Keep the Aspidistra Flying
Keep the Aspidistra Flying
| 20 November 1997 (USA)
Keep the Aspidistra Flying Trailers

Gordon Comstock is a copywriter at an ad agency, and his girlfriend Rosemary is a designer. Gordon believes he is a genius, a marvelous poet and quits the ad agency, trying to live on his poems, but poverty soon comes to him.

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Reviews
Freaktana

A Major Disappointment

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ThedevilChoose

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Fairaher

The film makes a home in your brain and the only cure is to see it again.

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Sarita Rafferty

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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lexo1770

I have no idea why the US and New Zealand versions of this movie were retitled 'A Merry War' - it's not set during wartime, and it's not especially merry. George Orwell's original novel is far from the greatest work of that great writer, but it's a sardonic and gritty look at bohemian poverty. The movie is much the same. Richard E. Grant does a fine job as the chronically self-defeating anti-hero, a character who more or less defines the phrase "his own worst enemy" - Gordon Comstock is one of those characters who basically needs a good smack in the mouth, but he never actually gets one. Helena Bonham-Carter does some quietly expert sweeping-up as Rosemary, Gordon's girlfriend, one of Orwell's less boring female characters. Julian Wadham is fine as Gordon's affluent editor friend Ravelston. The film never really gets to the bottom of Gordon's puritanical hatred of money and success, but it's not screenwriter Alan Plater's fault, because neither does the book. All in all, an entertaining piece of guardedly feel-good period drama.

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Jackson Booth-Millard

I have always liked a few British independent films, and I have to say this is a really good one, adapted from the semi-autobiographical novel by George Orwell. Basically Gordon Comstock (a terrifically posh and funny Richard E. Grant) is a copywriter at an advertising agency, mostly supporting the product Covex, and when he is offered a higher rank and pay, he decides to quit because of good response to his poetry writing. So he starts working in a book store, while he is trying to write the perfect poem and get some recognition and pay. His girlfriend Rosemary (an enjoyable Helena Bonham Carter) does still love him and want him to succeed, even with all his many faults. When he does get a big profit from a book, he just waists it on celebrating. This over-ambition and self-admiring will be his downfall as he becomes forced into poverty. He ends up having to get a cheaper room, and another lower pay library. There is a happy ending though when he finally decides to go back to the advertising company, and his poetry still comes to use, he gets married to Rosemary, and he has a baby coming! Also starring Julian Wadham as Ravelston, Shakespeare in Love's Jim Carter as Erskine, Harriet Walter as Gordon's sister Julia Comstock and The Royle Family's Liz Smith as Mrs. Meakin. The highlights are the moments with Grant and the Aspidistra plant, and the end song "Tiger in the Night" by Colin Blunstone is very pleasant. Very good!

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metalrooster

I personally love any film featuring Richard E but this one is some of his finest work. He just has an amazing delivery. Sure the script is a real gem, but only a true actor could pull off the subtle humour of such an intellectual period black-comedy. Keep the Aspidistra Flying addresses two ever present topics; The search for self and art and the unstoppable progression of capitalist society, themes which remain relevant to all of us no matter who or where we are.For me, thats what makes dry British Comedy so funny, the light hearted attitude in reaction to impossible truths. Keep the british humour flying!

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Zmajina

If only more films were made with such clever and funny script, lively characters and downplayed irony! Comstock is perfectly embodied by Grant, and it's not hard to participate in his tribulations, as 90% of people have had money troubles and have tried to write a poem at one time or another in their life. I totally disagree with the comments which would like this film to be another Kafka-clone. We've had enough of that!

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