Dreadfully Boring

In truth, there is barely enough story here to make a film.

While it doesn't offer any answers, it both thrills and makes you think.

The movie really just wants to entertain people.

Wonderfully absorbing film, beautifully shot in southern Spain with some subtlety simple performances from what are by all accounts local people. The landscape compositions are that of a painter and the use of light outstanding. Yes, I really love this film.It is a shame therefore to have to make adverse criticisms. The film was shot over a period of one year. That is a long time but especially so when your lead actor is eleven years old. Couple that with some glaring continuity errors: The boy's socks change colour within the same scene on several occasions. As for the ambiguity I would not criticize that; it forces the viewer to think. I don't understand Spanish so I suspect I'm missing out on quite a lot, but then the film couldn't really have been made anywhere else, such are the locations so integral to the whole.

Movies' today are the results of someone's quest for entertainment. However, they can also reveal the universal search for truth which leaves an indelible impression on the human soul. Of all the inner virtues which have a duel purpose, Love is one which can either comfort or destroy those who seek it. And yet, it's the one power we have the least control over. This remarkable film was written and directed by the very talented Ivan Noel. The movie tells the moving story of Pablo Benitez (Gonzalo Sanchez Salas) who one day encounters a stranded stranger named Paco, (Francisco Alfonsin) who's car breaks down near his tiny village. Were it not for a very nosy postman (Antonio Sanchez) who begins to circulate rumors, few would know of the man's arrival. As it is, within days the entire population becomes aware of him. Adding to Pablo's daily life is Julia (Ana Tutor) who amuses herself with his friendship and sexual education. However, Paco's real reason for the arrival concerns Pablo's mother, (Anabel Azuar) one which Pablo is unaware of. The entire misunderstanding is sure to confuse the viewing audience, unless we pay close attention. The movie allows us to share the inner conflicts of youthful adolescence, challenged by life's decisions concerning Love, hate and the trapping of innocent mistakes. This being Salas' first movie, it is easy to understand how he gives such a powerful performance with such youthful exuberance. Indeed, the entire cast should be proud of their efforts. Their combined talents with the guidance of their creative, masterful and artistic director have assured us with a visual Masterpiece which in time will be seen as a true Classic. ****

As a lover of the Andalusian countryside and people 'En Tu Ausenia' was an essential movie to see and I was not disappointed. The photography and rawness of the actors (all novices, I believe) added to a delicate coming of age storyline of family and human awareness, sensitively directed by Ivan Noel. The cast of locals brought such a natural realism to the story that at times I felt I was actually there! The music interpreted and complimented each scene so perfectly.. (I hope the music is one day released on CD) The visual beauty of the movie, along with the engaging storyline and creative directing (is Sr. Noel a cinematic disciple of Monet?)makes 'En Tu Ausenia' a must see ..especially for the followers of independent Spanish movies.

The film "En tu Ausencia" is the debut of composer/filmmaker Iván Noel. I have personally witnessed from relatively close by the ongoing battle to get this film shot, edited and distributed and I can bear testimony of what a nightmare the process has been for Noel. He sold his house and used the money to make the film (and not starve whilst at it), but this is only a minor detail compared to all the disasters that befell on his way to having a feature film under his belt. If I had known, I would have shot a "making of", which would have compared well with "Lost in la Mancha", the main difference being that "Ausencia" finally made it to the theaters and on DVD's. And what justice is being done by allowing people to see this film! How talent and perseverance have resulted in a lush and utterly moving work of art. Where Almodovar captures from within the decadence and surrealism of Spain's capital Madrid, Noel has fallen in love with down to dry earth Andalusia. He offers us a unique and intimate view of real Andalusian people in their isolated world, while at the same time touching upon universal themes such as friendship, parenthood, coming of age, sexuality and betrayal. Set in the Arcadian landscape of springtime Southern Spain, the local actors (most of them young first time performers) behave as their own nature dictates, within the parameters of the story, closely directed by Noel. It is here that Noel excels: the visuals of the film are well above average of most Hollywood shows, the story is ingenuous and captivating, but the performances of the actors drawn out by intense direction are so direct and real that they touch the viewer as if he were participating in the story. Music (composed by Noel, who started pro life as a musician) beautifully accentuates and supports emotions evoked by the scenes, where impressionist images are followed by starkly realistic ones, although the film always draws upon our own imagination and experiences to complete the picture. A highly original film!