I'm Through with White Girls
I'm Through with White Girls
R | 01 February 2007 (USA)
I'm Through with White Girls Trailers

Jay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar". But because Jay doesn't fit the "brotha" stereotype, he fails miserably with the "sistahs." Then he meets the dynamic Catherine, a misunderstood "Half-rican Canadian", who's as righteously quirky as he is. To win her heart, Jay must confront his fears as he realizes commitment is a bigger issue than race.

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Reviews
Vashirdfel

Simply A Masterpiece

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SpuffyWeb

Sadly Over-hyped

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Claysaba

Excellent, Without a doubt!!

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Scarlet

The film never slows down or bores, plunging from one harrowing sequence to the next.

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azredqueen

I couldn't get past the title - if this film were named "I am Through with Black Girls" it would have been labeled racist and never shown. Why does the back community continue to downgrade itself by accepting this kind of rubbish? It is humiliating and racist. You should all be ashamed of yourselves for spending money to produce and actually filming this and those that have raved about it are disgusting. This is not "black pride" this is proving that the whites are right - we are not good enough. What, exactly, is the difference between this and "Little Black Sambo"? I am truly disgusted and ashamed to be a black woman.

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Ryan K. Mega

Misogynist Film of the Moment: I'm Through with White Girls 13 11 2009This wasn't the kind of movie i'd normally waste my time watching. I mean, there's "How to Be a Player" and everything else is mostly the same. I thought it was worth a good viewing. You know that means 30 minutes of straight criticism. By the time I get to the scene where the star, Jay, is running from one of his ex white wifeys, crawling across a bar floor, using innocent bystanders as shields to get away, I forget that I am critiquing and start watching the movie. The plot crept up on me. The star of the movie, Anthony Montgomery portrays the white guy in a black guy body lead Jay to a tee, reminding me of buddies I went to school with who suffered from this flaw in their dating habits. They dated white women because they related to white women more. When they tried to date black girls, sisters, whatever, they were usually dissed. Jay attempts to correct his bad fortune with women by going cold turkey on the white girl. As he sees it, he is single because he can't see himself committing seriously to a white woman so he naturally looks for reasons to sabotage even the good ones.He goes on a round robin of dates with black women but that only justifies the past and he is about ready to fold on his principals to get some ass when he meets Catherine, a writer from Canada, who comes from a biracial family. Catherine is a quirky, smoking, therapist seeing eccentric who fits perfectly to Jay's sensibilities. They begin to date and love grows between the too.Then it happens. Jay begins to find flaws and creates ways to sabotage what all his friends agree is the best thing that has happened to him. And sure enough he does.But immediately realizes that it won't get no better than this. But before he can get his girl back, Catherine, played by Lia Johnson has moved on with her quirky little self. He begs to get her back, but it isn't until he busts a move at the wedding reception does she fully understand how he really feels about her.I am recommending this movie because it made me cry. It has a good story and is well acted for an independent movie. Furthermore it talks about black romance in a sweet and entertaining perspective that I have never seen before. But its a good look at black men approaching commitment as a result of getting older.Enjoy it.---- Ryan Mega sexdrugsmoney.com

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bashe

I saw I'm Through With White Girls last night, and liked it a whole lot. And I had absurdly high expectations, too; so for me to say that means something, since whenever I head into an encounter with art possessing absurdly high expectations, I usually come away disappointed. Not this time.I'd say this is easily the purest, most self-consciously post-soul film I've ever seen (I would say "ever made" instead of "ever seen," but obviously there could be another one out there). Actually, I'd have to put Afro-Punk right up there with it, except that the latter is a documentary, and this is an absolutely delightful romantic comedy.It's got all the PSA aspects one could want: non-traditional representations of blackness in conflict with---and in connection with---traditional representations of blackness; social class issues; the way cultural blackness plays out among white characters, particularly white men (and the great thing about it is that these black-culture-influenced white characters never descend into caricature, as do, sadly, the working class black characters); the tension between stereotypical black behaviors and individuality (and that tension plays out on both white and black cultural planes, of course); bi-raciality and the question of blackness (not only is the female lead bi-racial, she's not even a native of the United States). Oh, there's all sorts of great, symbolic, contextual stuff in the mix. But the wonderful thing is that the film stands on its own as a plot-driven romantic comedy that skillfully moves along the boy-meets-girl, boy-loses-girl, boy-regains-girl, happy-ending format. (I get impatient, quite frankly, with people who get impatient with the romantic comedy format---to me, that just means [1] that person just doesn't like romantic comedies---because the format is what it is, or [2] that person doesn't realize that the romantic comedy form is just another form, and it's what you do with it, how funny it is, how the pacing works, what it tells you, culturally, about the world the characters inhabit, that informs how well or poorly one deals with that form.) In any case, I thought it was a successful film on the PSA level, for sure, but also on the pure filmic level, as well.I liked, as well, the persistent references to Paul Beatty's novel The White Boy Shuffle: [1] there is a moment in the film when the specific words "the white boy shuffle" come out of the male lead's mouth; [2] when the female lead is reading from her novel at a bookstore, you can jusssst barely hear her describe HER male lead as being named "Gunnar," echoing Beatty's hero's first name; and [3] one of the running gags throughout the film is that Jay Brooks can't dance!---yet another Gunnar-esquire gesture. In addition, there's an explicit reference to a memorable scene in Spike Lee's "She's Gotta Have It" that also becomes a running gag. Like I said, the film sure seemed, in more ways than one, a self-conscious post-soul aesthetic document, even if they don't use that term on their website.Very, very enjoyable film. The only shame is that it didn't get the theatrical release it deserved. I wish Will Smith had the courage to star in something like this. I thought Anthony Montgomery was great, but with Smith it would have had the eyeballs on it that the film deserved. Woulda had to change that unfortunate title, though, and that would have been all to the good; it's the only thing I didn't like about the movie.

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boxx509

This film hit my radar when it was casting in '05. For the record, there was considerable discussion about the title for obvious reasons. I'm glad the filmmakers returned to the original title and did not shrink to silly PC conformities. Truth be told, there are worse titles out there.Now on to this delightful film ITWWG which delivers on so many levels exactly what audiences have said they are hungry for... story, performance, characters you can get into. The beauty of the film is it's original approach to a comedic love story with black characters in leading roles.Courtney Lilly, Jennifer Sharp (first-time feature director), Lia Johnson (actor/producer), Anthony Montgomery (whose work I was unfamiliar with prior) and a cast of 70s/80s popular throw-backs like Johnny Brown, Richard Lawson, Alaina Reed Hall - to name a few - collaborate brilliantly along with the other fantastic cast members in this fresh laugh-out-loud romp to romance. Somebody's clearly got a sense of humor that's actually smart and funny (um, Hollywood, take note).You won't get any spoilers here but rather an emphatic recommendation to SEE THIS FILM. I will offer that the on-screen chemistry between Johnson and Montgomery is about as warm and sexy and quirky as anything I've seen. This film has steadily and deservedly been building it's name and audience through the festival circuit and limited release in selected markets. Fortunately, it's about to be released on DVD.Looking for a movie that skips the re-hash and clichés then you'll want to move I'm Through with White Girls to the top of your queue whatever your venue. I've seen it several times now and the jokes hold up every time. Get some friends together, check it out, you'll be glad you did.

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