzzyTagz

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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Dana

An old-fashioned movie made with new-fashioned finesse.

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dighambara

Filmed at Vasquez rocks and on a sound stage - obviously two different places as the by play shifts from scene to scene. Different scenes; wagon train, axle building, sound stage and location shots all have a different color quality, as if different brands of film were used at each location.The best actors are in the roles of sidekick, Preacher and wagon master, while the lead actor seems to be asleep and the Indians a far from fierce...TV shows of the time had better action and stage sets... Wagon Train, with Ward Bond had better sets, action and acting. Chill Wills and Henry Hull should have thrown the script back in writer's face...Strangely enough, some of the best scenes are the wood work and minor blacksmithing required to put the axle on the wagon.I suspect those scenes were borrowed from another movie, just as some of the wagon train scenes were borrowed.

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FightingWesterner

Kentuckian Lance Fuller heads west with a wagon train and his one-hundred rifles meant for the settlers of California. When his wagon breaks an axel, he's forced to stay behind with a small disparate group and look for a large enough piece of wood to fix it, all the while contending with in-fighting and the lingering threat of Comanches.This starts slow and only gets a little better as time goes on. Despite a few sparks along the way, this dull western never catches fire the way it should have. Chill Wills is good as Fuller's partner, but not good enough to inject much life into this very Luke-warm production. There is some good scenery though.Viewers seeking out a nineteen-fifties color B-western can do a lot worse, but they can definitely do a heckuva lot better too.

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classicsoncall

Nor apparently, do rifles and Comanches, as the Indians are shown to be willing to fight and kill for them, or conversely, are willing to fight and kill once they have them. I couldn't help thinking while watching, as another viewer commented on this board, that here was a half century early preview of the politics of appeasement that the liberal Democrats are waging during the present day Iraqi War. Let's just give the enemy what they want and go on our way, because then they'll be satisfied and leave us alone.The story, one might surmise, stays in one place literally and figuratively for it's entire run. A broken down Conestoga wagon remains behind for a wheel to be fixed as negotiations get under way as to how to deal with the hostiles. It's unfortunate that the nominal leader of this piece, Jason Clay (Lance Fuller) was the one to waver in his determination to get the wagon through with one hundred Kentucky rifles intact. That resolve was maintained by sidekick Tobias (Chill Wills), shown to be correct when the Comanches force their own hand by shooting their bargaining chip Foster (Jess Barker). Interesting how one can see more clearly when when one's life is on the line.The sub plot of a romantic triangle among Clay, Foster and Amy Connors (Cathy Downs) wasn't particularly necessary for the story, and didn't wind up contributing to the finale. However it allowed for Chill Wills' character to fire off a couple references to how women and rifles don't mix, even if the connection was virtually negligible. It seems to me the run in with the Comanches would have occurred with or without women along for the ride.I don't think it's necessary to be as hard on the flick as other posters for this film have been, but it sure did take a long time to get from Point A to Point B as has been pointed out. Sterling Holloway gets minimal mileage out of his home made still bit, and Wills is mildly entertaining with 'Sweet Bessie From Pike'. It gets a little embarrassing though to see how much confidence he places in his own Kentucky Rifle, especially when he offers up a prayer to help him shoot straight.

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Slim-4

This is an awful western. The plot reminds me of "The Last Wagon", but it is far from having the polish of that film. The cast includes Cathy Downs and veteran character actor Chill Wills and is largely wasted. Chill Wills' performance is particularly annoying. He spends much of his time spewing almost unintelligible praise for the Kentucky rifle. While the Kentucky rifle was surely a fine weapon, it is not exactly the gun that won the West.The premise for this film is dumb. A wagon loaded with Kentucky rifles belonging to star Lance Fuller breaks down. The Comanches want the rifles. The Indians offer a deal. The guns for their lives. Surprisingly, those in the wagon are willing to make a deal. The Indians waste no time betraying the foolish Whites, but they don't get the rifles. After a battle in which many of the Indians are killed by the sure firing Kentucky rifles the Indians promise to allow the wagons to proceed in safety. This time they keep their promise.Technically, this film has serious problems. Much of it was filmed indoors, and the sets have a cheap look to them. The artificial rocks have a particularly phony look about them. The lighting is confused. Daytime scenes turn to shadows without warning. This aspect of the film reminds me of "Plan Nine from Outer Space".I rented this film twice. I wanted to see if it was as awful as I remembered it from the first time. It was.

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