Wow! Such a good movie.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Another Sam Katzman quickie production with a rock 'n' roll pretense. Arthur Dreifuss directs JUKE BOX RHYTHM, a quaint little story about a European princess coming to America to select a wardrobe for her coronation. Princess Ann(Jo Morrow)slips away from her controlling Aunt Margaret(Freida Inescort)and is photographed dancing with a young singer Riff Manton(Jack Jones). Riff is trying to find money to help his father George(Brian Donlevy) support a show he is wanting to produce. It is hoped to be a comeback after a six year drought of flops.The scheme will be to get the Princess to have a wardrobe made by former junk-man turned fashion designer Balenko(Hans Conried). Balenko will give Riff the money to in turn provide the backing for his dad's production. Entertainers for this show called Juke Box Jamboree is to include the Earl Grant Trio, Johnny Otis, Georgie Jessel, The Treniers and Riff fancying himself as a rock and roll singer.(Joke).Singer Jones is making his movie debut with other players: Karin Booth, Marjorie Reynolds, Fritz Feld and Edgar Barrier. Some of the tunes of the soundtrack: "Let's Fall In Love", "Spring Is The Season To Fall In Love", "The Freeze", "Juke Box Jamboree", "Get Out of the Car" and the closest thing to rock 'n' roll, "Willie and the Hand Jive" by Clyde Otis.

***SPOLIERS*** Somewhat silly as well as predictable rock & roll flick that has poor little rich & royal girl Princess Ann, Jo Morrow, from some unmanned European country literately letting her hair down and getting with it in becoming involved with handsome rock & roll singer Riff Manton, Jack Jones. Riff uses Princess Ann to get his show producer father George played by Brian Donlevy, who looked like he just couldn't wait for the movie to finally end, who hasn't had a hit in six years the money to continue his production of the show "Juke Box Jamboree": So why you wounder the film is called "Juke Box Rhythm"?Things get a bit sticky when Princess Ann's nosy and overbearing Aunt Margaret, Frida Inesort, tries to break up the relationship with the princess and Riff in feeling he's not up to her class and position as well as breeding to have anything to do with her. Aunt Mararet is also put off with the rock & roll music that the Princess is so found of, after being introduced to it by Riff, that she feels is corrupting her morals. There's also the fact that Riff wants to get his dad Gorge back together with his mom and estranged wife Martha, Marjorie Reynolds, whom George's new girlfriend Leslie Anders, Karin Booth,is doing everything to keep the two apart.The person who in fact steals the show is former junk-man and now up and coming world famous fashion designer Balenko, Hans Conried, who in seeing a photo in the newspapers of Riff dancing with Pincess Ann tries to get Riff to have the Princess have him design her wardrobe, all 27 dresses worth, for her upcoming coronation back home. It's when Aunt Margaret finds out that Balenko is not just a former junk-man but was involved with Riff in getting Ann to give him the contract for her wardrobe that all hell broke loose. It's later was when Aunt Margaret as well as everybody else saw what a fashion genius Balanko is that his previous employment as a self-employed junk-man didn't keep him from being welcomed by Ann's royal family. The film ends on a high note with both Ann & Riff together and Aunt Margaret in seeing what a charming and witty rascal former junk-man Balenko is that she lost all her inhibitions in being part of the upper class of society and, like Princess Ann, let her hair down and both joined the party and let it all hang out. Poppa George did in fact get the hit show that he was looking for all these years that put him back in business as a top theater and play producer but by far the best thing that happened to both him and his son Riff in that he and his estranged wife Martha were back together again when the film finally ended. There's also in the film guest appearances by the "Earl Grant Trio" as well as this comedy singing and dancing group called "The Nitwits" and last but not least the world famous "Toastmaster General" Gorgie Jessel who's mistaken by someone in the film, after getting his autograph, for Milton Berle!

Is this the worst of the first wave of rock n roll exploitation flicks? I say yes. Jack Jones stars as the son of theatrical impresario Brian Donlevy, a producer desperately in need of a hit. He comes up with a show called Juke Box Jamboree, which everyone agrees is a terrific title. The truth, of course, is that it's an awful title, and one suspects everyone actually knows it, but are too afraid to burst Donlevy's bubble. Son Jones also makes the acquaintance of all-American 'foreign princess' Jo Morrow, as well as fashion designer Hans Conried, here sporting an outrrrrageous accent. Salted throughout these extremely uninteresting plot points are performances by Earl Grant (not terrible, but not great, either), The Treniers (worthwhile, but not at their best), Johnny Otis (Willie and the Hand Jive being the film's highlight), The Nitwits (an indigestible cross-pollination of P.D.Q. Bach and Spike Jones), and young Jack himself, the least likely rocker this side of Pat Boone. The climax of all this is, of course, the premiere of Juke Box Jamboree, a threadbare variety hour that, we are told, duly impresses the critics, who perhaps were overwhelmed by the dazzling presence of Toastmaster General George Jessel. For some reason, director Arthur Dreifuss kept being assigned similar films such as the legendary Riot On Sunset Strip (1967) and the worst film of the SECOND wave of rock n roll exploitation films, The Young Runaways (1968).

The movie also features several Hollywood veterans - Brian Donlevy, George Jessel, Hans Conried, Marjorie Reynolds and Fritz Feld. But this 1960s rocker is more worth seeing for the performances of the Earl Grant Trio ("12th Street Rag" and "Last Night"), Johnnie Otis ("Willie and the Hand Jive") and, of course, the fabulous Treniers ("Get Out of the Car"). For years the Treniers thrilled crowds with their energetic song and dance act on the Las Vegas strip - the only rocking act to do so until Elvis conquered Vegas. Three other movies - Don't Knock the Rock, The Girl Can't Help It and Calypso Heat Wave - showcase their act much better though. This also was The Nitwits Act only film appearance. They were a Spike Jones-type novelty act led by Sid Millward.