I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

The simple plot of New Yorkers who find each other despite emotional damage is told with verve and also with an eye to letting the characters simply be. All in all this is a terrific piece that sneaks up and surprises and could be the one of the best over-35 date movies ever. We loved it and were surprised and delighted by its values, its plot, and above all, the acting which is a real delight.JGB is a very good slice of acting and writing. More than competent this is one of the better films around at the moment as it engages both the heart and the mind without condescension or patronizing the viewer.There is a visceral quality to the honesty in this that though low-fi is so good to be reminded of - that love accepts and wants to make an effort and isn't simply something manufactured, packaged or even, likely.

Jack Goes Boating (2010)Based on Philip Seymour Hoffman's transparent, penetrating performance, this movie will hold up in the future as well as it does now. But I think it will disappear for many years because it doesn't pull off anything sensational. And that's its strength. It's not a subtle movie, and in many ways it's a little too obvious pulling on heartstrings. But maybe that's okay turf for an interpersonal drama.The tale of two couples who are friends and who are having various hopes and troubles together as both friends a lovers is an old one, but it must be the best of material in some ways because it's the best of material in life, love and friendship. Keeping it focused on two pairs of people is not just movie-making convenience (though it is that, too), but it's the truth of life sometimes, too.This isn't an edgy story, and in some ways it's so mundane it would seem to totter into boredom. But Hoffman, as Jack, is too sympathetic and convincing to let the movie get away from him. He's a great actor, we all know that, and he's showing he's a good, if not inventive or brilliant, director as well. If there is a conventional structure--set up, hints at conflict, conflict, resolution--there is a restraint and economy to make it all make sense. A strong movie. And it's impressive now if you're in the right mood, and will be impressive in thirty years, too, if we can keep track of it somehow. I think it is already slowly disappearing from view, so give it a good look.

I like Phillip and was excited to watch this movie but this is my third time attempting to watch this. I give up. It's so slow and uneventful I just fall asleep or get distracted. An annoying thing about this movie was they played an entire album, didn't even bother to be creative and pick a bunch of artists (until they ran out of songs on the album). It was so consistent with the music it felt like I had a CD playing rather than a movie. If you are looking for a nice movie to sit down with and enjoy don't bother with this one. Personally I would find writing the word 'Apple' 10,000 times over and over more exciting. Rating: G'ay out of 10

This is an odd film. It starts off a lot like "Marty" and you feel a connection to the characters, but by the end, the film's more like "What Ever Happened to Virginia Wolfe?" (with all the arguing and substance abuse)...and that's a combination that just didn't sit well with me.Philip Seymour Hoffman had apparently starred in the play on which this film is based. In addition, he directed this low-budget project. How the two projects differ, I can't say, as I never had a chance to see the play.Hoffman plays a very shy and insecure middle-aged guy who is single. His friend sets him up with a lady who is equally shy and socially awkward. While neither really open up much at their initial meeting, over time a relationship slowly develops--at which time you learn more about the two characters. She is carrying some emotionally baggage and cold probably use a sex therapist, as she is phobic about being touched. He is incredibly unsure of himself and worries excessively about screwing up. In many ways, these two people did remind me of the characters in "Marty"--but they seemed to have MUCH more emotional baggage and were much more constricted emotionally. Because of this, the film was VERY dry and slow...glacially slow. Now I could have stood this, as I did connect with the pair. But, sadly, late in the film, the couple that introduced the two began to act almost exactly like Richard Burton and Liz Taylor from "Who's Afraid of Virginia Wolfe?"--and it just didn't fit with what had already been established. I wanted to see these two sweet screwed up folks together--not watch the Bickersons drink, do drugs and argue in the most vicious manner. It truly made my skin crawl.Overall, I would not watch the film. The first portion is great--the last, too dominated by the screwed up couple, was tough going. I think a tighter focus would have helped this film considerably. It's a shame, as the acting and some of the characters were nice.By the way, if you are interested, the title is referring to the risks Jack (Hoffman) is willing to take to change and grow. Despite a fear of water and unable to swim, he promises to take his new girl boating--and subsequently learns to swim and overcome his fear.