A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

An old-fashioned movie made with new-fashioned finesse.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I've watched this movie several times and can't get tired of it. I could relate to some of the characters in the movie. I thought that this movie hit the nail right on the head. This movie encompassed a realistic glimpse of what types of things go on in the industry. It didn't focus on just the money and success of an artist. It showed the dark side of being a hip-hop celebrity in this day and time. The music in the film was great at inspiring the scenes and vice versa. It was well written and well directed. Shout out to all the actors and actresses as they definitely brought this film to life. If you are a fan of hip-hop then you would definitely enjoy watching this movie!

I've worked in the music industry for almost 20 years, and have spent most of the last decade dealing with urban music, and if nothing else, the filmmakers behind this movie certainly understand this world. The stories being told are very true-to-life, and many of the incidents are clearly based on reality. It is no surprise that almost everything else the director Peter Spirer has done before this has been Hip Hop documentaries. He is obviously an authority on the matter, as his films are some of the most prestigious docs out there on the subject (Rhyme and Reason, the Beef series, Tupac Thug Angel, the Biggie doc). Does this qualify him as a great feature director? Not necessarily, but it definitely gives him a lot of credibility, and a unique perspective from which he has crafted his urban feature debut. This isn't slick Michael Bay or Stephen Spielberg directing... it is raw, honest, totally indie, and has a "fly-on- the-wall" feel, like we're catching a glimpse behind the scenes. The contrast between the two main characters is also evident (albeit subtly) in the filmmaking, as the Young Eastie storyline (that of the struggling rapper) is shot with hand-held cameras and has a more frenetic editing style, while the scenes involving the established, big name rapper (A-Maze) are smoother, obviously shot with dollies, steady cams, etc, and has smoother, more polished editing. This interesting dynamic gets played with as the movie progresses and the lines between their two worlds blends. I don't know if this film will be of interest to those who are not into the music business, or urban films in general, because there aren't any big explosions, sweeping romances, slapstick comedy, or other "blockbuster" elements. But for anyone who has interest in the industry, and especially for those who understand this world, it is a fascinatingly authentic little gem. It is understated and tells a simple but harsh story of the cold cyclical nature of the Hip Hop business.

There is only one good thing about this dumb movie. Avon and Marlo. Kids nor The Player should ever be mentioned in the same breath as this film, and there is a big reason why this went straight to video. It's plain bad.I had no idea what this film was, but I decided to see it because Wood Harris was on the cover. When I saw Marlo Stanfield during the title credits, I became very excited. To have both of these guys in the same film was an opportunity for greatness. To bad a fraud of a director and a weak script failed them both. What a shame.We all know these two actors are very good. Both should have Emmys, but were snubbed. In this film though, both seem like amatures, but this is due to the weak director. I really hope these two can be paired again for something good. For now I'll just watch the greatest show (even better than almost any film) ever made for the eighth time. The Wire.

Finally, a movie that gets Hip-Hop right. If you're like me, and though "Terrence Howard, a rapper? Really?" when you saw H&F, you'll dig this movie. It is way more authentic, and less of a silly fairytale portrayal of the Hip Hop industry. Don't get me wrong, Terrence Howard is a great actor, and H&F was a fun movie for what it was, but I never believed for a second that Howard was a rapper. And the approach to writing, recording, and everything else music related in that movie was just corny. In Just Another Day, I totally believed that Wood Harris and Jamie hector were rappers. They each have a very distinct style, and their rhymes and flow seem authentic to their characters. But, you don't really watch the movie to see a couple actors rap, you watch it because it provides a really interesting and believable look at the way the music industry works. At times it feels like a documentary (in a good way... think Robert Altmans "The Player" or Larry Clark's "Kids"). And the "24" style concept of showing just one day in the lives of two very different men was really effective. You see just how similar their struggles are, and that fame doesn't really change the situation all that much. It's kind of a bleak view of the industry, but that's the reality. All in all, a much better movie than I expected for a low budget indie. A unique story, solid acting, and good music too. A must-see for Hip-Hop fans and aficionados of the great Hood-Classics of the 90's like Mennace II Society, New Jack City, Boyz n the Hood, etc. And highly recommended for anyone that appreciates engaging indie cinema and unconventional storytelling.