A very feeble attempt at affirmatie action

Mostly, the movie is committed to the value of a good time.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

In Old Colorado. Paramount, released 14 March 1941. Directed by Howard Bretherton.Cast: William Boyd, Russell Hayden, Andy Clyde, Margaret Hayes, Morris Ankrum, Sarah Padden, Cliff Nazarro, Stanley Andrews, James Seay, Morgan Wallace, Weldon Heyburn, Glenn Strange, Eddy Waller, Philip Van Zandt. 67 minutes. Available on an excellent Platinum Disc DVD, this is an agreeably action-packed, well-written rancher (Andrews) and foreman (Ankrum) versus nesters (Padden and Hayes) outing against magnificent scenery that takes in plenty of gunplay, despite the out-of-place presence of double-talking Cliff Nazarro. On the other hand, Cliff's stupidity enables Andy Clyde to betray more sense than usual (he even outwits Phil Van Zandt's shell game chiseler) and - yet more surprising - take a plausible hand in the action. Margaret Hayes makes a fetching heroine. Hayden can do little with his role, but the part is so small, it doesn't really matter. Hoppy himself comes across in top Bill Boyd form, while H. Bretherton not only contrives an atmospheric use of his impressive outdoor locations but paces the movie along at an admirably fast clip.

I hate to complain. I actually like the Hoppy films a lot, mainly for William Boyd's appealing personality and acting, the good production values, and the fine outdoor location scenery. I'll make two complaints, though. One, I find the comic sidekicks (other than Gabby Hayes) grating. Here, California Carlson got on nerves with his never-ending chatter. Same goes for the double talk routine of the cook. The other thing that bothers me is the slender, chancy, coincidental thin reeds of the mystery-solving. In this movie, there are two main forces arrayed against each other, each accusing the other of rustling their cattle and other misdeeds. Hoppy, for some good reasons, thinks a third party is guilty. And he thinks, for no real good reason, a member of that party is an insider at Ma Woods ranch. Ma Woods had blabbed all over town that Cassidy was coming with money to buy her cattle so anyone could have heard of this. Then, the first night Cassidy spends at Ma's ranch, one of the bad guys happens to sneak out in the middle of the night, and Hoppy decides to follow him. To me it seems difficult to follow a horseman over wide open plains and not be detected. Likewise, to me it seems impossible for Hoppy and friend to scale a mountainous peak to subdue a lookout, and the lookout does not hear or see the guys. And so it goes.

IN OLD Colorado has all the qualities and a few of the faults of this series, which brightened the lives of a generation of little boys (and a few girls). More than half a century later, nostalgia and recognition of the exactness of the approach both make this one rewarding.To start with there's Boyd's painstakingly idealized lead, riding, shooting and attitudinizing. Some of Russel Harlan's most striking mountains photography backs the action, which includes a smallish herd of cattle getting pounds run off them in stampedes in swirling dust. Hayes proves one of the spunkiest of the heroines, actually filmed close to the action, as the herd sweeps by, and managing to take down the bad hat with a rifle shot. The best of the lead trios show up, with Clyde's California allowed to eliminate a look out with a comic routine, after being left holding the horses, and Heyden's Lucky backing off when one of those young women, who seem to prefer Hoppy, actually shows an interest in settling down with him. Bretherton, who did the first of the series, organises things efficiently. The balance between action and basic plot is just right and the comedy is even occasionally funny.Against this is s certain simple mindedness. The cowboys sleep in full western gear. Hoppy manages to reconcile the Nesters and the Rancher and penetrate a dastardly plot with a couple of unconvincing lines of dialogue. Buck Jones and Tim Holt used to ride through something closer to the real world - but what the heck!

"In Old California" is from the seventh year of the popular series which began in 1935. The story centers on a conflict between rancher George Davidson (Stanley Andrews) and the "nesters" led by the widow Ma Woods (Sara Padden). It seems that poor old Ma has a loan coming due and Davidson is trying to ensure that she cannot repay it so that he can drive out the nesters whom he believes are rustling his cattle.Ma contacts the Bar 20 in Arizona whose owner Buck Peters agrees to buy her cattle in order for her to get the cash in time to pay off her debt. Bar 20 foreman Hopalong Cassidy (William Boyd) and his two sidekicks Lucky Jenkins (Russell Hayden) and California (Andy Clyde) are sent to Colorado to look the cattle over. Along the way they are robbed of $20K in cash by unknown assailants. Rancher Davidson is made to appear to be behind the robbery.Hoppy is sure that someone other than Davidson is behind all of the trouble. He manages to effect a reconciliation between Ma Woods and Davidson before discovering the identity of the real bandits. In a slam bang shoot out involving almost every member of the cast, Hoppy and the boys finally bring the bad guys to justice.The Hoppy series produced by Harry "Pop" Sherman is arguably the best "B" western series ever made. Its production values were miles above any other and they always had the look and feel of more expensive "A" features. This film is no exception. The beautiful outdoor location photography is exceptional for a "B" product.Also in the cast are Margaret Hayes as Ma Woods' daughter Myra, the love interest of Lucky, perennial Hoppy villain Morris Ankrum as Davidson's foreman and James Seay, Eddy Waller and Philip Van Zandt in other roles.William Boyd had been a silent film matinee idol in films directed by Cecil B. DeMille in the 20s. Andy Clyde's career dated back to the early silent Mack Sennett comedies in which he was one of the Keystone Cops. Russell Hayden would soon leave the series to branch out into his own features. Morris Ankrum has appeared under the name of Stephen Morris in some of the early entries in the series.