Not even bad in a good way

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Filmed in and around Chicago. C. M. Birkmeier's no-budget film centers on a turbulent relationship between Kurt (Kyle Wigent), and Paul (Tanner Rittenhouse). They begin the film with their affair completely "in bloom," as the title suggests; but then Kurt declares openly to Paul that he is no longer in love. Whether that is actually true or not is a moot point; by the film's end, when Kurt is the unwitting witness to an horrific murder, he actually discovers the true meaning of fidelity and loyalty.The plot is a familiar one, but director Birkmeier reinvigorates it through a suggestive cinematic style. His stock-in-trade is the flat two-shot framing Kurt and Paul as they eat Chinese food, play video games, or sit in bed. This might suggest closeness, but can also denote imprisonment; hence Kurt's desire to escape the relationship. Yet Birkmeier also uses the aerial shot looking down on the two lovers as they lie in bed together. They seem quite far distant from the camera - a fitting metaphor, perhaps, for the state of their affair. On another occasion he films them making love to one another; they are actually lying horizontally in bed, but Birkmeier shoots them from the side and then turns the image through forty-five degrees, making it seem as if they are standing up, having a "quickie" before moving on.On other occasions Birkmeier uses locations to suggest the sterility of the protagonists' existence. Paul spends his days in a grocery- store filling shelves and exchanging desultory conversation with co- worker Eddie (Jake Andrews). Meanwhile Kurt visits several groups of youngsters to sell them weed; while making a lot of ready money from the deals, he does not seem to enjoy it very much. Or maybe he is just frightened of engagement with anyone, whether boyfriends or others.Critics might accuse IN BLOOM of giving a stereotyped portrait of a gay community as promiscuous, drug-addicted and hedonistic. This is perhaps a little too censorious: Birkmeier seems more interested in the emptiness of his characters' existences as they move aimlessly from party to party without any real aim in life. This is the main reason for Paul and Kurt's break-up; while they claim to have each other, they both realize that the relationship will not get anywhere.

But not an altogether bad movie!Here we have Kurt & Paul who seem to have developed a life together successfully but from the start the viewer is aware of a tension in the relationship. Kurt sells drugs and Paul seems distant and depressed. Things come to a head when Paul suspects Kurt is 'seeing another'! All the while the background story is there's a serial killer somewhere in the city.Paul wants a simpler domestic life while Kurt want to go party. You know the relationship is doomed. And at movies end you don't really know if these to actually get back together but a murder brings them back together - if only momentarily.It's a good story but some of the acting is lacking and the plot gets repetitious at one point.

This movie really makes your skin crawl. It was heartbreaking that Kurt was dealing with drugs for a living. Like I would've thought that Paul really should have made the effort to get Kurt out of drug dealing and get him help like it should've been part of the film really. Instead it was like Paul didn't bother his head to help him when he found out what he was doing.The only part I was glad and relieved in the movie was, Paul helped Kurt with his injuries when Kurt was a victim of being mugged. However I was surprised the bad guy or the police weren't talked about much in this film because I really wanted the bad guy to be caught and explain why he mugged Kurt! This storyline seems to be really rushed to be honest with you. This was with regards in how us audience really want to know much detail what really and clearly is happening with the boys and the film itself!

This indie, gay based drama has been compared to Brit, indie hit 'Weekend'. I can see the comparisons but actually found this to be a better story. It is about two men Paul and Kurt, the film starts out with them meeting at a party and it is clear that they are somewhat 'estranged'; we then go back seven months to when their love was clearly 'in bloom' and find out how they got to this stage. Whilst Paul worked in a supermarket to pay the bills, Kurt was a drug dealer and got to meet a lot of laid back people – some might say too laid back. A chance encounter then starts the clock ticking on the road to separation. We also have a back story of a serial killer who is targeting lone men. What we then have is the painful deterioration of the two lovers relationship and I have to sat it was done completely convincingly. Things never just end and this was like watching nails being hammered into the coffin of their shared love.I found this completely absorbing even though it was far from being a 'feel good' movie. Quite the contrary; it dealt with an aspect of relationships that is all too often ignored and that is the breakdown. Director Chris Michael-Birkmeier has made a very good film and has also got two excellent performances from his leading men Kyle Wigent as Kurt and Tanner Rittenhouse as Paul – both of them virtual unknowns but both showing great ability. Not a bedroom fest more a study of a relationship past its best and if you are up for a challenging, intelligent and very human story then you could do a lot worse than giving this one a chance – recommended.