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Jia Zhangke, A Guy from Fenyang

| 27 May 2016 (USA)

Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.

Tomorrow Never Dies 1997

The Last Emperor 1987

The Replacement Killers 1998

Maineland 2017

Draussen bleiben 2007

Kundun 1997

Shanghai Express 1932

Broken Blossoms 1919

Balzac and the Little Chinese Seamstress 2002

House of Flying Daggers 2004

Limerculer

A waste of 90 minutes of my life

MusicChat

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Keeley Coleman

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Staci Frederick

Blistering performances.