You won't be disappointed!

Bad Acting and worse Bad Screenplay

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This isn't a film. Rather, it's a collection of rather uninteresting vignettes, all of them focused around an unpleasantly self-centred middle-aged Frenchwoman who happens to be visiting South Korea. Unfortunately, this means we're back in the world of low-budget filmmaker Hong Sang-Soo, whose previous films THE DAY HE ARRIVES and OKI'S MOVIE I've watched. I didn't like either of them, finding them pretentious, but this is even worse.There's no story here whatsoever, just a trio of three short stories that are almost identical stylistically. Isabelle Huppert's protagonist is one of the most uninspiring I've seen in film, a woman who wanders around looking for self-gratification, boozing and smoking all the while. It becomes tiring after about five minutes. The characters she meets are equally self-absorbed, although the twist is that as she's foreign we have to put up with a ton of poorly-spoken English dialogue instead of the usual Korean language. Inevitably the shadows of sex, adultery, and alcoholism raise their head, but it's all so, well, pointless, I can't believe they bothered to make it.

I'm liking this movie more and more as I've had a chance to think about the poetry of it. Hong Sang-Soo has done something beautiful and lasting with In Another Country. Of course, having Isabelle Huppert as the star doesn't hurt.Huppert embodies three different women named Ann, in three separate short stories. It all takes place in the sleepy beach town of Mohang. The supporting characters are mostly the same. But the circumstances change, sometimes only slightly. English is mostly spoken. In the first story Ann is a French director staying a couple days with a Korean director friend and his pregnant wife.In the second story Ann (wife of a businessman in Seoul) escapes to the beach town to have a tryst with as well-known Korean director.In the third story Ann is taken to Mohang by her Korean professor woman friend to help her get over her husband leaving her for another woman, a Korean!Other than the back-stories, not a whole lot happens in terms of plot. But the scenes unfold naturally, and with tremendous grace that they are almost painful to watch because the subtleties are just so right on. There's one scene in the final story, when Ann, her professor friend, the man and his pregnant wife are dining alfresco, drinking soju and eating bbq. The man is obviously very curious about this white horse. He sees that Ann can enjoy soju so he pours her more, but neglects the professor friend. And worse than that, he only clinks glasses with Ann. Both the professor and the wife notice this without revealing their ire. The moment is unbearably tense. Hong and Huppert earnestly present three slices of what it means to be a foreigner that you don't need to be Korean, French, or American to feel that weight.

After being impressed with all of the works I've seen from Korean director Sang-Soo Hong I am sad to say that this disappointed me. As much as I appreciate his minimalistic approach to filmmaking I think that, after seeing the same techniques used in four consecutive films, his style is waning on me. Despite that, I did enjoy the plot and it's always interesting to see how Hong approaches filmmaker characters – in this case a female. An impressive performance from Isabelle Huppert too who seems to be doing just about anything she's given.Hong displays the same themes as he always does: relationships, infidelity and alcoholism – and there are no qualms from me in terms of his improvisational skills when it comes to screenplays. In typical style for the filmmaker he repeats scenes, dialogue, characters and locations but this time there is a plot point that elevates the repetition – in actuality this is a film about a film and we see the scenes acted out as the female filmmaker character puts her self into her work.Overall it is a good film but, as I mentioned before, I was disappointed simply because his techniques are beginning to become a little tiresome.

Isabelle Huppert is having a great time making movies, taking on any kind of oddity they push at her. It's a bit rough on her fans, who get stuck with items like this and CACTUS but I suppose you take the rough with the smooth.A Korean girl facing a crisis sets down to write a script in which Huppert appears as "the French Woman." Now you can't complain about mis-casting. Complete with the sound of typing (thank you Twilight Zone) she puts our heroine into three different scenarios set in the so nice timber beach front home, where she encounters the same characters in different arrangements, looking for a light house, losing an umbrella and getting amorously involved with the men. Kind of precious.The material is presented in sharp, subdued colour with minimal editing. It's not worth it's star's time or the viewer's.